Those who follow tradition are ignored
Brion Gysin famously said, “Writing is fifty years behind painting.” And it looks like Kenneth Goldsmith would agree:
What I learned in the art world is that anything goes. The further you can push something, the more it is rewarded: to shoot for anything less in the art world is career suicide. The art that is deemed the most valuable is rarely the most finely-crafted, the most expressive, or the most “honest” works, but rather those which either attempt to do something that’s never been done before or those that synthesize older ideas into something new. Risk is rewarded. Those who follow tradition in a known, dogged, and obligatory manner are ignored. Unlike the poetry world, the mainstream of the art world since the dawn of modernism has been the avant-garde, the innovative, the experimental. The most cutting-edge work — the work with the biggest audience and historical import — has been the most challenging.