6/16 – Philly
6/17 – DC
6/18 – Richmond
6/21 – Atlanta
6/22 – Durham
6/24 – Baltimore
Get all the dates and links and stuff from Mike’s blog.
That DC reading is an exciting one – it will be the first in the new series from Barrelhouse. The concept is to feature presses/journals, not just individual writers. That is a sensible way to create a good reading; if the publisher has a good aesthetic, the reading will showcase their authors and the event will make good flow. Future presses with Barrelhouse readings coming up include Dzanc, Rose Metal, and Artifice. This one on June 17 (this Thursday) features Publishing Genius and, now in their 7th year, Narrow House (click for a SICK 7th year special offer — 7 things for the price of 1).
If you had to go to a party dressed as the last animal you killed, what would you go as? I’d probably go as a newt, or if that newt didn’t die, then I’d be a fruit fly. Schrödinger either would or wouldn’t be a cat, depending on something random.
At least one person has said that much of modern physics is built on thought experiments. Einstein’s thought experiment about chasing a light beam got him to his theory of relativity.
Do you use thought experiments, or something like them, in your writing? Or, another way: how do you make environments using language?
P.S. It isn’t new, but check out “Keats in Space” by Molly Young for a discussion of the fusion of poetry and science. Also, Natalie’s poem “Water Experiment” and the discussion that follows gives you some poetry and science.
When reading the work of prodigiously–okay wildly–talented contemporaries–people like Natalie Lyalin, Heather Christle, Sabrina Orah Mark, Chelsey Minnis, Claire Becker–I tend to think first:
I love this. This is essential and beautiful.
And then at some point, my thoughts turn to my own work, and a voice says,
I can’t do anything like this.
It is all too easy to stop at that point, and stew, and–to drown out the voice–spend the next part of the day doing something that isn’t writing.
But the voice isn’t done talking.
That is going to have to be okay. There are other things I can do.
Listen to that, and return to your writing. This is the next step.
It’s not as if Chelsey Minnis can do what Sabrina Orah Mark does. It’s not as if Sabrina Orah Mark can do what Chelsey Minnis does. This is the whole point.