Nice interview with Laird Hunt by M.T. Fallon @ elimae: “Both of these books got started because I was unable to let go of the books they evolved from.” See also strong pieces by Jaclyn Dwyer, Sean ‘Blank Nacho’ Lovelace, Zack Wentz, and many others.

Heather Christle Week (3): One of Several Talking Men

Heather ChristleThis poem operates on my tenderest muscle tissues as harpoon and actual cautery, both. It functions as a critical emendation of T.E. Hulme’s somewhat shrill cry, “It is essential to prove that beauty may be in small, dry things.” Oh, the poem is certainly not roomy–and it is by no means damp, but it adds heat to what is small and dry.

The Difficult Farm is never glib, never chary, but these eleven pellucid couplets, in their radical recognition of this one talking man, especially forbid unseriousness, either on the level of form or affect. This quality of seriousness is not, never, to be confused with humorlessness: there is some certain revel here; Heather Christle isn’t coy or cute but she is canny (one example: she has identified this man among several while avoiding the mistake of identifying with him). But I dare you only to laugh at this talking man and not to feel deep shame of the kind you’d feel if you laughed, just laughed, at the foppery of your own grandfather. Or rather, Heather Christle dares you, I should think.

ONE OF SEVERAL TALKING MEN

Because my head is a magnet for bullets
I am spending the day indoors. First

I admired the topiary for several hours
and when my eyes began to ache I rang

for lunch. Lunch arrived with injunctions.
I considered my feet. I did not consider

my altitude. Because I stuffed myself
into the reliquary, I am finding movement

difficult. Luckily, I would not dream
of dancing in this outfit. You must be

a foreign exchange student. Allow me
to make an observation. We live beneath

a frugal moon, and only in her bad light
do our women seem consumptive.

Though what do I know. I am, moreover,
a senatorial moment, and if you don’t

forget me, I may do it myself. You could
conceivably think I’ve never known love,

but I suspect that in the war years, when nurses
bandaged my wounds with repetitive flair,

there existed between us if not affection,
at least a sense that the subject could arise.

See?

And for your Heather Christle Week Hump Day reminder: BUY now here; attempt to takeaway from the giveaways (+ find out when HC is reading near you) here.

Author Spotlight / 12 Comments
November 4th, 2009 / 10:12 am

PSA: Rose Metal Press Chapbook Contest

The Rose Metal Press Fourth Annual Short Short Chapbook Contest submission period begins October 15 and ends December 1, 2009. The 2009 judge will be Dinty W. Moore. The winner will have his/her chapbook published in summer 2010, with an introduction by the contest judge. During the submission period, please email your 25–40 page double-spaced manuscript of short short stories under 1000 words to rosemetalpress@gmail.com with a $10 reading fee via Paypal or check. You can find the link to pay the fee here.

And while I promise it won’t be all chick talk all the time, on the heels of the Publisher’s Weekly discussion I’ll also just mention that Rose Metal has received very few manuscripts from women writers. They’d really like to see more balance in the submission pool. Send your damn chapbooks in, bitches.

Presses / 4 Comments
November 4th, 2009 / 1:31 am

Blank Bodies

blankbodymap

Imagine all authors did not have names or genders or races or other traits, and all books were no more than the sum of what they held or caused in on upon the world or you. Imagine the words are the words. How would this affect your ‘top ten’ lists and concerns? What would you say then about the problems with this list, and the perspectives (not bodies) of its creator(s)? [And yes, I do believe that the aura of author does affect something in the object’s presence, but we’re talking about books as books here, not commodities, or careers.]

Is the gender of the book the author’s gender? Is the history of the book the author’s skin? By what other, individual features might a creator’s identity be transmitted and/or formed?

Behind the Scenes / 30 Comments
November 4th, 2009 / 12:46 am

Warm Milk Printing Press

Museum Cover 2 blog picWarm Milk Printing Press is live out of the hands of Atlantan Ben Spivey and crew, dropping their first joint in February 2010 via David Peak’s quite excellent Museum of Fucked.

Warm Milk Press is the publisher of handmade chapbooks. We publish 1- 2 books per year. At this time, we do not accept unsolicited manuscripts, but you can submit to our online literary journal here.

Check these fresh heads out, and preorder David’s chapbook. It’s a real faceeater. 7 blurbs on the site agree.

See also David’s recent interview with Keith Nathan Brown at his blog.

Author News & Presses / 5 Comments
November 3rd, 2009 / 10:39 pm

Spoken Word at the White House!!

to read about this evening and to see video performances click here

and who says poetry is dead!!??

Classic but Yeah

dali_on_set_of_spellbound

I don’t do drugs. I am drugs.”

Power Quote / 92 Comments
November 3rd, 2009 / 5:20 pm

The Improbabilities of Snoop Dogg

snoop-doggI assert to you 3 cases, lyrics from “Fuck Wit Dre Day,” from the album The Chronic in which Snoop Dogg makes multiple guest appearances:

(1) “I’m hollin’ 187 with my dick in yo mouth”

187 is the numeric California penal code for murder, and the allusion is simple: Snoop will murder “you” (the second person here operates as Easy-E, a former friend and subject of this song) while [you] perform fellatio on him; this is not about homoeroticism, but an abridged version of power for the disenfranchised. The method of homicide, as implicated by a precedence of firearm mention, is a gunshot to the head. The narrative incongruency, of course, is that Snoop would somehow have to shoot Easy-E in the head without shooting his own penis. This, while possible, would be very difficult.

READ MORE >

Craft Notes / 32 Comments
November 3rd, 2009 / 4:12 pm

Publisher’s Weekly has compiled their best books of 2009 and it has been pointed out, in a few places, that there are no women writers on the list. There are lots of other exclusions on that list too. Poor poetry. I’ve only read two of the books on the list—Await Your Reply and Shop Class as Soul Craft, both of which are fantastic—so I can’t really speak to the rest of the list but as I tried to think about major (mainstream) books written by women in 2009, the only two that come to mind are Lorrie Moore’s A Gate at the Stairs (which I am currently reading, which I respect, which I do not love) and Margaret Atwood’s Year of the Flood. As I’ve thought about which books I would include on my own Top 10 list, none of them were mainstream books but about half were written by women. (My list, includes, in no order: American Salvage by Bonnie Jo Campbell, Scorch Atlas by that one guy, Light Boxes by Shane Jones, AM/PM by Amelia Gray,  and How to Leave Hiealeah by Jennine Capo Crucet.)

Were no great (mainstream) books written by women in 2009? What would appear on your Top 10 list for 2009?

Following up on Blake’s Finnegan’s Wake post, here’s Ulysses as a graphic novel. Prepare to say “holy shit” again, Thomas.