THE ZERO-DEGREE NOISELESSNESS OF DEATH: LECTIO IX-XII
LECTIO IX: Beyond Novelty, Into The Uncanny
LECTIO X: Shame and the Texture of the Flesh
LECTIO XI: Artaud as Arrogance Without Ego
LECTIO XII: When Nothing is Real
December 14th, 2011 / 4:44 am
Mean Week is This Week What Does that Mean
October 25th, 2010 / 1:24 am
Theater of Cruelty to Myself
The French artist Orlan works in various mediums and has been prolific and provocative for years. Her most notorious work uses her body and surgery as an expression of art.
“I am the first,” Orlan claims, “to divert plastic surgery from its aim of improvement and rejuvenation.”
These are called “operation-performances.”
She took a digitized version of the “idealized feminine” face (her source material: Leonardo’s Mona Lisa, Botticelli’s Venus, Francois Pascal Simon Gerard’s Psyche, Gustav Moreau’s Europa) and then surgically altered her own face to create this image.
Nine plastic surgeries. She considers her works “sacrificial.” These performances were painful and potentially fatal.
A new essay from Unzipping of Images…Orlan’s Operative: Provocation, Performance, Personhood
January 14th, 2010 / 9:50 am