Power Quote: M.L. Rosenthal

Behind much of [Edward Arlington] Robinson’s work, in both its more successful and its less successful aspects, lies a deeply American obsession with the theme of failure: failure of a career, failure of a social class or a society, failure of a needed meaning to sustain itself–and, finally, the inevitable failure of life to resist death’s encroachment. Remembering Eliot’s motifs of sexual and spiritual failure and Pound’s savage complaints at a culture’s failure to realize itself, we see how much those poets have in common with Robinson after all. ‘When we think of America,’ said D.H. Lawrence in his introduction to Edward Dahlberg’s novel Bottom Dogs, ‘and of her huge success, we never realize how many failures have gone, and still go to build up that success.’

– “Rival Idioms: The Great Generation” (being Chapter Five of The Modern Poets: A Critical Introduction)


**BONUS**

Read Robinson’s “Miniver Cheevy”

Read Robinson’s “Richard Corey”

Read Lawrence’s “Last Lesson of the Afternoon”

Enough failure for one day? Ready for earthy pagan Modernist resurrection sex?

Read Lawrence’s “New Heaven and Earth”

Daily affirmation.

Daily affirmation.

Author Spotlight & Excerpts & Random / 6 Comments
February 4th, 2009 / 1:55 pm

‘I eat books’

ieatbooks1

Scott Esposito has begun posting at Conversational Reading a series of interviews with various publishers of small presses. Here’s what he has to say about the series:

In order to get some a picture of how publishing beyond New York’s giants is faring, I’m going to be conducting interviews with presses and publishing them here. I’ll be interested to see if they’re feeling the pain every bit as much as the big guys, or if their different publishing models are yielding different results. I’ll also want to see what they’re doing to stay competitive in this market and if they think the recession is going to shake up publishing at large.

So far he’s heard from Declan Spring of New Directions, Fred Ramey of Unbridled Books, and Richard Nash of Soft Skull/Counterpoint.

The series can be read at this link.

Presses / 8 Comments
February 3rd, 2009 / 10:55 pm

A Flannery O’Connor Blog

Flannery, a la Warhol

Flannery, a la Warhol

Sometimes, we need a little bit of an author and not the whole thing. A morsel. This Flannery blog feeds that need. I am not at a point where I want to  reread any big chunk of her stuff, but it is nice to know there is a place to go to where I can get a nice taste of her work. And even better for me, I can get a little bite of  some of the  commentary that exists on her words. Because I am slow to read work on the work, regardless how much I love the original work. Check it (this whole post links to the blog).

Web Hype / 21 Comments
February 3rd, 2009 / 10:18 pm

I like “I Am a Cat” a lot

I Am a Cat was written by japanese author Natsume Soseki in 1906. Its clear, taut prose is notably ‘modern’ for its time. I was affected by its writing more than other books — not just in part due to the unlikely cat narrator — but what it taught me: the best satire is born of compassion. After the following excerpts, I will try to explain what I mean.

Excerpt:

I hear that, on occasion, this species catches, boils, and eats us. However as at that time I lacked all knowledge of such creatures, I did not feel particularly frightened. I simply felt myself floating in the air as I was lifted up lightly on his palm.

This is early on in the book, where Soseki quickly establishes the satirical tendency throughout the novel. There is a certain rationality that comes easily for the cat, who gains the reader’s authority.

On hearing the front bell (after the break):

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I Like __ A Lot / 2 Comments
February 3rd, 2009 / 5:46 pm

New Poets Off Poetry up at Coldfront

Maybe some of you remember Poets Off Poetry, Jackie Clark‘s continuing mission to get poets to talk about something else for a change–namely music–which used to run on This Recording but then stopped. Well it didn’t die, it only moved to Coldfront, where it has been thriving. The latest installment features my–and Jackie’s–former teacher and much-esteemed buddy, the inimitable Mark Bibbins (whose website seems to be MIA at present, and whose forthcoming collection from Copper Canyon, The Dance of No Hard Feelings, doesn’t seem to have an Amazon page yet, so, uh, sit tight I guess). In his P.O.P., Bibbins talks about My Bloody Valentine, Goldfrapp, Portishead, The Verve (who are back, apparently), Stereolab, Deerhunter, and many more musicians you either have or haven’t heard of. Ample YouTube embeds for illustration make this a must-read and potentially a slow load, so why don’t you click on it now, go pour a coffee, then come back and settle in for a real good time. [JUSTIN: that last sentence begins as a question but ends with a period. What gives? -ED.  / BLAKE: By the end of the sentence I realized it was an imperative, not an interrogative, and I want the readers to experience that transformation with me. -JT] 

Read “Tatooine Sunset: An Assembly of Last Year’s Fantastic Things” by Mark Bibbins.

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Author Spotlight / 6 Comments
February 3rd, 2009 / 3:39 pm

Dybek, Nahai, and Hemon help out the kids

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If you live in the Chicago area—or really, really want to go to Chicago in February and need an excuse—you should really go to the Sullivan Galleries of the School of the Art Institute of Chicago on February 12. The good people at Polyphony HS, a literary journal that publishes work by high school students throughout the nation, are holding a reading to raise funds.

Appearing at the reading will be—get this—Stuart Dybek, Gina Nahai, and Alexsandar Hemon. Dybek wrote “We Didn’t.” Hemon wrote “The Life and Work of Alphonse Kauders.” This means that the event includes the authors of two of my favorite short stories ever. (Nahai I don’t know beyond reputation. Sorry about that. I’m sure she’s very good, too.)

Go here for ticketing and event info.

If you are not in Chicago, consider helping Polyphony HS with a small donation. And tell them HTMLGiant sent you.

One of the co-founders of Polyphony HS is Billy Lombardo. Billy is a heck of a guy, and a damn fine writer. His book How to Hold a Woman is forthcoming from OV Books.

Author News & Excerpts / Comments Off on Dybek, Nahai, and Hemon help out the kids
February 3rd, 2009 / 2:20 pm

Vicarious MFA: Note Taking

notes

The dreaded blank page.

Discussed in Non/Fiction:

A Lie That Tells the Truth: Memoir and the Art of Memory by Joel Agee

A great essay about the memoir in the modern age that anyone working in fiction or nonfiction should read. (What are un-bendable facts? Where does lying end and art begin? Fact ≠ Truth.)

We talked about how much we liked Another Bullshit Night in Suck City * and/or what sections were brilliant and which were just myehh. Most were brilliant.

One of the assigned readings that we didn’t talk about was Jo Anne Beard’s Werner. Excellently strange essay. Would have liked to hear someone’s opinion on it. (It’s in the Best American Essay edited by DF Wallace if you’ve got that on your bookshelf and want to read it and report back to me. No pressure.)

Writing Assignment: Write a short piece (or essay or story) that responds to the title, “The Use of Nonfiction.”

Read By 2/9: Needs by George W.S. Trow, Captivity by Sherman Alexie, “…and nobody objected” by Paul Metcalf, and A Tin Butterfly by Mary McCarthy (a selection from Memories of a Catholic Girlhood.)

Lethem’s Masterclass was full of zingers. Lots of furious note taking and laughter.

Here’s an idea: What if Wikipedia means the death of post-modern uncertainness? What if Wikipedia necessitates the end of the novel of facts, the novel that is freckled with reportage? Lethem said something to the effect of “putting a fact in your novel is almost a wasted line,” considering that anyone can look up almost anything at any time on the internet.

We mostly talked about Terry Castle’s My Heroine Christmas and The White Album by Joan Didion. Both awesome.

Read by 2/9: Out of Sheer Rage by Jeff Dyer, which looks fun because I took a killer DHL survey my first semester here and I am still digesting

Vicarious MFA / 43 Comments
February 3rd, 2009 / 9:00 am

Herman Melville writes for Friends.

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So, you know when you’re watching a fairly uninspired sitcom, or a middle of the road comedy film, there’s that scene where two straight guys end up having to share a bed for the night and, invariably, when they wake up the next day, one guy has his arm around the other and they are all cuddled up and then they both freak out and jump up and act masculine? Or one wakes up and the other is so completely out of it, he doesn’t, and the one who is awake has to try to get himself out of the situation somehow?

You know how you watch that scene and say: “Oh, yeah. This again.”

That scene? You know that scene, right?

Did you know Melville invented it?

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Excerpts / 56 Comments
February 2nd, 2009 / 5:39 pm

The Daily Undertaker

Angels of Death

Angel of Death

 

 

 

 

 

 

I am someone who wakes up every morning and touches my own face, shocked and in awe of my simple aliveness. Why me? Why do I get to be alive? The answer to that question doesn’t matter, the awe does. I am so happy for my short time on this planet and constantly aware that – poof- it will be over. So my gratitude and joy live side by side with death. I am, like most of us, death haunted.

 

Patrick McNally’s blog, The Daily Undertaker, presents all sorts of different ways of thinking and dealing with death. He takes things from his experience as a funeral director in Wisconsin, but also mixes it up with the personal and the literary. There are posts quoting Charles Bukowski (linked here) as well as fascinating discussions on new techniques of burial, the most notable to me being promession (linked here), in which the body of the deceased is prepared for the earth in a way that enables it to compost properly as opposed to just rot. There are some lighthearted moments as well, as in this post where he discusses some of the more eccentric ways in which people can handle the remains of loved ones:

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Web Hype / 45 Comments
February 2nd, 2009 / 4:00 pm

George Saunders and his enormous, throbbing heart: a homily

Is George Saunders the most radical fiction writer writing in the mainstream today? Or to put it a possibly better way, is Saunders the most mainstream of today’s radical fiction writers? I don’t mean “radical” in terms of style or form–though Saunders has certainly done his share of innovating–but I invoke the term rather in its classic political connotation. I’ve read most of Saunders’s books, and worked with him when I edited Come Back, Donald Barthelme, but something clicked for me yesterday when I read “Al Roosten,” his new story in the current issue of The New Yorker,  and after the jump I’m going to talk about it for about 3000 words, and at some point there will be some spoilers, and it’s not really a “spoiler alert” kind of story, but anyway maybe you want to read the story before you read this.

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Author Spotlight / 52 Comments
January 31st, 2009 / 8:02 pm