May 28th, 2009 / 1:38 pm
Author Spotlight & Excerpts

Amy King: I’m The Man Who Loves You

I’ve been meaning to write about Amy King’s poetry for some time now and plan on a longer post at a later date. (Click here to go to her blog.) As a non-poet, I find writing about poetry intimidating and as a reader of poetry, I use very loose guidelines in my judgement of poetry. Here are my reasonings, and an Amy King poem:

While discussing my difficulty in judging poetry with my husband, he said something to the effect of “poetry is more like the visual arts in that it’s very subjective and more abstract, whereas fiction is, usually, a narrative and less object like. ” Now, this is a generalization and there are many exceptions. But I said, “exactly”! Thanks husband, for saying what I wanted to say, but I couldn’t say it because I was half drunk and confused and had a cigarette in my face. So there is that.

Then there is a thread from ages ago where a writer talked about looking at Van Gogh’s paintings to see how he put paint on a canvas. I responded in the comment thread something to the extent that I look at Van Gogh’s painting to experience a gush of the vast beauty and  awe and suffering that is our short lifespan on this mysterious planet. When I read a poem, it is with a similiar eye. This is perhaps because I am not a poet. If I were a poet, I would maybe want to know how, why,  and so forth, the poem is constructed as it is. I do read fiction that way (but not always, I still read with my heart instead of my head quite often). But poetry- it’s just an emotional bath for me for the most part. Just a dip into the soul, a slight massage of the mind, a moment of not watching tennis. And with that, I present you a poem that I like very much:

Our Spirit Animal Shapes

The nails of an honest masculine hand come

to grip beer in a bag with porcelain figure mentality

that others smash across the head

of a beating body, so it’s impatient of me to lethal

and legitimize alone time in your closet

where the evidence is flushed, fondled,

marveled at in cruel fashion & turned into sculpture

for therapeutic benefits. Then hush the blind finger

bandit in that drunken abyss,

 

I also made some found poems from

Hurricane Katrina because I really just copied down

a few quotation marks and broke them into lines

that abuse the sterile use of deadly events,

minor or major moments American

in peril and complete nudity on the big ticket,

a special economic zone that compounds

personal bias for our spirit animal shapes

to cash in on when you finally come to recognize

the ways in which you pretend and exist on

the same plane, where the remaining us lie to sleep.

 

 

 

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28 Comments

  1. jereme

      pr,

      you look at poetry the way it should be interpreted.

      i am glad to see some poetry around here.

  2. jereme

      pr,

      you look at poetry the way it should be interpreted.

      i am glad to see some poetry around here.

  3. ryan

      i like this. i like that cover, too. and i like the title. i wonder if the wilco reference was intentional…

  4. ryan

      i like this. i like that cover, too. and i like the title. i wonder if the wilco reference was intentional…

  5. pr

      Good question. I hope to do an interview with her this summer-

  6. ryan

      i recorded a cover of that song for my wife. it still has one of my favorite guitar moments that i’ve ever managed to get out of myself.

  7. ryan

      i recorded a cover of that song for my wife. it still has one of my favorite guitar moments that i’ve ever managed to get out of myself.

  8. Paul Siegell

      wilco reference 100% intentional. it’s a woman saying “i’m the man who loves you.” i’ll leave it to you to put it together. and she also uses “a ghost is born” as a title in the book.

      …YES, MORE POETRY PLEASE!!!

  9. Paul Siegell

      wilco reference 100% intentional. it’s a woman saying “i’m the man who loves you.” i’ll leave it to you to put it together. and she also uses “a ghost is born” as a title in the book.

      …YES, MORE POETRY PLEASE!!!

  10. ryan

      nice. wilco references alone would be enough to convince me to buy a book…

  11. ryan

      nice. wilco references alone would be enough to convince me to buy a book…

  12. kerri

      her work is awesome! thanks for the intro. and i like the way you and your husband talk about poetry

  13. kerri

      her work is awesome! thanks for the intro. and i like the way you and your husband talk about poetry

  14. Matt Cozart

      “to experience a gush of the vast beauty and awe and suffering that is our short lifespan on this mysterious planet”

      I think you’ve got the right idea, for non-poets and poets alike.

  15. Matt Cozart

      “to experience a gush of the vast beauty and awe and suffering that is our short lifespan on this mysterious planet”

      I think you’ve got the right idea, for non-poets and poets alike.

  16. john sakkis

      good one pr

      html giant sometimes feels like pitchfork if pitchfork only talked about the “detroit sound” or something

      every now and then it’s great to read about death metal or sex rap

      sometimes it feels like poets and writers in here or yaddo or a borders cafe

      it didn’t used to though, oh boo hoo i’m hating aren’t i

      i just read Waldrop’s The Space Of Half An Hour on my lunch break

      fuck i should blog about it

      i like talky poetry reviews, thanks pr

  17. john sakkis

      good one pr

      html giant sometimes feels like pitchfork if pitchfork only talked about the “detroit sound” or something

      every now and then it’s great to read about death metal or sex rap

      sometimes it feels like poets and writers in here or yaddo or a borders cafe

      it didn’t used to though, oh boo hoo i’m hating aren’t i

      i just read Waldrop’s The Space Of Half An Hour on my lunch break

      fuck i should blog about it

      i like talky poetry reviews, thanks pr

  18. ryan

      maybe my favorite part:

      “Then hush the blind finger
      bandit in that drunken abyss,”

  19. ryan

      maybe my favorite part:

      “Then hush the blind finger
      bandit in that drunken abyss,”

  20. pr

      Thanks John,
      I’m glad you liked this post, although I wouldn’t call it a review, but it is talky.

      I like your little self-conscious bit about hating. Your comment isn’t so hatey. You didn’t start it with “this is dumb” or something like that. But I will disagree with you that this blog is anything like P&W or a Borders Cafe (not that I have anything wrong with either, I don’t) but has been, from the beginning, a blog that posts about death metal ( that would be Matthew Simmons and myself ) and sex rap (many of the others, Blake, Sam off the top of my head) and Andrew Kaufman (Chelsea), and Golden Hemorrhoids and other random stuff with great regularity.

      I will look up Waldrop. You should blog about his book.

  21. ryan

      sex punk < sex rap

  22. ryan

      sex punk < sex rap

  23. john sakkis

      moted

  24. john sakkis

      moted

  25. dan

      yes, i really like your description of what poetry is and how it functions.

  26. dan

      yes, i really like your description of what poetry is and how it functions.

  27. ben

      Cover/Wilco/Poetry

      1) The cover of this is amazing

      2) Jay Bennet’s death is the celebrity death that has most saddened me since Paul Newman. Summerteeth is far and away my favorite Wilco record. When he heard the news, a friend of mine said: ‘Now Wilco is permanently relegated to Dad-Rock’. shit.

      3) The phrase: “Abuse the sterile use of deadly events” rules. That reminds me a lot of the Beckett thing about abusing language, but in a fresh and good way.

  28. ben

      Cover/Wilco/Poetry

      1) The cover of this is amazing

      2) Jay Bennet’s death is the celebrity death that has most saddened me since Paul Newman. Summerteeth is far and away my favorite Wilco record. When he heard the news, a friend of mine said: ‘Now Wilco is permanently relegated to Dad-Rock’. shit.

      3) The phrase: “Abuse the sterile use of deadly events” rules. That reminds me a lot of the Beckett thing about abusing language, but in a fresh and good way.