August 2010

Joseph Young’s NAME

I posted this video for the line, “You gotta pay your dues before you pay the rent,” but watching it now and digging it, I’m struck by how the whole thing applies to Joseph Young’s new novel, NAME. Not the tone or the shots from Lollapalooza, but all those crowd scenes juxtaposed with Mark Ibold looking all lonely has its parallels. So just watch that video but listen to Bauhaus and right there you’ve made the movie adaptation of Joe’s book.

Dues paid, Joe wrote NAME last month to pay next month’s rent. You can buy the book for a donation of at least $10 to this cause. Well, hell, that’s cool, and pretty cheap for a 25,000 word novel. That it was written in a matter of weeks, to me, makes it even better. Look what this guy can do. READ MORE >

Author Spotlight / 18 Comments
August 16th, 2010 / 10:49 am

Sunday Service

Terese Svoboda Excerpt

Excerpt from Pirate Talk or Mermalade, a novel in voices to be published this fall by Dzanc Press.

1718 – Nantucket Beach

1

I’ve seen boats as big as this whale. I’ve seen gryphons the same size, with teeth growing in even as they were taking their last breath.

You have not. And not a live one.

I’ve been to sea, I’ve seen all you’re supposed to, being at sea. I am sixteen, after all.

If you’d stayed at home, you would’ve seen to Ma. I’d be a pirate twice, with two voyages under me, if I didn’t have that.

Quit your carping. Go stand on its middle. Maybe it will release its wind if you jump on it.

For sure it will stink to heaven if I jump on it.

Let’s poke out its eye.

It’s a wonder you’re not tired of poking whales, a-roving on the ocean like you do, with all the new sail.

Here’s the stick–let’s do the eye.

Cap’n Peters says there’s luck in a whale’s eye. And money. Some men use saws on such as the eye, to examine the socket and take away the skull too.

You told this Cap’n Peters about this whale?

Cap’n Peters can see it himself. He’s anchored out beyond the neck, nearly done scouring the fresh-wrecked Abingdon. He’ll come.

Our greasy luck! Then the sooner it dies the better, and not for anyone else but us to collect it.

It’s alive all right. Look at the eye.

Help me with the stick. A donkey could haul it out, where could we get a donkey?

If we had a donkey I wouldn’t be walking the beach looking for rope to catch the mussels on, would I? If we had a donkey, you wouldn’t be shipping out every time the wind blew and leaving me here with Ma, myself only in short pants still and no cutlass.

We need a donkey. The smell alone will bring Peters.

Do you believe in whales? I mean, that they talk?

Two fiddles can talk. One calls, the other says Yes and then some.

Whales dance when there’s boats coming with harpoon.

The way pirates do on the gallows.

Not all of them.

They’re crying whales, not singing. Poke here.

They swallow the pennywhistle and dance on the tips of their tails on top of the water. And sing.

Whales cry about their future like all creatures worth killing. There’s a tear now, with Peters coming. Look–I can make it dance without singing.

Let it be, it’s starting to bleed.

I’ll let it be with a cut of the knife. If only I had a good one, if only Ma hadn’t sold that bit of a blade while I was gone.

She’s sold all her brooches, down to the tin-and-garnets.

She sold the true baubles after you were born—or gave them up, cleaned out by whoever she had after you had a father, cleaned out clean as a pike in a trough.

They use beetles to clean the skulls when they’re empty. Cap’n Peters says so.

Peters, Cap’n Peters–would he be the one seeing Ma now?

He’s seen all of her, if that’s your actual meaning. How huge those skull-cleaning beetles must be, so big they can’t walk after all that eating, beetles that could eat all of every one of the colonies.

Slippery here, whoa.

Cap’n Peters’ has got his glass on us now. There, over the wave.

No.

Tease me like you don’t know he’s watching. Play foot-in-the-water. He’ll think we are but boys and won’t beat us then when he sees us.

We are but boys. If I only had a knife—

If you grouse and slaughter the whale before him and he balks and whines, Ma will tie herself to the rafters and I will have to cut her down. It’s a poor revenge for her living from one man to the next, though she swears Cap’n Peters is her utter last.

I told you to get her set right, to take Ma to someone while I was off at sea, a woman with a cure.

She wouldn’t go, she said she’d have no business with someone like that, she didn’t need no one other than Father. She talks to Father from the rafters where you can see the sea out the little window, she talks to you out that window too.

She doesn’t know who Father is.

This be true, but still she talks.

This fish is leaking like a ship come ashore.

Whale, it’s a whale, not a fish. And if you would quit your poking at the eye, it wouldn’t leak so much. Poking it like that makes the sound it makes worse.

You talk like a sea captain with your Don’t this and Fish that, a bloody captain, the kind I don’t take to.

It’s the life of the sea, you said. Yo, ho, ho, you said. You toe the line, you said.

I will give you another punch to match the first.

It breathes–hear it? Cap’n Peters says they are cousin to us.

I can’t hear anything while you blather on about Cap’n Peters.

I say we leave it alone because Cap’n Peters will pay us to chop it up. They’re bound to want the steaks and oil even if it be old, and some of the bone to hang hats on,
and bone for those who truss up the women.

That’s real work, all that chopping.

Aye.

The bone is all I want–I can carve “The Apostle on the Desert” into the bone.

I can carve that–one cut meeting another.

You are a stupid boy. Look–it thinks it is a creature of the land now, it wriggles so, it wants to walk about on its tail. With the next big wave, let’s push it in with our backs.

Let’s kill it.

Die, die.

What’re you whispering?

Nothing. Die, die, or they’ll get you, you whale of us all, you fool whale.

You are whispering.

I’ll whisper if I want to.

The whale’s dead anyway. Why else is it up on the beach?

Not breathing like this it isn’t dead. Not yet.

Look, Peters is bringing hooks and axes. And a cutlass! There’s a knife.

It’s so soapy-feeling on the outside.

Pitchforks and pries. Let’s poke it through to the brain before they get here, let’s poke it to make it dead before they poke it, so we can claim it and get the bone. I am grown, after all.

Die, die.

Why do you cry like a girl?

I’m not a girl.

Whale-lover, then. Crybaby.

Listen to it breathe.

I can’t hear anything but Cap’n Peters and his men beaching loud like six blacks banging dishpans.

It’s breathing big.

There–I’ve got the stick through, no thanks to you.

It still breathes.

If I hang on it here and pull down, the whole side will rip and they’ll know it’s ours. Give me a hand–

Pirate Talk or Mermalade is Terese Svoboda’s fifth novel. Publisher’s Weekly called it a “jeu d’esprit of the privateer life.” It comes out on “Talk Like a Pirate Day.”

Dickens: Unhappy.

Childhood: Happy or Unhappy?

Porn For The Blind is a nonprofit organization recording verbal descriptions of sample movie clips from porn websites, also inviting users to submit their own descriptions [via Ubu]. I know what I’m doing tonight.

This very enjoyable video that Jordan Castro just now posted on Facebook reminded me, if I needed reminding, which I didn’t, that summer is more or less over–whatever summer means in our iPhone-addled times. (This last phrase I have lifted directly from Ryan Mazer’s really hilarious piece in Monkeybicycle.) To me, summer, this summer–what the hell was it? It was Baltimore, a house of twelve anarchists, sweating while sleeping (what do you do when your fan generates hot air?), reading Faulkner. In the end it seems like all that I read this summer was Witz and Faulkner, with exceptions here or there. It feels like I was lazy, and maybe I was. After I finished “The Bear,” I walked around the house doing stuff, and every couple of minutes I would think about “The Bear” and, without mediation, whisper to myself, “What the fuck?” The gumption it must have taken to write that novella!–which is at first a linear bildungsroman or whatever (even though it’s never simply that), and then once that plot ends abruptly with the bear’s death, the narrative halts and interrupts itself to become this entirely fucked history of the bind between race and religion in the south, which is at the same time a history of… the post-Fall earth, or something? Jesus. How did someone begin to think like that? Fucking Faulkner. What did everyone read this summer? What did everyone do? I want to hear about it.

Random / 146 Comments
August 15th, 2010 / 2:35 am

The new We Are Champion is out. Oregon Trail poems, fuckage of maps, junk parades, notes on being torn apart by horses, and much more. Girls and boys and carrot discharge. Go read the only online literary magazine that has been documented next to Shaq.

Literary Magazine Club: New York Tyrant 8

THE FREE COPIES ARE ALL GONE BUT YOU SHOULD STILL JOIN THE CLUB BECAUSE IT IS AWESOME THANK YOU.

The logistics are still being worked out but the first magazine we’ll read for the Literary Magazine Club is New York Tyrant 8. Editor Gian DiTrappano has generously agreed to donate 30 copies of the magazine to the first 30 people who join the club. If you’re interested, e-mail me at roxane at roxanegay dot com with your name and mailing address. If you do not e-mail me your mailing address I will not chase you down or hold your place in the queue for the free copies. I’ll update this post when all 30 copies have been spoken for. You might consider paying it forward and sending someone a subscription to New York Tyrant, I’m just saying, but we hope this contribution allows more people to participate regardless of their financial circumstances. If you were one of the people who joined yesterday, e-mail me your mailing address, please.

In early October, Gian will chat with us online about this latest issue of New York Tyrant and we’ll have other activities planned to make the most of the tyrannical reading experience.

For November, we will be reading an online magazine to be chosen by a club member. Each month a new member will choose the magazine we read for the following month, alternating each month between online and print magazines so we can best appreciate the range of literary publications doing such great work.

Uncategorized / 25 Comments
August 14th, 2010 / 1:37 pm

João Machado’s ‘The Effect of a Book’

Gestures from João Machado on Vimeo.

[‘The Effect of a Book, Extending Beyond The Form’] intends to construct an essay or open-ended process, embracing the participation of the reader as a producer of a book. It relates to the experience and performance of a book, looking beyond intended function.

(via Swiss Miss)

Random / 2 Comments
August 13th, 2010 / 9:54 pm

Once again, via Nathan Salsburg.

your friday moment of zen

Author News & Author Spotlight & Random / 12 Comments
August 13th, 2010 / 2:17 pm