There is no reason to see the film version of The Road. Sure, it looks OK, and the acting is OK, but if you’ve read it, it’s a word for word thing mostly, and takes away from the imagination. It actually kind of made me despise the book, which had managed to make it past even Oprah. Corn.

Anne Boyer whose book, ART IS WAR, from the awesome Mitzvah Chaps, packs a punch, and who wrote other notable books and some  poems and a krazy kewl website/metaphor for poetry (?) also runs a site where she explores Books Of Poetry in an invigorating and edifying way. It’s not terribly new, but I just read it for the first time. From the sidebar: (more…)

Front Matter/Back Matter

productFrom TS Eliot’s Introduction to In Parenthesis by David Jones:

A work of literary art which uses the language in a new way or for a new purpose, does not call for many words from the introducer. All that one can say amounts only to pointing towards the book, and affirming its importance and permanence as a work of art. The aim of the introducer should be to arouse the curiosity of a possible new reader. To attempt to explain, in such a note as this, is futile. Here is a book about the experiences of one soldier in the War of 1914-18. It is also a book about War, and about many other things also, such as Roman Britain, the Arthurian Legend, and divers matters which are given association by the mind of the writer. And as for the writer himself, he is a Londoner of Welsh and English descent. He is decidedly a Briton. He is also a Roman Catholic, and he is a painter who has painted some beautiful pictures and designed some beautiful lettering. All these facts about him are important. Some of them appear in his own Preface to this book; some the reader may discover in the course of reading.

How important is the front matter and back matter of a book to you? Do you read introductions by translators and others before you read a book? Or after you’ve read the book? Do you care much about what another person writes in an afterword? Has the name of an introducer ever helped you to purchase a book? What are some introductions/prefaces/afterwords that particularly stand out in your mind as interesting?

Random / 20 Comments
December 1st, 2009 / 4:02 pm

Gary Lutz trailer for 60 Writers/60 Places

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Web Hype / 67 Comments
December 1st, 2009 / 3:00 pm

I Like Cristin O’Keefe Aptowicz a Lot: Part 2

aptowicz_bookheadshot

I like Cristin O’Keefe Aptowicz so much that every day this week, I’ll be posting excerpts from a really long interview between Cristin and I about writing, New York and her forthcoming book Everything is Everything which will be released in January 2010 by Write Bloody Press. In today’s excerpt, Cristin talks about raping giraffes, slam poetry and bridging writing communities.

Part 1 | Part 3

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I Like __ A Lot / 12 Comments
December 1st, 2009 / 3:00 pm

they started filming noah cicero’s THE HUMAN WAR.  you can follow the filming on this site.  i have a review copy of noah’s next book THE INSURGENT and i will be reviewing it soon.

How to become the most famous author in the world, a guest post by Mark Baumer

Mark Baumer, of Everyday Yeah and the Brown MFA blog, writes in with some tips on writing gleaned from what last week or the week before was the #1 movie in America…

2012

John Cusack or Jackson Curtis wrote a book called Farewell Atlantis.  In the year 2012, according to the movie 2012, it will become the most famous book in the world.  Everything I’ve read about Jackson Curtis leads me to believe he was very forward thinking.  It was obvious from watching the movie that he had planned his rise in the publishing game long before the world came to an end and flooded and repositioned itself despite an original print run of less than 500 copies.

Here is a list of everything Jackson Curtis did to become the world’s most famous author.  I’d like to point out that this list doubles as a nice how-to guide for becoming the most famous living author after the world has killed itself.

1.  A few days before the end of the world wake up late and make excuses about the traffic when your ex-wife calls and asks why you having picked up the kids yet.

2.  Take the limo when your Jeep doesn’t start.

3.  Wave to the plastic surgeon dude who is boning your ex-wife only because his skills are important later in the movie.

4.  Drive limo to Yellowstone National Park while singing songs with daughter in the front seat.  Ignore your son in the backseat.  He is being a little douche bag.  Let him listen to the music.  Don’t worry, he won’t be completely useless his whole life.

5.  At Yellowstone, climb over fences marked with trespassing signs.  Ignore the dead elks roasting on the former lake where you and your wife used to have sex.

6.  Make friends with the head scientist for the United States who is leading up the investigation on the end of the world.  This will only be possible if the head scientist’s father has already read your book and has given it to his son.  Make sure the father of the head scientist investigating the end of the world has read your book before you trespass at Yellowstone.

7.  Ask your daughter if she still wets the bed.

8.  Hang out in Woody Harrelson’s camper.  Take his last beer.

9.  Bring kids home early when ex-wife freaks out over an earthquake at the supermarket.

10.  Don’t believe the government when they say, “The worst is over.”

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Random / 9 Comments
December 1st, 2009 / 1:55 pm

Some handy villagers in England have created a tiny lending library inside an old red phone box. It is fortunate, I think, that libraries caught on several centuries ago, for I bet if libraries were first invented today, nobody would think it was a very clever idea. A place where you can borrow good things for free, sponsored by the government? Hell, naw!

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INTERVIEW WITH WARM MILK PRESS EDITORS

this is an interview with the editors of WARM MILK PRESS, ben spivey, jennifer whitley, and kyle whitley.  their first title is MUSUEM OF FUCKED, by david peak, and can be pre-ordered now.  interview after break. 

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Presses / 12 Comments
December 1st, 2009 / 4:54 am

Some Reactions to “Some Contemporary Characters” by Rick Moody

All of you know that Electric Literature recently began tweeting what they are calling ‘an experiment in participatory ePublishing’: they are publishing Rick Moody’s story “Some Contemporary Characters” over three days/153 Tweets. They’ve invited anyone who’d like to RT ((re)publish?) the story along with them to participate. As far as I can tell, here’s who is participating: @WritersGarret, @vromans, @shyascanlon, @TheSchooner, @str1cken, @StephenBruckert, @skylightbooks, @skemptastic, @OpiumMagazine, @MWSchmutterer, @litdeathmatch, @FictionAdvocate, @coppernickel, @commongoodbooks, @breathebooks, @brazosbookstore, @blackclockmag, @a_m_kelly, @Andrew_Ervin, @lunaparkreview, @BOMBMagazine, and probably more.

After tweeting the story for today, Electric Literature posted this question on their Facebook page: “Is the Multiple Tweeting of Rick Moody’s Story Awesome, Annoying, or a Bit of Both?”

After the jump, I’ve tried to answer the question as best I could.
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Mean / 63 Comments
November 30th, 2009 / 9:25 pm