Batter my heart, third-person omniscient god
What is your preferred point of view? Your go-to voice when you write, if you write, or the one you’re happiest to see when you open a new book? Can you use second-person without feeling like a wanker? Do you love “I” for its accessibility, its steadfastness, its immediacy–the narrative fuzzy bedroom slippers everĀ at the foot of your crafty little bed? Because I can be “me” but “not-me,” whereas you is always only you, and third-person, well, forget it. That actually starts to feel like work.