Andy Warhol interview with Bay Times Oct. 1965
“Do you think pop art is…”
“No.”
“What?”
“No.”
“Do you think pop art is…”
“No… no, I don’t.”
“Why did you leave commercial art?”
“Uhhh, because I was making too much money at it.”
Today an editor casually told me writers are like small children. Ouch. Are we? Is that good or bad? It had me thinking…
Please change the curriculums of our high schools, it will work. Start now.
[via Caketrain on twitter]
The School
At The School the creative writing undergrads will be allowed to write only about their hobby. Homework assignments will go like this: “Go home, and do your hobby.” Readings will include rule-books (if your hobby was boccie, etc) or instruction manuals (if your hobby was creating birdhouses out of Q Tips, etc). If you have no hobby, you are immediately expelled from The School.
Grad students in creative writing at The School will be allowed to write only about their job. Homework assignments will go like this: “Go home, and do your job.” Readings will include employment manuals (if your job was lifeguard at city pool, etc), local maps (if your job was delivering various types of paper, etc), or instructional material (if your job was to monitor the unloading of industrial chemicals from train tankers, etc). If you have no job, you are immediately expelled from The School.
Workshop will take place in the pond. The students will sink or swim, in silence.
I should be writing…
Because you’re obviously not writing right now, what ARE you doing?
This Week I Began Studying The Posthuman

What is the posthuman? Think of it as a point of view characterized by the following assumptions…First, the posthuman view privileges informational pattern over material instantiation, so that embodiment in a biological substrate is seen as an accident of history rather than an inevitability of life. Second, the posthuman view considers consciousness, regarded as the seat of human identity in the Western tradition long before Descartes thought he was a mind thinking, as an epiphenomenon, as an evolutionary upstart trying to claim that it is the whole show when in actuality it is only a minor sideshow. Third, the posthuman view thinks of the body as the original prosthesis we all learn to manipulate, so that extending or replacing the body with other prostheses becomes a continuation of a process that began before we were born. Fourth, and most important, by these and other means, the posthuman view configures human being so that it can be seamlessly articulated with intelligent machines. In the posthuman, there are no essential differences or absolute demarcations between bodily existence and computer simulation, cybernetic mechanism and biological organism, robot technology and human goals.
–from N. Katherine Hayles’s How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. (Chicago: University of Chicago press, 1999)

“A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction…The cyborg is a matter of fiction and lived experience that changes what counts as women’s experience in the late twentieth century…Though both are bound in the spiral dance, I would rather be a cyborg than a goddess.”
–from Donna Haraway’s “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century,” in Simians, Cyborgs and Women: The Reinvention of Nature (New York: Routledge, 1991)
Friday Fuck Books, Let’s Take Us Some Teeth
httpv://www.youtube.com/watch?v=n6bK5EPdQ1g
httpv://www.youtube.com/watch?v=toSWqyvpkYo
httpv://www.youtube.com/watch?v=qY1lHDXw6GM
Isaiah Toothtaker‘s record is free HERE. The first track samples Werner Herzog.
Small Press Distribution 2009 best seller fiction list released. Why not use this as a reading list for 2010?




