October 20th, 2010 / 9:18 pm
Snippets

11 Comments

  1. deadgod

      THE EIGHTEENTH CENTURY CAN BE A SUBLIME TIME TO ARRIVE IN SEARCHING FOR “A LIVING MORAL REFERENT”:

      ACT AS THOUGH, BY VIRTUE OF ONE’S WILL, THE MAXIM EMBEDDED IN THE ACTION WERE TO BECOME A UNIVERSAL LAW

  2. Guest

      Perhaps Vincent Gallo was trying to read that font?

  3. drewkalbach

      at least it isn’t as bad as white text on a black background.

      white text on a black background is basically the worst possible thing.

  4. deadgod

      THE EIGHTEENTH CENTURY CAN BE A SUBLIME TIME TO ARRIVE IN SEARCHING FOR “A LIVING MORAL REFERENT”:

      ACT AS THOUGH, BY VIRTUE OF ONE’S WILL, THE MAXIM EMBEDDED IN THE ACTION WERE TO BECOME A UNIVERSAL LAW

  5. John Sakkis

      never seen comment box hate as intense as her blog trolls are spewing.

      it’s a bit glenn close.

  6. deadgod

      It’s a lot from the life of marionettes.

      Could Reines sift the malignancies out and, eh, genetically re-assign them? – say, in a conversation of monologues.

  7. John Sakkis

      yassou deadgod (thanatos?),

      what is the life of marionettes?

      xo

  8. deadgod

      Kalimera, re. To einai ena film ap’ to Bergman. Prepei na blepeis, giati – alla to einai polu s[th]eno – to einai xarakteristika (gia to Bergman) ba[th]u kai puxno.

      Kai ‘dw – fusika – auto to film einai thematiko, omws th’ sou.

  9. deadgod

      Ox, malaka, ta quotation marks ellhnika den paei kala edw. Borei to diabazeis;

      ‘menit yang lalu’; e;;

  10. Trey

      woah

  11. John Sakkis

      bravo vree…efharisto poli!