Lily Hoang
http://www.nmsu.edu/~english/mfa/faculty_lily.php
Lily Hoang has published some books and won some awards. She edits for presses and journals. She teaches in the MFA program at New Mexico State University.
Lily Hoang—
Say you’re giving a reading, what’s the perfect question? What question do you loathe?
Say you’re in the audience, what question do you wish someone else would ask? What question makes you feel embarrassed that someone actually asked it?
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The Line Assembly Poetry Tour and Documentary might even be coming to a city near you.
I love them. You should too.
in which Lily teaches a class on a whiteboard
This is what happened in my grad Form & Technique in Fiction class today:
Here is how it happened. Every Wednesday, students read articles and essays that are NOT fiction. Last class, they read & we discussed a unit I called “The Human Body,” which included the following texts: Dong et al, “Unilateral Deep Brain Stimulation of the Right Globus Pallidus Internus in Patients with Tourette’s Syndrome”
(from The Journal of International Medicine); Grahek, Feeling Pain and Being in Pain, “Ch. 1: The Biological Function & Importance of Pain”; Ramachandran, Tell-Tale Brain, “Ch. 3: Loud Colors and Hot Babes: Synesthesia”; and
Scarry, The Body in Pain, “Ch.3: Pain and Imagining.”
Syllabus Share
I developed this class. Now, I am teaching it.
ENGL 534: Form & Technique in Fiction
Reading Outside of Fiction
COURSE DESCRIPTION
As writers, it’s important that we gather inspiration from a broad array of sources. Often, between coursework and personal interest, it’s impossible for us to read as widely or diversely as we could, and it’s often outside of the discipline of creative writing and literature that we gain the most inspiration. In this course, we will read from a variety of disciplines and use the knowledge to generate prose. The texts you will encounter in this course may be difficult. It isn’t important to understand every word. It is even less important that you “like” it. What matters is that you use it to generate new material.
On Impermanence and Guarantees
1. This nail polish is supposed to last fourteen days without chipping or fading. I am on the tenth day.
2. The fire I built at 10pm last night is just starting to go out. I have added so many pieces of wood to it.
3. Life insurance plans expire arbitrarily. My father’s will be void if he lives past 76. My sister’s was void because she stopped paying.
4. The rechargeable batteries I bought in 2003 only hold charge for thirty minutes now.
In a syllabus, I called it NECROMANCER instead of NEUROMANCER. Oops.
Are you a romantic? Do you think there’s more romance irl or in books? If in books, reading or writing them?
AAWW Publishing Conference
Guess what: Being Asian American is not a pre-requisite. Being a writer does.
Saturday, December 8th, 2012 from 12PM-6PM
@ Daruma Asset Management
80 West 40th Street, 9th Fl., NY NY 10018
Tickets for sale online!
You’re a writer. We know it. You know it.
Lily Hoang—
How do you revise, like literally, how do you do it: print and cut, type and delete, erase with an old school eraser, white out, etc.?
Hypochondria, Death, and Boredom
I’ve been on a lot of planes this week, and I will be on more planes before this week is over. This guy I knew once told me that the best place to sit on a plane is in the back, the very back, by the bathrooms. It’s inconvenient, sure, and you have to wait forever to deplane, but if the damn thing goes down, the back is the safest place. The nose of the plane is obviously the first to go. Bye bye first and business class suckers! You’re dead. The middle of the plane is scary because it’s the weakest point, what with the weight of the wings and general architecture. If the plane is going to snap in half, the end. And so, the back. It makes sense. When the plane dives nose first, the back will be the last to impact. Chances are you won’t survive, but at least you’ll have a few extra seconds and maybe a little luck on your side.
Popper in bed
Fan Mail #5: Karl Taro Greenfeld
Dear Karl Taro Greenfeld –
Thank you for sending me your book, even though you said—cheekily—that I would hate it. I didn’t. Your artificial humility was unearned. Triburbia is a fabulous book, not fabulous as in fabulist, no it’s realist, as real as a utopia about Tribeca can be. I use the word utopia with real care. Triburbia is not the kind of utopia Thomas More would think up, but for your characters, Tribeca is utopia. To have a place in Tribeca is to have achieved, to have made it, and yet, and yet, here they are, suffering just like the rest of us plebs.
my body ain’t your battleground: Lidia Yuknavitch’s DORA
To promote her new book DORA, Lidia Yuknavitch has this campaign going on her FB page.
You can buy the book here.
Lily Hoang—
Lincoln Michel‘s class asked him what the current trending literary styles are. He said G-Chat Realism and Magical Tweeism.
Go!
Joshua Cohen’s Four New Messages
More info here. The book is good, very very good. Buy it.
“Jobs” you get “paid” for
It strikes me as funny that some commenters responded to my post below – letting people know about an opportunity to edit for the Volta – by questioning what a “job” is.
It strikes me as funny because most of call ourselves “writers”, but we’re not paid for it.
Many of us call ourselves “editors”, but we’re not paid for that either.
For the past few years, I’ve served as an associate editor for Starcherone Books, editor for Tarpaulin Sky, and prose editor for Puerto del Sol. I’m currently guest editing Fairy Tale Review. Blake and I co-edited an anthology. I’m editing an anthology right now with Joshua Marie Wilkenson.
All of it: unpaid.
