February 20th, 2010 / 6:15 am
Author Spotlight & Massive People

The Rules

The Guardian has published ten rules for writing fiction from several different writers. Find Part 1 here and Part 2 here. My favorite are Jeanette Winterson’s rules which include:

2. Never stop when you are stuck. You may not be able to solve the problem, but turn aside and write something else. Do not stop altogether.

7. Take no notice of anyone with a ­gender agenda. A lot of men still think that women lack imagination of the fiery kind.

9. Trust your creativity.

What are your rules?

95 Comments

  1. Thomas Moore

      I like Rule 2 about not stopping. I stopped once and then didn’t do a thing for 2 years. It’s different for every writer probably, and I know some excellent writers who do feel the need to stop every now and then, and that works great for them. So each to their own etc. But for me, starting again can sometimes be very hard, so if I never stop I never have to start again. Obviously working that way means that a lot of crap probably comes out sometimes, but whatever, I feel like you have to filter through crap stuff in order to get to the good.

      Oh yeah, and I guess another rule I have is the idea of not limiting your imagination. Let it do what it does without worrying about what other people might make of it. Do what you want. Sounds obvious, but sometimes the most simple rules are the best

      My two pennies worth anyway.

  2. Thomas Moore

      I like Rule 2 about not stopping. I stopped once and then didn’t do a thing for 2 years. It’s different for every writer probably, and I know some excellent writers who do feel the need to stop every now and then, and that works great for them. So each to their own etc. But for me, starting again can sometimes be very hard, so if I never stop I never have to start again. Obviously working that way means that a lot of crap probably comes out sometimes, but whatever, I feel like you have to filter through crap stuff in order to get to the good.

      Oh yeah, and I guess another rule I have is the idea of not limiting your imagination. Let it do what it does without worrying about what other people might make of it. Do what you want. Sounds obvious, but sometimes the most simple rules are the best

      My two pennies worth anyway.

  3. Thomas Moore

      I like Rule 2 about not stopping. I stopped once and then didn’t do a thing for 2 years. It’s different for every writer probably, and I know some excellent writers who do feel the need to stop every now and then, and that works great for them. So each to their own etc. But for me, starting again can sometimes be very hard, so if I never stop I never have to start again. Obviously working that way means that a lot of crap probably comes out sometimes, but whatever, I feel like you have to filter through crap stuff in order to get to the good.

      Oh yeah, and I guess another rule I have is the idea of not limiting your imagination. Let it do what it does without worrying about what other people might make of it. Do what you want. Sounds obvious, but sometimes the most simple rules are the best

      My two pennies worth anyway.

  4. david erlewine

      yep, i like the not stopping thing too. i stopped for about five years. don’t want to do that again.

  5. david erlewine

      yep, i like the not stopping thing too. i stopped for about five years. don’t want to do that again.

  6. david erlewine

      yep, i like the not stopping thing too. i stopped for about five years. don’t want to do that again.

  7. Joseph Young

      Try to enjoy it. We aren’t doctors, no one will die if we don’t write well.

      Get drunk in doing things you don’t know how to do.

      All writing, even the most traditional, has to be experimental, or what’s the point?

      It takes work to find good new art but it’s worth it. I mean, there was no golden age.

      It isn’t dishonest to be generous.

      Writing rules should likely be squeamish.

  8. Joseph Young

      Try to enjoy it. We aren’t doctors, no one will die if we don’t write well.

      Get drunk in doing things you don’t know how to do.

      All writing, even the most traditional, has to be experimental, or what’s the point?

      It takes work to find good new art but it’s worth it. I mean, there was no golden age.

      It isn’t dishonest to be generous.

      Writing rules should likely be squeamish.

  9. Joseph Young

      Try to enjoy it. We aren’t doctors, no one will die if we don’t write well.

      Get drunk in doing things you don’t know how to do.

      All writing, even the most traditional, has to be experimental, or what’s the point?

      It takes work to find good new art but it’s worth it. I mean, there was no golden age.

      It isn’t dishonest to be generous.

      Writing rules should likely be squeamish.

  10. rachel a.

      i like this one from helen who’s done more:

      4 Reread, rewrite, reread, rewrite. If it still doesn’t work, throw it away. It’s a nice feeling, and you don’t want to be cluttered with the corpses of poems and stories which have everything in them except the life they need.

  11. rachel a.

      i like this one from helen who’s done more:

      4 Reread, rewrite, reread, rewrite. If it still doesn’t work, throw it away. It’s a nice feeling, and you don’t want to be cluttered with the corpses of poems and stories which have everything in them except the life they need.

  12. rachel a.

      i like this one from helen who’s done more:

      4 Reread, rewrite, reread, rewrite. If it still doesn’t work, throw it away. It’s a nice feeling, and you don’t want to be cluttered with the corpses of poems and stories which have everything in them except the life they need.

  13. Amber

      These are great. Though I have to say this one dates Franzen a bit “It’s doubtful that anyone with an internet connection at his workplace is writing good fiction.” Older people seem to be so distracted by the Internet. For younger writers, I don’t think it’s a distraction; it just IS. It exists. I can’t imagine writing without it. (And I’m not even that young.)

      The only rule I’ve ever had is listed by several of these writers: Read all the time. Read more than you write. Maybe five times more. Maybe ten times more. Not that good writers need to be told that. If you don’t love to read, why on earth would you want to write other than pure ego?

  14. Amber

      These are great. Though I have to say this one dates Franzen a bit “It’s doubtful that anyone with an internet connection at his workplace is writing good fiction.” Older people seem to be so distracted by the Internet. For younger writers, I don’t think it’s a distraction; it just IS. It exists. I can’t imagine writing without it. (And I’m not even that young.)

      The only rule I’ve ever had is listed by several of these writers: Read all the time. Read more than you write. Maybe five times more. Maybe ten times more. Not that good writers need to be told that. If you don’t love to read, why on earth would you want to write other than pure ego?

  15. Amber

      These are great. Though I have to say this one dates Franzen a bit “It’s doubtful that anyone with an internet connection at his workplace is writing good fiction.” Older people seem to be so distracted by the Internet. For younger writers, I don’t think it’s a distraction; it just IS. It exists. I can’t imagine writing without it. (And I’m not even that young.)

      The only rule I’ve ever had is listed by several of these writers: Read all the time. Read more than you write. Maybe five times more. Maybe ten times more. Not that good writers need to be told that. If you don’t love to read, why on earth would you want to write other than pure ego?

  16. Jesse Hudson

      This is my favorite. And it makes me feel good because, without a doubt, I read five times more than I write.

  17. Jesse Hudson

      This is my favorite. And it makes me feel good because, without a doubt, I read five times more than I write.

  18. Jesse Hudson

      This is my favorite. And it makes me feel good because, without a doubt, I read five times more than I write.

  19. rachel a.

      i’m a terrible reader. i don’t know what’s wrong.

  20. rachel a.

      i’m a terrible reader. i don’t know what’s wrong.

  21. rachel a.

      i’m a terrible reader. i don’t know what’s wrong.

  22. rachel a.

      also

      6 Have regrets. They are fuel. On the page they flare into desire.– Geoff Dyer

      3 Style is the art of getting yourself out of the way, not putting yourself in it.- David Hare

  23. rachel a.

      also

      6 Have regrets. They are fuel. On the page they flare into desire.– Geoff Dyer

      3 Style is the art of getting yourself out of the way, not putting yourself in it.- David Hare

  24. rachel a.

      also

      6 Have regrets. They are fuel. On the page they flare into desire.– Geoff Dyer

      3 Style is the art of getting yourself out of the way, not putting yourself in it.- David Hare

  25. Jhon Baker

      I have always felt that if I am not writing well or at all that I will lose fingers or maybe an arm. Most certainly I will cease to be interesting – if to no one else than at least to myself. I have always found writers who were not writing something to be absolutely boring and should lose a finger or two.

  26. Jhon Baker

      I have always felt that if I am not writing well or at all that I will lose fingers or maybe an arm. Most certainly I will cease to be interesting – if to no one else than at least to myself. I have always found writers who were not writing something to be absolutely boring and should lose a finger or two.

  27. Jhon Baker

      I have always felt that if I am not writing well or at all that I will lose fingers or maybe an arm. Most certainly I will cease to be interesting – if to no one else than at least to myself. I have always found writers who were not writing something to be absolutely boring and should lose a finger or two.

  28. Jhon Baker

      no regrets – they aren’t fuel they are only regrets, what is more fueling? a regret or something done, lived through and possibly failed at?
      If I spent my life regretting that I had not gone off to Chicago and lived with that woman who I so fancied I might have gotten one or two poems or stories out of it – instead I got hundreds of poems and several stories. She broke my heart and the memory hurts badly everyday, but I have no regrets about it.
      desire is the next thing that I will try and not regret for not having tried it.
      writing about regret is much akin to writing greeting cards.
      I could go on and on about why dyer is wrong here, I can only agree if you long to murder or something worse and you live long regretting that you had not done so. Yeah, regret that and write about it. Otherwise follow through on your aspirations.

  29. Jhon Baker

      no regrets – they aren’t fuel they are only regrets, what is more fueling? a regret or something done, lived through and possibly failed at?
      If I spent my life regretting that I had not gone off to Chicago and lived with that woman who I so fancied I might have gotten one or two poems or stories out of it – instead I got hundreds of poems and several stories. She broke my heart and the memory hurts badly everyday, but I have no regrets about it.
      desire is the next thing that I will try and not regret for not having tried it.
      writing about regret is much akin to writing greeting cards.
      I could go on and on about why dyer is wrong here, I can only agree if you long to murder or something worse and you live long regretting that you had not done so. Yeah, regret that and write about it. Otherwise follow through on your aspirations.

  30. Jhon Baker

      no regrets – they aren’t fuel they are only regrets, what is more fueling? a regret or something done, lived through and possibly failed at?
      If I spent my life regretting that I had not gone off to Chicago and lived with that woman who I so fancied I might have gotten one or two poems or stories out of it – instead I got hundreds of poems and several stories. She broke my heart and the memory hurts badly everyday, but I have no regrets about it.
      desire is the next thing that I will try and not regret for not having tried it.
      writing about regret is much akin to writing greeting cards.
      I could go on and on about why dyer is wrong here, I can only agree if you long to murder or something worse and you live long regretting that you had not done so. Yeah, regret that and write about it. Otherwise follow through on your aspirations.

  31. randi k.

      I used to be a terrible reader, too. I was really slow, so that’s mainly what discouraged me. But if you start forcing yourself to do it, you discover how much you’ve been missing, and how enjoyable and relaxing it is. Plus, it improves your writing so much, it’s kind of incredible. Anyway, I’m not trying to preach or anything, but I just want to say that I can totally relate!

  32. randi k.

      I used to be a terrible reader, too. I was really slow, so that’s mainly what discouraged me. But if you start forcing yourself to do it, you discover how much you’ve been missing, and how enjoyable and relaxing it is. Plus, it improves your writing so much, it’s kind of incredible. Anyway, I’m not trying to preach or anything, but I just want to say that I can totally relate!

  33. randi k.

      I used to be a terrible reader, too. I was really slow, so that’s mainly what discouraged me. But if you start forcing yourself to do it, you discover how much you’ve been missing, and how enjoyable and relaxing it is. Plus, it improves your writing so much, it’s kind of incredible. Anyway, I’m not trying to preach or anything, but I just want to say that I can totally relate!

  34. Nathan Tyree

      This is the best one:

      “2 Ted Hughes gave me this advice and it works wonders: record moments, fleeting impressions, overheard dialogue, your own sadnesses and bewilderments and joys.”

  35. Nathan Tyree

      This is the best one:

      “2 Ted Hughes gave me this advice and it works wonders: record moments, fleeting impressions, overheard dialogue, your own sadnesses and bewilderments and joys.”

  36. Nathan Tyree

      This is the best one:

      “2 Ted Hughes gave me this advice and it works wonders: record moments, fleeting impressions, overheard dialogue, your own sadnesses and bewilderments and joys.”

  37. Matt Cozart

      Really? It distracts the hell out of me. At work I spend probably five hours a day on the internet, not writing.

  38. Matt Cozart

      Really? It distracts the hell out of me. At work I spend probably five hours a day on the internet, not writing.

  39. Matt Cozart

      Really? It distracts the hell out of me. At work I spend probably five hours a day on the internet, not writing.

  40. lorian

      me too.

  41. lorian

      me too.

  42. lorian

      me too.

  43. Blake Butler

      i really like Richard Ford’s

  44. Blake Butler

      i really like Richard Ford’s

  45. Blake Butler

      i really like Richard Ford’s

  46. rachel a.

      i regret the impossible

  47. rachel a.

      i regret the impossible

  48. rachel a.

      i regret the impossible

  49. Lincoln

      1. Never let no one know how much pubs you hold cause you know….that credit breeds jealousy
      2. Never let em know your next submission.
      3. Never trust nobody.
      4. Know you’ve heard this before, but never writer reviews on books from your crew.
      5. Never write no poems where you rest at (don’t care if its a haiku, make it shoo).
      6. That Goddamn credit, dead it! You think a indielit kid is gonna edit your story later? Forget it.
      7. This rule is so underrated: keep your family and fiction completely seperated.
      8. Always keep a journal on you.
      9. Shoulda been number 1 for me, if you ain’t getting acceptances stay the fuck from print mags.
      10. A strong word called online blogs, if you ain’t getting the green say hell no.

  50. Lincoln

      1. Never let no one know how much pubs you hold cause you know….that credit breeds jealousy
      2. Never let em know your next submission.
      3. Never trust nobody.
      4. Know you’ve heard this before, but never writer reviews on books from your crew.
      5. Never write no poems where you rest at (don’t care if its a haiku, make it shoo).
      6. That Goddamn credit, dead it! You think a indielit kid is gonna edit your story later? Forget it.
      7. This rule is so underrated: keep your family and fiction completely seperated.
      8. Always keep a journal on you.
      9. Shoulda been number 1 for me, if you ain’t getting acceptances stay the fuck from print mags.
      10. A strong word called online blogs, if you ain’t getting the green say hell no.

  51. Lincoln

      1. Never let no one know how much pubs you hold cause you know….that credit breeds jealousy
      2. Never let em know your next submission.
      3. Never trust nobody.
      4. Know you’ve heard this before, but never writer reviews on books from your crew.
      5. Never write no poems where you rest at (don’t care if its a haiku, make it shoo).
      6. That Goddamn credit, dead it! You think a indielit kid is gonna edit your story later? Forget it.
      7. This rule is so underrated: keep your family and fiction completely seperated.
      8. Always keep a journal on you.
      9. Shoulda been number 1 for me, if you ain’t getting acceptances stay the fuck from print mags.
      10. A strong word called online blogs, if you ain’t getting the green say hell no.

  52. Stu

      Best thing on here ever.

  53. Stu

      Best thing on here ever.

  54. Stu

      Best thing on here ever.

  55. Gian

      I hardly ever use this word, but MEH…ours was better. Way better.

  56. Gian

      I hardly ever use this word, but MEH…ours was better. Way better.

  57. Gian

      I hardly ever use this word, but MEH…ours was better. Way better.

  58. Slowstudies

      Write what you don’t know.

  59. Slowstudies

      Write what you don’t know.

  60. Slowstudies

      Write what you don’t know.

  61. Trey

      An underrated rule.

  62. Trey

      An underrated rule.

  63. Trey

      An underrated rule.

  64. Rawbbie

      write words on paper
      Don’t throw away paper unless you’ve checked it for words
      when a lot of paper has a lot of words on them, check to see if the words can be combined
      combine the words from paper on a computer
      get drunk sometimes
      move the words on the computer around on the digital page
      read
      steal words
      print the words on real paper sometimes to make sure they make sense
      always have a uniball vision exact in my pocket

  65. Rawbbie

      write words on paper
      Don’t throw away paper unless you’ve checked it for words
      when a lot of paper has a lot of words on them, check to see if the words can be combined
      combine the words from paper on a computer
      get drunk sometimes
      move the words on the computer around on the digital page
      read
      steal words
      print the words on real paper sometimes to make sure they make sense
      always have a uniball vision exact in my pocket

  66. Rawbbie

      write words on paper
      Don’t throw away paper unless you’ve checked it for words
      when a lot of paper has a lot of words on them, check to see if the words can be combined
      combine the words from paper on a computer
      get drunk sometimes
      move the words on the computer around on the digital page
      read
      steal words
      print the words on real paper sometimes to make sure they make sense
      always have a uniball vision exact in my pocket

  67. audri

      really enjoyed reading these
      thanks roxane

      i hate rules about which parts of speech to avoid
      i like encountering writing that uses taboo words freshly
      write a fucking adverb gerund novella
      this is english. language is there to eat and people are starving in suriname creole

      only rule is to break all existing rules
      then break all your own

  68. audri

      really enjoyed reading these
      thanks roxane

      i hate rules about which parts of speech to avoid
      i like encountering writing that uses taboo words freshly
      write a fucking adverb gerund novella
      this is english. language is there to eat and people are starving in suriname creole

      only rule is to break all existing rules
      then break all your own

  69. audri

      really enjoyed reading these
      thanks roxane

      i hate rules about which parts of speech to avoid
      i like encountering writing that uses taboo words freshly
      write a fucking adverb gerund novella
      this is english. language is there to eat and people are starving in suriname creole

      only rule is to break all existing rules
      then break all your own

  70. mjm

      if you’re sick, write.

  71. mjm

      if you’re sick, write.

  72. mjm

      if you’re sick, write.

  73. Pete

      There are no rules.

  74. Pete

      There are no rules.

  75. Pete

      There are no rules.

  76. ryan

      Agreed. It is the only real rule for writing; the rest are shit–uselessly prescriptive. Any personal ‘rules’ you as an artist need will evolve from your reading.

      In my opinion it is more important than writing every day. Read a lot, read way more than you write, read until exhaustion, utterly immerse yourself in literature–and then maybe you can write, if you have the strength. Writing every day without reading enough will only result in shit, bad shit.

      I think it’s best to read early and late in the day. Lets you dream on it, lets your subconscious’s echo chamber of haphazard thoughts mull it around through the day–

      In my writing classes I’m always amazed by how many writers literally don’t read. They go the entire winter break and don’t read a single book.

  77. ryan

      Agreed. It is the only real rule for writing; the rest are shit–uselessly prescriptive. Any personal ‘rules’ you as an artist need will evolve from your reading.

      In my opinion it is more important than writing every day. Read a lot, read way more than you write, read until exhaustion, utterly immerse yourself in literature–and then maybe you can write, if you have the strength. Writing every day without reading enough will only result in shit, bad shit.

      I think it’s best to read early and late in the day. Lets you dream on it, lets your subconscious’s echo chamber of haphazard thoughts mull it around through the day–

      In my writing classes I’m always amazed by how many writers literally don’t read. They go the entire winter break and don’t read a single book.

  78. ryan

      Agreed. It is the only real rule for writing; the rest are shit–uselessly prescriptive. Any personal ‘rules’ you as an artist need will evolve from your reading.

      In my opinion it is more important than writing every day. Read a lot, read way more than you write, read until exhaustion, utterly immerse yourself in literature–and then maybe you can write, if you have the strength. Writing every day without reading enough will only result in shit, bad shit.

      I think it’s best to read early and late in the day. Lets you dream on it, lets your subconscious’s echo chamber of haphazard thoughts mull it around through the day–

      In my writing classes I’m always amazed by how many writers literally don’t read. They go the entire winter break and don’t read a single book.

  79. Amy McDaniel

      “Good health makes too close an alliance between the soul and the body.”–Francis Bacon

  80. Amy McDaniel

      “Good health makes too close an alliance between the soul and the body.”–Francis Bacon

  81. Amy McDaniel

      “Good health makes too close an alliance between the soul and the body.”–Francis Bacon

  82. Michael

      I like, write you don’t know about what you know…..I think FOC or Welty said that.

  83. Michael

      I like, write you don’t know about what you know…..I think FOC or Welty said that.

  84. Michael

      I like, write you don’t know about what you know…..I think FOC or Welty said that.

  85. Michael

      I mostly agree, but then again, I remember when I was younger that I would actually use reading as a crutch, I’d tell myself, “you will not write a word until you read the top 100 novels ever, according to Time Magazine.”

      Also, sometimes, if I’m reading something I really like, it makes me want to put the book down and write. Anyone else have this problem? “Hey, I can do that too!”

  86. Michael

      I mostly agree, but then again, I remember when I was younger that I would actually use reading as a crutch, I’d tell myself, “you will not write a word until you read the top 100 novels ever, according to Time Magazine.”

      Also, sometimes, if I’m reading something I really like, it makes me want to put the book down and write. Anyone else have this problem? “Hey, I can do that too!”

  87. Michael

      I mostly agree, but then again, I remember when I was younger that I would actually use reading as a crutch, I’d tell myself, “you will not write a word until you read the top 100 novels ever, according to Time Magazine.”

      Also, sometimes, if I’m reading something I really like, it makes me want to put the book down and write. Anyone else have this problem? “Hey, I can do that too!”

  88. Michael

      *write what you don’t know about what you know

  89. Michael

      *write what you don’t know about what you know

  90. Michael

      *write what you don’t know about what you know

  91. ryan

      Yeah, I almost snuck back in here and qualified my post with something like that, but I didn’t want to bore everyone with my dithering.

      I think, ideally, you both read and write quite a lot everyday. Both are activities that benefit that weird “in the zone” effect that daily practice of any activity imbues. But if you’ve got to skimp on one, I’d skimp on the writing.

      And there’s probably an prescriptive, idiosyncratic element to that: I find myself physically incapable of writing if I don’t have the ‘echo chamber’ effect of something I’ve read lately bouncing around in my midbrain–it’s just no fun, I feel less connected to the words/characters, and I wind up clipping my nails or something.

      But I think the advice holds up generally. Intense loving reading solves so many of the problems we hit in our projects as writers. . . .

  92. ryan

      Yeah, I almost snuck back in here and qualified my post with something like that, but I didn’t want to bore everyone with my dithering.

      I think, ideally, you both read and write quite a lot everyday. Both are activities that benefit that weird “in the zone” effect that daily practice of any activity imbues. But if you’ve got to skimp on one, I’d skimp on the writing.

      And there’s probably an prescriptive, idiosyncratic element to that: I find myself physically incapable of writing if I don’t have the ‘echo chamber’ effect of something I’ve read lately bouncing around in my midbrain–it’s just no fun, I feel less connected to the words/characters, and I wind up clipping my nails or something.

      But I think the advice holds up generally. Intense loving reading solves so many of the problems we hit in our projects as writers. . . .

  93. ryan

      Yeah, I almost snuck back in here and qualified my post with something like that, but I didn’t want to bore everyone with my dithering.

      I think, ideally, you both read and write quite a lot everyday. Both are activities that benefit that weird “in the zone” effect that daily practice of any activity imbues. But if you’ve got to skimp on one, I’d skimp on the writing.

      And there’s probably an prescriptive, idiosyncratic element to that: I find myself physically incapable of writing if I don’t have the ‘echo chamber’ effect of something I’ve read lately bouncing around in my midbrain–it’s just no fun, I feel less connected to the words/characters, and I wind up clipping my nails or something.

      But I think the advice holds up generally. Intense loving reading solves so many of the problems we hit in our projects as writers. . . .

  94. mark gluth

      pd james said it better than i could, with this:
      3 Don’t just plan to write – write. It is only by writing, not dreaming about it, that we develop our own style.

  95. mark gluth

      pd james said it better than i could, with this:
      3 Don’t just plan to write – write. It is only by writing, not dreaming about it, that we develop our own style.