Books that are poorly and lazily written offend me all the time. The most recent was probably Justin Torres’s “We The Animals.” Tons of hype, but terribly written and contrived and an “After School Special”-like treatment of the “coming out” narrative.
A Million Tiny Pieces. I immediately knew it was a lie for the same reason I knew it was a shitty piece of writing: the protagonist is right about everything and everyone else is wrong. What makes it evil is that there’s no way of knowing how many addicts read his dishonest, self-serving description of 12-step programs and understandably decided against getting that kind of help. It wasn’t Oprah who was owed the apology.
yeah, that’s the one. he’s one of those guys that will comment on negative reviews of his own work and get into fights with people who dislike his work. he’s a big baby.
no. i can only imagine being genuinely offended if a book was written directly at me like if someone who had never met me tried to write my biography or something
i enjoyed his first book. read most of the 2012 book.
i went to some psytrance festival on the mason-dixon to talk to him. but. he gave a talk. he seemed afraid. i didn’t bother to talk to him.
he does seem a bit childish. almost spoiled. or full of himself. a tough gig when your preaching ego-death type of stuff.
at least there’s graham hancock. but. he wrote a fiction book. he said it came to him during an ayahuasca ceremony. he should have left it out in the noosphere or wherever whitey goes when he goes down into the amazon to get enlightened. it’s called _entangled_. my partner read it. she said it was like psychedelic trash. i tried to read it. but couldn’t. but. graham seems chill.
Henry Alford’s “Would it kill you to stop doing that.” Impossible to navigate the sloshpit of forced humor. Basically, it’s long winded anecdotes about, and for, neurotic Caucasian germaphobes.
Doris Lessing’s “The Good Terrorist”: for such a grande dame of literature, the book is chock-full of lazy clichés about the political Left and is just lazy all round. The only book I have tossed towards a bin on completing it and the binding was so flimsy it ripped part away from the spine, which seemed indicative of something…
I remember being offended by The Life of Pi, but I don’t really remember exactly why. I think I felt as if I was being preached to and hit over the head with an overtly religious message that I was just not at all open to.
I think it boils down to the feeling that Ball was just cherry picking lots of interesting devices, tricks, imagery from other great writers (Aldous Huxley, Kenneth Patchen) and preciously piecing it all together to make it seem like he had created something truly unique. It was as if he knew it too, as if he knew that he was full of shit, but expected me to carry on believing and weeping. I kept thinking while reading that book: this fucking author thinks I’m an asshole.
usually held in the woods, they raves for technological hippies.
usually lots of like earth love like yoga posturing and psychedelic drugs and hula hoops. picture the movie avatar. the world the na’vi lived in – promoters decorate the trees with black lights and day-glo and alien inspired fractal art.
djs spin psychedelic trance or goa trance or whatever it’s called these days. and it all goes on for like 3/4 days (during the solstice or some other important calender event). non-stop. that pounding trance music. it gets old quick.
i usually go and drink like a redneck and juggle like a street kid and find out what psychedelic drugs the kids are doing. then bring them odd drugs home and do them by myself or with a few friends.
psytrance shows also take place in warehouses. but they usually not as freaky as the ones in the woods. because in the woods, late at night, there’re tweakers hiding in the trees. i keep a full can of beer on me at all times. just in case some kid on mda wants to get a little too close. i coldclock a bitch out his tevas. that’s a lie. but you get it: techno hippie rave in the woods.
I get offended by attempts at emotional manipulation. Last thing like that that I can remember is Michael Kimball’s “Us”. I just felt it was almost desperately transparent in its mission to have an emotional impact. I like some of his other writing too, though arguably the other stuff suffers from the same thing.
If it was written, why can’t you name it? That doesn’t make any sense.
Unless maybe a friend sent a word document to you in strict confidence?
If it’s a book that has been produced for public consumption you can say anything you want, probably, especially, and hopefully, if it offends you, or has any effect equal to offensive.
14 years later the intense feeling of tearing that book in two is still vivid. I think who I am now ripped it form the hands of who I was then. What would happen if I read it now…
Bill Luoma’s ‘Some Math’. I’ve been mulling writing an anonymous review of it here for a while. It captures everything terrible about “experimental poetry”.
am i supposed to say ‘it would rip you in two. grrr.’ ? i think… it would grow some wings. fly out your hands and land in my lap. i’d sit on it for like 40 years. then i’d sell that shit on ebay to your grandkids for like , i don’t know… like so much american yuan. your family will be so poor. your kids will have no money for your nursing home. you’ll die. and i’ll be all like laughing scrooge mcduck in so much money. i’ll live forever. like magic johnson on aids.
for real. why did you tear it up? did you see harmony on letterman promoting it? classic television that.
i actually fucking love that book. but, for the record, if you had kept the book and not ripped it in half you could sell it on ebay for like $80 like i did before i moved.
i don’t know. i was confused by that book. but then i grew to love that book. i kept it in my bathroom before i gave it to my friend as a birthday present. it seems like it will come back into print and be this thing bigger than it was. maybe i’m crazy.
i’m remembering a macaulay culkin book. after googling it: _junior_. now THAT was a rip-off of _a crackup at the race riots_.
but all this is reminding me of a movie. _crazy richard_.
that made me feel like harmony’s book did. classic film. _crazy richard_ was wonderful.
_i lost my love in baghdad: a modern war story_.
michael hastings (author of the rolling stone article “the runaway general”) parlays his fiance’s death into a book deal.
i admit i liked the book. but. seems like a dirtbag move on hastings part.
i also disagree with _gabby: a story of courage and hope_.
i didn’t read it. i just disagree with it. the timing of it. is the book a fundraiser?
IN THAT CASE AN IMAGE OF A HIKER HALF-EATEN BY A BEAR, ONE SOCK AND CROSS-TRAINER STILL ATTACHED TO A RAISED LEG MISSING HALF A SHIN. ACCESSED LATE AT NIGHT IN THE YEAR 2001 OR 2002 OR 2003 ON A WEBSITE THAT NO LONGER EXISTS PROBABLY BECAUSE OF ITS EXTREME CONTENT BUT NOT BECAUSE MORAL STANDARDS HAVE IMPROVED
WOULD ZZZZZIPPP BE OFFENDED AT THIS TODAY OR WOULD HE JUST PHOTON ONTO ANOTHER THING
“WHEN I LOOKED AT THAT IMAGE SOMETHING BROKE. SOME LIMIT HAD BEEN REACHED, AND NOT ONLY THAT OF HORROR; I FELT IRREVOCABLY GRIEVED, WOUNDED, BUT A PART OF MY FEELINGS STARTED TO TIGHTEN; SOMETHING WENT DEAD; SOMETHING IS STILL CRYING”
OR MAYBE IT WAS SOME OTHER THING ZZZZIPP SAW ONLINE THEN, LIKE A PREGNANT ANTHROPOMORPHIZED DRAGON DEVOURING A SEXY TURTLE THAT WAS TOUCHING ITSELF
i forgot about _the bad son_ :) but culkin’s book _junior_ was on a table in borders in west hartford back when. and i looked through it. it was just like _a crackup_- a book i cherished. _junior_ made me feel pity for macaulay culkin. there was no reason it should have.
i’ve made a few friends by repeating that title: “pass the bitch [,] chicken.” i never claim it as my own. but people always get a kick out of it.
That didn’t offend me but I am still pretty confused about it. Like I don’t know what would make you think, “Awesome, that is how this book ends.” I liked the book though.
The sequel to Less Than Zero by Ellis. I have never read a more thorough assassination of a character’s character by an author in my entire life. I threw it away.
I don’t actually have an answer but I really like this question–so much of what I am rather derelect regarding is offensive: namely Jacky Collins; her world view is rather crap but I have a hard time not believing she’s some some species of genius even though one could make a good case that some of her books are mega patriarchal decoys and the fact that she seems to value fame and money more than any other dynamic.
I read the Book of Tobit on a dare in 7th grade. It’s only in the Catholic Bible. It made me feel momentarily ashamed to be female. Then I remembered that it was garbage and I stopped feeling offended.
Rabbit, and the whole Rabbit series, by John Updike, the great white narcissist. I hated Rabbit more than any other character I’ve ever read. The existence of that series offends me.
Sailing around the room by Billy Collins. It seems only fitting that our poet laureate under bush would be a stupid man, passing off half ass humor for poetry.
A few days ago, Blake Butler (master and commander of HTML Giant) asked the question: “Has any book geniunely offended you? Why?”
No doubt this was a talking point he corralled through a discussion with friends or after having finished some terrible, mainstream book. Despite its seemingly simple state, this question is embedded with some serious hermeneutic problems:
+ First, why ‘geniunely’? ‘Genuinely’ is perhaps a way to distinguish between a bad fart joke or the use of unsettling language, etc. It also could be used to limit the discussion to more fruitful conversations about offensive works of literature. The problem us Philosophy Winners have is that it refers to an authentic status that is not clearly differentiated.
+ You may say, “Philosophy Winners, no problem. Take out the ‘genuinely’.” But there remains the more pressing problem: What does it mean to be offended?
Elementary rhetoric in our society bubbles with language such as PC, respect, social conditioning, multiplicity, ethnicity, gender, marginal groups, subversive. If we expand the term, could not all of this be a question of offense?
The notion of offense comes from two separate meanings that combine to give a greater understanding of what is going on in this contemporary state of rhetoric. One, we offend when we cause pain to another. That is, we have offended them. Broadened, this could be from an unintentional act of misspeaking to greater and greater degrees of violence.
It is the second meaning, however, that reveals why offending/being offended has become a common occurence in our era; we offend when we break a rule. Consider Ben’s comment on the thread:
The Curfew by Jesse Ball. I think it boils down to the feeling that Ball was just cherry picking lots of interesting devices, tricks, imagery from other great writers (Aldous Huxley, Kenneth Patchen) and preciously piecing it all together to make it seem like he had created something truly unique. It was as if he knew it too, as if he knew that he was full of shit, but expected me to carry on believing and weeping. I kept thinking while reading that book: this fucking author thinks I’m an asshole.
For Ben, Jesse Ball offended him by using expected tropes. This very easily aligns with our second definition: Ball broke a rule of writing by doing what comes easy whereas it is implied by Ben that writing must not come off as mechanical or too heavily borrowing.
Here is where we find the culmination of all our issues with offense.
First, the use of genuine is necessary in Blake Butler’s question as seen in Ben’s comment. We are dealing with a question of authenticity. Ben wants to point out that Ball did not write authentically. In this way, offense necessarily comes from a person not behaving in a way befitting what the offended deems as authentic.
Second, breaking a rule and hurting someone is intertwined. Ben is hurt (in a lighthearted sense as having read through something painfully written) first and foremost because Belle broke the rule of good writing. Here, we see that we are caused pain not by the offense, but that the breaking of the socially expected rule is what causes the offense/pain. In other words, I am not caused pain by your ineffective writing. I am caused pain by your inability to see that your writing is ineffective. Consider the offense of a racial slur. To be called a racial slur is not what is offensive. One is offended by the person’s inability to see that the slur is unacceptable.
Can someone/a work become less offensive in these terms? How much of this depends on the offendee?
What is authenticity’s relation to the Rule? Am I authentic in another’s eyes when I am aware and abide by the Rule?
How offensive do you find the other posts on the thread in these terms?
philosophyforthewin.tumblr.com
ARE YOU IMPLYING THAT EVERYTHING THAT ZZZZZIPPP TOUCHES BECOMES AN ASPECT OF TORONTO AS IF ZZZZZIPP IS SO PROVINCIAL THAT NOTHING HE THINKS CAN ESCAPE THAT CITY’S ORBIT?
Offend yourself every day.
Books that are poorly and lazily written offend me all the time. The most recent was probably Justin Torres’s “We The Animals.” Tons of hype, but terribly written and contrived and an “After School Special”-like treatment of the “coming out” narrative.
Mein fucking Kampf, although I’ve only read a sixth of it.
dont shit offend me i seen it all my nig
Freedom. 562 pages and he kills off the brown sidekick in the end. I could get as much from 80s cop movies.
Daniel Pinchbeck’s 2012 book, which was a raving piece of lunatic garbage.
A Million Tiny Pieces. I immediately knew it was a lie for the same reason I knew it was a shitty piece of writing: the protagonist is right about everything and everyone else is wrong. What makes it evil is that there’s no way of knowing how many addicts read his dishonest, self-serving description of 12-step programs and understandably decided against getting that kind of help. It wasn’t Oprah who was owed the apology.
2012: the return of quetzalcoatl (?)
yeah, that’s the one. he’s one of those guys that will comment on negative reviews of his own work and get into fights with people who dislike his work. he’s a big baby.
no. i can only imagine being genuinely offended if a book was written directly at me like if someone who had never met me tried to write my biography or something
I’ve never heard of that book. Tell me more.
I always really every single book I pick up will offend me but they never do
“hope”
Everyone Poops. Too edgy.
i enjoyed his first book. read most of the 2012 book.
i went to some psytrance festival on the mason-dixon to talk to him. but. he gave a talk. he seemed afraid. i didn’t bother to talk to him.
he does seem a bit childish. almost spoiled. or full of himself. a tough gig when your preaching ego-death type of stuff.
at least there’s graham hancock. but. he wrote a fiction book. he said it came to him during an ayahuasca ceremony. he should have left it out in the noosphere or wherever whitey goes when he goes down into the amazon to get enlightened. it’s called _entangled_. my partner read it. she said it was like psychedelic trash. i tried to read it. but couldn’t. but. graham seems chill.
Henry Alford’s “Would it kill you to stop doing that.” Impossible to navigate the sloshpit of forced humor. Basically, it’s long winded anecdotes about, and for, neurotic Caucasian germaphobes.
Cormac Mccarthy’s “THE ROAD”
Doris Lessing’s “The Good Terrorist”: for such a grande dame of literature, the book is chock-full of lazy clichés about the political Left and is just lazy all round. The only book I have tossed towards a bin on completing it and the binding was so flimsy it ripped part away from the spine, which seemed indicative of something…
My own book offends me. And some by people I cannot name here. And everything the insect Jonathan Franzen has ever written.
you’re not eating enough roughage
I remember being offended by The Life of Pi, but I don’t really remember exactly why. I think I felt as if I was being preached to and hit over the head with an overtly religious message that I was just not at all open to.
Challenge accepted
The Curfew by Jesse Ball.
I think it boils down to the feeling that Ball was just cherry picking lots of interesting devices, tricks, imagery from other great writers (Aldous Huxley, Kenneth Patchen) and preciously piecing it all together to make it seem like he had created something truly unique. It was as if he knew it too, as if he knew that he was full of shit, but expected me to carry on believing and weeping. I kept thinking while reading that book: this fucking author thinks I’m an asshole.
I got really mad at THERE IS NO YEAR because I wasn’t mentioned in the acknowledgements.
I only really get offended by writing that’s exploitatively sentimental, so “The Lovely Bones,” “Extremely Loud and Incredibly Close”….
wtf is a ‘psytrance festival’
the bible, b/c the author is a dick.
Wonder Bread
Come with us to a place called Brooklyn, where the stories are half-baked and their endings bland and soft
ain
By Melvin Jules Bukiet
http://theamericanscholar.org/wonder-bread/
I felt the same way about “The Lovely Bones”. I couldn’t get past it.
Scorch Atlas. Can’t lead off with epigraphs from Beckett and Gass unless it’s gonna be a masterpiece.
the internet is a book, right?
usually held in the woods, they raves for technological hippies.
usually lots of like earth love like yoga posturing and psychedelic drugs and hula hoops. picture the movie avatar. the world the na’vi lived in – promoters decorate the trees with black lights and day-glo and alien inspired fractal art.
djs spin psychedelic trance or goa trance or whatever it’s called these days. and it all goes on for like 3/4 days (during the solstice or some other important calender event). non-stop. that pounding trance music. it gets old quick.
i usually go and drink like a redneck and juggle like a street kid and find out what psychedelic drugs the kids are doing. then bring them odd drugs home and do them by myself or with a few friends.
psytrance shows also take place in warehouses. but they usually not as freaky as the ones in the woods. because in the woods, late at night, there’re tweakers hiding in the trees. i keep a full can of beer on me at all times. just in case some kid on mda wants to get a little too close. i coldclock a bitch out his tevas. that’s a lie. but you get it: techno hippie rave in the woods.
All things by Christopher Buckley.
Anything that is implied to be “Southern” but no one gets raped and/or no one dies. j/k
I get more offended at book reviews than any book.
Yup
jesus
First, sure you can.
Second, good thing it is then, yeah?
Two-Stroke Engine Repair and Maintenance by Paul K. Dempsey (McGraw-Hill Professional, 2009)
I get offended by attempts at emotional manipulation. Last thing like that that I can remember is Michael Kimball’s “Us”. I just felt it was almost desperately transparent in its mission to have an emotional impact. I like some of his other writing too, though arguably the other stuff suffers from the same thing.
I don’t know about “offended,” per se, but I do keep a burning copy of “The Kite Runner” by my fireplace.
drunk comment.
“a crackup at the race riots” – Harmony Korine. Got strange pleasure in tearing the book in the after reading it.
Adrian Tomine’s Summer Blonde
If it was written, why can’t you name it? That doesn’t make any sense.
Unless maybe a friend sent a word document to you in strict confidence?
If it’s a book that has been produced for public consumption you can say anything you want, probably, especially, and hopefully, if it offends you, or has any effect equal to offensive.
Please explain.
It is the worst smelling book in the world.
These are more than words
This is more than rap
This is the streets and I am the trap
Standing ovation
Standing ovation
I thought edgy poop came from too many light bulbs and envelopes in the diet
i bought this book. gave it to a friend as a birthday present. she lost it. wished i kept it.
that was just a rumor
14 years later the intense feeling of tearing that book in two is still vivid. I think who I am now ripped it form the hands of who I was then. What would happen if I read it now…
Bill Luoma’s ‘Some Math’. I’ve been mulling writing an anonymous review of it here for a while. It captures everything terrible about “experimental poetry”.
+ mescaline
the famous sonnet on an ironing board effect?
am i supposed to say ‘it would rip you in two. grrr.’ ? i think… it would grow some wings. fly out your hands and land in my lap. i’d sit on it for like 40 years. then i’d sell that shit on ebay to your grandkids for like , i don’t know… like so much american yuan. your family will be so poor. your kids will have no money for your nursing home. you’ll die. and i’ll be all like laughing scrooge mcduck in so much money. i’ll live forever. like magic johnson on aids.
for real. why did you tear it up? did you see harmony on letterman promoting it? classic television that.
Truly not sure why, nor did it affect the admiration I had and continue to have for him.
nice, cmt
nice, joe
That’s sweet, but it’s not how actual human interactions among writers & academics work, alas.
N.B. It was a (dumb) joke anyway. Although I probably could think of some people I sorta know whose books offend me, I will not bother to do so.
This observation will reverberate for eons.
What?
when stephen king had all the male kids fuck their friend beverley at the end of IT, i was pretty scandalized
i actually fucking love that book. but, for the record, if you had kept the book and not ripped it in half you could sell it on ebay for like $80 like i did before i moved.
the old testament, the perks of being a wallflower
There was a ‘comic’ book somewhat about publishing and gen x and boomer rivalry (…) but I’ve purged the author and title from my brain.
I have not entirely forgiven the friend who sent it to me (by post no less) saying it was hilarious.
http://27.media.tumblr.com/tumblr_lwy3seuV8m1qz6f9yo1_500.jpg
Lambs to the slaughter.
i don’t know. i was confused by that book. but then i grew to love that book. i kept it in my bathroom before i gave it to my friend as a birthday present. it seems like it will come back into print and be this thing bigger than it was. maybe i’m crazy.
i’m remembering a macaulay culkin book. after googling it: _junior_. now THAT was a rip-off of _a crackup at the race riots_.
but all this is reminding me of a movie. _crazy richard_.
that made me feel like harmony’s book did. classic film. _crazy richard_ was wonderful.
_i lost my love in baghdad: a modern war story_.
michael hastings (author of the rolling stone article “the runaway general”) parlays his fiance’s death into a book deal.
i admit i liked the book. but. seems like a dirtbag move on hastings part.
i also disagree with _gabby: a story of courage and hope_.
i didn’t read it. i just disagree with it. the timing of it. is the book a fundraiser?
IN THAT CASE AN IMAGE OF A HIKER HALF-EATEN BY A BEAR, ONE SOCK AND CROSS-TRAINER STILL ATTACHED TO A RAISED LEG MISSING HALF A SHIN. ACCESSED LATE AT NIGHT IN THE YEAR 2001 OR 2002 OR 2003 ON A WEBSITE THAT NO LONGER EXISTS PROBABLY BECAUSE OF ITS EXTREME CONTENT BUT NOT BECAUSE MORAL STANDARDS HAVE IMPROVED
WOULD ZZZZZIPPP BE OFFENDED AT THIS TODAY OR WOULD HE JUST PHOTON ONTO ANOTHER THING
“WHEN I LOOKED AT THAT IMAGE SOMETHING BROKE. SOME LIMIT HAD BEEN REACHED, AND NOT ONLY THAT OF HORROR; I FELT IRREVOCABLY GRIEVED, WOUNDED, BUT A PART OF MY FEELINGS STARTED TO TIGHTEN; SOMETHING WENT DEAD; SOMETHING IS STILL CRYING”
OR MAYBE IT WAS SOME OTHER THING ZZZZIPP SAW ONLINE THEN, LIKE A PREGNANT ANTHROPOMORPHIZED DRAGON DEVOURING A SEXY TURTLE THAT WAS TOUCHING ITSELF
SIMMONS WHAT DID YOU THINK OF “EVER” COMPARED TO “SCORCH ATLAS”
yes a light bulb in your mescaline might make for an edgily labyrinthine poop
Who can do hip-hop better than a frog can?
STREET FROGS.
The Korine-Culkin book is called THE BAD SON. That and his other abstract photography book PASS THE BITCH CHICKEN are worth mega $$$ now.
i forgot about _the bad son_ :) but culkin’s book _junior_ was on a table in borders in west hartford back when. and i looked through it. it was just like _a crackup_- a book i cherished. _junior_ made me feel pity for macaulay culkin. there was no reason it should have.
i’ve made a few friends by repeating that title: “pass the bitch [,] chicken.” i never claim it as my own. but people always get a kick out of it.
The Library of Babel is a terrible thing.
AT LEAST THERE WERE NO PICTURES OR TUMBLR ACCOUNTS
That didn’t offend me but I am still pretty confused about it. Like I don’t know what would make you think, “Awesome, that is how this book ends.” I liked the book though.
The sequel to Less Than Zero by Ellis. I have never read a more thorough assassination of a character’s character by an author in my entire life. I threw it away.
Dan Brown offended me with “DaVinci Code”. On every page. It was his first and last book I’ve read. I mean – what the heck?
i wish
I don’t actually have an answer but I really like this question–so much of what I am rather derelect regarding is offensive: namely Jacky Collins; her world view is rather crap but I have a hard time not believing she’s some some species of genius even though one could make a good case that some of her books are mega patriarchal decoys and the fact that she seems to value fame and money more than any other dynamic.
road toads
I read the Book of Tobit on a dare in 7th grade. It’s only in the Catholic Bible. It made me feel momentarily ashamed to be female. Then I remembered that it was garbage and I stopped feeling offended.
Rabbit, and the whole Rabbit series, by John Updike, the great white narcissist. I hated Rabbit more than any other character I’ve ever read. The existence of that series offends me.
damn u a bitch. think yr missing john updike’s point bro
uncle tom’s cabin
Sailing around the room by Billy Collins. It seems only fitting that our poet laureate under bush would be a stupid man, passing off half ass humor for poetry.
Not a few of you seem to have been scandalized by how “stupid” a given book struck you. Was that really what BB had in mind when posing this question?
Nope. Plagiarism annoys me but doesn’t offend.
The Art of Racing in the Rain by Garth Stein (sic? ) for giving the dog narrator the mantra, “That which is manifest is before you.”
Woof.
A few days ago, Blake Butler (master and commander of HTML Giant) asked the question: “Has any book geniunely offended you? Why?”
No doubt this was a talking point he corralled through a discussion with friends or after having finished some terrible, mainstream book. Despite its seemingly simple state, this question is embedded with some serious hermeneutic problems:
+ First, why ‘geniunely’? ‘Genuinely’ is perhaps a way to distinguish between a bad fart joke or the use of unsettling language, etc. It also could be used to limit the discussion to more fruitful conversations about offensive works of literature. The problem us Philosophy Winners have is that it refers to an authentic status that is not clearly differentiated.
+ You may say, “Philosophy Winners, no problem. Take out the ‘genuinely’.” But there remains the more pressing problem: What does it mean to be offended?
Elementary rhetoric in our society bubbles with language such as PC, respect, social conditioning, multiplicity, ethnicity, gender, marginal groups, subversive. If we expand the term, could not all of this be a question of offense?
The notion of offense comes from two separate meanings that combine to give a greater understanding of what is going on in this contemporary state of rhetoric. One, we offend when we cause pain to another. That is, we have offended them. Broadened, this could be from an unintentional act of misspeaking to greater and greater degrees of violence.
It is the second meaning, however, that reveals why offending/being offended has become a common occurence in our era; we offend when we break a rule. Consider Ben’s comment on the thread:
The Curfew by Jesse Ball. I think it boils down to the feeling that Ball was just cherry picking lots of interesting devices, tricks, imagery from other great writers (Aldous Huxley, Kenneth Patchen) and preciously piecing it all together to make it seem like he had created something truly unique. It was as if he knew it too, as if he knew that he was full of shit, but expected me to carry on believing and weeping. I kept thinking while reading that book: this fucking author thinks I’m an asshole.
For Ben, Jesse Ball offended him by using expected tropes. This very easily aligns with our second definition: Ball broke a rule of writing by doing what comes easy whereas it is implied by Ben that writing must not come off as mechanical or too heavily borrowing.
Here is where we find the culmination of all our issues with offense.
First, the use of genuine is necessary in Blake Butler’s question as seen in Ben’s comment. We are dealing with a question of authenticity. Ben wants to point out that Ball did not write authentically. In this way, offense necessarily comes from a person not behaving in a way befitting what the offended deems as authentic.
Second, breaking a rule and hurting someone is intertwined. Ben is hurt (in a lighthearted sense as having read through something painfully written) first and foremost because Belle broke the rule of good writing. Here, we see that we are caused pain not by the offense, but that the breaking of the socially expected rule is what causes the offense/pain. In other words, I am not caused pain by your ineffective writing. I am caused pain by your inability to see that your writing is ineffective. Consider the offense of a racial slur. To be called a racial slur is not what is offensive. One is offended by the person’s inability to see that the slur is unacceptable.
Can someone/a work become less offensive in these terms? How much of this depends on the offendee?
What is authenticity’s relation to the Rule? Am I authentic in another’s eyes when I am aware and abide by the Rule?
How offensive do you find the other posts on the thread in these terms?
philosophyforthewin.tumblr.com
or would you just PHOTONTO another thing? HMMMMMMMMM
you should write that review
ARE YOU IMPLYING THAT EVERYTHING THAT ZZZZZIPPP TOUCHES BECOMES AN ASPECT OF TORONTO AS IF ZZZZZIPP IS SO PROVINCIAL THAT NOTHING HE THINKS CAN ESCAPE THAT CITY’S ORBIT?
YOU KNOW IT MANE