Very sad news today: Jeanne Leiby, editor of The Southern Review, died in a car accident in Iberville Parish, Louisiana. The preliminary news report comes from Avoyelles Today. A tribute from Alex V. Cook, a writer and friend, appears at his blog.
During Leiby’s short tenure at The Southern Review, she distinguished herself for the care and kindness she offered writers. Her short piece “Why I Call,” was her most public statement on the matter.
Condolences and best wishes in this difficult time go to the Leiby family and to Jeanne’s colleagues at The Southern Review and Louisiana State University.
14. Got nervous reading out loud tonight. I know my voice trembled. I became aware of said fact, this trembling voice, and…and, and you know the cycle. Fuck. I felt low. I speak out loud FOR A LIVING. This happens about thrice a year. Any tips?
That painting will be sold for $25 million plus. Did you look at it or the “Christie’s employee” first? Just wondering. Just the posing of the “Christie’s employee” in this way to present the grotesque twisting of the self portrait should open some questions about art. Suddenly I sound like Jimmy Chen, but with much less eloquence.
14. If the frame story narrator has no significant heart connection to the big story, the head-meat being told, remove the frame. My opinion. I am talking technique now. The frame should be very, very necessary.
Do you want to know a secret? Literature is not for everyone. People grant that about other arts — serial music isn’t for everyone, nor is Balinese shadow dancing — but when it comes to fiction, there’s a democratic assumption that anyone with a basic education should be able to read and enjoy any novel…Why this bleeding-heart concern for “the mass of readers,” “the common reader?” (page 24)
The LA Review of Books is now live and updating online. THE DEATH OF THE BOOK: “It is possible to regard much of Western avant garde poetry and prose as an extended argument with the bound pages from which literature would prefer to break free.” BUSTER KEATON AND THE WORLD OF OBJECTS: “Keaton takes the bat and systematically smashes every pane in every bookcase, puts the bat aside, sits down, says nothing.”
There is no way I am not talking about this here. I don’t know how to start, actually. I feel like if I had the book in front of me I’d have some context, maybe. I don’t know. I’m going to take the “book & feelings” approach. It’s been 19 days since I finished the book, but whatever:
First, the shape of the book, its size, the paper, the texture; from a material design perspective, this book is ideal. I’m not kidding. This is probably ultimately my favorite size of a book for fiction. There is something ridiculously pleasant about it. This is purely subjective of course. If I ever write a novel this is the size I want it to be. I think its width to height ratio is similar to that of a half-sheet of Legal paper, which is a good ratio. Not square, but not as rectangular (well it is of course literally rectangular but you get the idea) as a normal paperback. It is a good ratio. The book has French flaps too, or whatever they’re actually called. It’s nice.
But a book can look nice and be shitty, we all know this. This book is not shitty.
Today I received an email asking me for publishing advice: “I just finished a book, and thought you might have some tips for publishing options. I want full color and nice fancy paper.” A few weeks ago, I had another inquiry: “I love that you have a printing business! I have something that needs to be printed… do you print these things, or should I just go to Kinko’s?” These questions, along with others garnered at the recent Chicago Zine Fest, have made me realize how much I’ve learned about publishing, and how skewed the perceptions of publishing can be.
OK, so my buddy Jim turned me on to these (occasionally foul-mouthed) recordings of Dion McGregor. A while back McGregor wrote some songs, but was far better, it turns out, at talking in his sleep.
Thank god someone recorded him. I can’t stop listening to the things.
From the liner notes of McGregor’s first collected slumber recordings, “The Dream World of Dion McGregor”, which Ink Mathmatics wrote up a bit ago:
At a moment like this I wish that I were a writer so that I could properly explain what you will hear when you play the record inside this cover. Perhaps it would also help if I were a psychiatrist, a psychoanalyst, a clinical psychologist, a hypnotherapist, etc…etc… But since I am none of the above, i think it best that I simply report to you what I know about this record as the result of my work in connection with it.
About March of 1963 my wife, Nancy, came rushing into my office to tell me that she had just heard some tape recordings of a man by the name of Dion McGregor, who has a habit of “talking in his sleep”. Naturally I said, “go away wife, I’ve word to do.” She didn’t go away so I had to listen to her tell me all about McGregor’s “sleep talking habits…he tells crazy stories that are funny, terrify, serious and pathetic”, she said, “and he does this 3 and 4 times a week”. When she told me that Mike Barr, McGregor’s roommate, got up every morning (at 7:00) to turn on the tape recorder I was really upset, as obviously McGregor’s “talking habits” played havoc with Barr’s health. Then, to top it all, when she told me the “dreams” were coherent, naturally I had to agree to listen for myself. I listened and couldn’t believe my ears, and 150 tapes later I was still amazed. I found the subject matter fascinating, exciting, and with a touch of genius.
You can hear a bunch more on Grooveshark, too. Suggestions: “The Wagon”, “Snail Time”, “All Over Evelyn”.
The 2011 Pulitzer Prizes have been awarded. In fiction, Jennifer Egan won for A Visit From the Goon Squad. Other finalists were The Privileges by Jonathan Dee and The Surrendered by Chang-rae Lee. If your book title begins with the word “the” statistics show you have a 66% chance of not being awarded a professional accolade. Oddly, no award was given in the Breaking News category which surprised me. One of the finalists, The Miami Herald and El Nuevo Herald, had some amazing coverage of the Haiti earthquake. No explanation was given though reports say the journalists in the newsrooms of all three finalists were overhead lamenting, “We were robbed but we’re not sure why.”
Writer Greg Mortenson has found himself in a bit of trouble as reports emerge that there are inaccuracies (lies) in his memoir Three Cups of Tea. 60 Minutes did a feature on the controversy last night. The author has responded. I’ve not read the book. Once again, this opens an interesting conversation about how much the truth matters where memoir is concerned.