Ray Lewis on Writing

If you’re trying to please the world, you’re going to confuse yourself.

The only danger is writing a check you can’t cash.

It don’t matter about me.

I monitor, sort of watch, some people.

Like some people aren’t happy with their job or their wife, they say it. That’s all it was, him voicing his opinion. He has a right to do that.

You know, consistency is everything.

But we don’t need no hope. Y’all can keep your hope because we’ve got enough hope over here. We’re packing our bags, and we’re not packing our bags to come play water polo.

You know that you’re pretty much in serious trouble.

Honestly. I don’t know what’s going on over there.

That’s what I want to get back to, just having fun and letting them deal with me.

All you can do is move on, live on. … Don’t let nobody pull you back into it, don’t let nobody make you keep talking about it.

We’ve heard it all week.

Once it’s done, it’s done.

Random / 11 Comments
September 29th, 2010 / 11:19 pm

Power Quote: Luna Miguel

It’s impossible to support today the idea of the author as a divine entity… If we want people to approach poetry, it would be better to delete the myths.

Luna Miguel

Power Quote / 12 Comments
September 29th, 2010 / 9:41 pm

Today in Class

Today class happened amidst the bumble and burst of plumbers and electricians, anxious dogs, and un-showered, tired, frenzied me. But it happened nonetheless. We workshopped a lot today. First, in whole-group fashion (there are 16 of us) to finish up where we left off last week with our reckless poetry. At the end of class, concentrating on sound and how sound moves through the air and into our ears and around in our noggins, students got into groups of three in which one person read while the other group members listened. After the poem, each group member wrote down what stuck the hardest in their memories, and then we talked about how the poems [we’ve been thinking about rhythm and chant] accomplished their sonic goals, or didn’t. That was fun. I bounced around the groups, interjected here and there, but mostly I let them do the talking. They’re all pretty smart readers, and I trust them.

Another of my favorite games is to annotate Philip Levine’s They Feed They Lion together with a class. I’m trying to teach students about writing annotation papers as writers versus as academic critics. It involves a helluva lot more looking at how craft informs our understanding of a poem versus simply what the poem means. Students get super frustrated, usually, about the phrase, “they feed they lion,” and they want me to tell them what it means. I tell them I don’t know what it means, but maybe by looking at how the poem is written we’ll start to get our heads around it. Chaos ensues. I write things on the chalk board. People start seeing biblical allusions and apocalypse. It’s great. Then I say something teacherly like, “well, how does all this anaphora and accreted repetition inform the poem?” Today I got some really astute answers that I’m too exhausted to expound on.

I showed students this excerpt from a Levine interview in which he explains the nascence of the poem [here] [I like the stories Mr. Levine tells]:

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Craft Notes / 18 Comments
September 29th, 2010 / 5:39 pm

Really gotta hand it to these publishers

Random / 18 Comments
September 29th, 2010 / 5:33 pm

Would anyone like to buy me a present, like a sculpture, to put in my home?

These Things May Dismay You

Snooki of Jersey Shore fame is going to publish a novel. I have, previously, expressed enthusiasm for Tyra Banks’s opus, Modelland and I don’t have a problem with celebrity books (I support them, in fact, not that it matters), but I admit I am struggling mightily to feel anything but a profound sense of hopelessness at the idea that a young woman who has read only two books in her life (Twilight and Dear John) is going to “write” a book.

Tucker Max has been on the New York Times bestseller list for 150 consecutive weeks and he has some advice for how you, too, can make that happen.

Random / 55 Comments
September 29th, 2010 / 1:28 pm

Live Giants 8: A Crew of Ruefle (NYC/Chicago)

Thank you to everyone who read, and thank you for watching tonight. We should have the videos archived at our ustream channel now.*

Remember, from now until 9am tomorrow, you can purchase Mary Ruefle’s Selected Poems for only $15 from Wave Books here.

*To watch the archived version just go here.

Also, from the comments below, Mary Ruefle says:

dear readers, thank you so much, I am in a concrete room, very small, not very experienced, and although I do not believe for one moment of my life that I wrote those poems, I can go so far as to say I wish I did.

Web Hype / 11 Comments
September 28th, 2010 / 7:55 pm

Deliverance the movie is equal to Deliverance the book. An odd fortuity indeed. Other movies actually equal to, or–gasp–superior, to the book?

On Genius

When I was 19, I had a late adolescent identity crisis and proceeded to get seven tattoos on my arms in a very short amount of time. I have no idea what I was thinking. On the underside of each forearm, I got the Japanese kanji for “genius.” Yes, I know, it’s ridiculous, but I was 19 and at 19, we do all sorts of ridiculous things without understanding we’ll have to bear the consequences of those choices in, say, our thirties. The idea of genius is really interesting to me and it’s something I feel I’m always trying to reach for, despite my limitations. As a culture, we are fascinated with the idea of genius. Genius this, genius that. In the public school system they try to ferret out little geniuses by calling them “gifted and talented,” even when sometimes a kid’s only gift and talent is managing to keep up. Bright children who demonstrate an aptitude for math or chemistry are fast tracked so they can become the next Doogie Howser who was a child genius who became a doctor as a teenager. Doogie Howser isn’t real, but it’s a sexy idea that someone is so brilliant they not only achieve greatness, they do so at an extraordinarily young age.  The bar for genius is not always high. At the Apple store, when you need your products repaired you go to the Genius Bar where, more often than not, you will encounter someone who is decidedly not a genius. Not all geniuses are created the same. Albert Einstein was a genius. He had theories, all things being relative, and they were sound. He also had wild hair but he was a genius, so that was okay because for geniuses, the rules are a little different. I once helped a friend solve a problem and she shouted, “You’re a genius,” and squeezed my cheeks. I am no Albert Einstein. Most parents think their children are geniuses. They scrutinize their progeny for any sign of prodigious ability and if they can, say, sing or dance with remarkable aptitude, they shuttle them into reality television shows like America’s Got Talent, a show that makes it clear that when we say genius we are not always saying the same thing. My niece is six weeks old and in my family, we’re all fairly convinced she’s a genius because she stares with an unwavering intensity that is, frankly, a little creepy. She makes you look away she stares so hard and once during the fourth week of her life, when we were cooing at her like idiots and she was staring at us like the freaks we are, she said something that sounded like, “Hi” while throwing up a baby power fist. My sister in law and I looked at each other, high-fived and I said, “Baby genius, obviously.”

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Random / 56 Comments
September 28th, 2010 / 4:09 pm