Excerpts

Power Quote by Angela Carter: A Fancy Way of Saying “Eat Me”

From the short story, “The Lady of the House of Love” . I would normally stick my tongue between my two fingers,  but this is a much fancier and therefore a  better way of saying eat me?  This is a reaction to all the uncalled for harshness of life, for all the sick joy that people get from their little, or big, acts of hostility (I know, I should save it for Mean Monday, oops. I read the story this weekend, so it is fresh in my mind):

And I leave you as a souvenir the dark, fanged rose. I plucked from between my thighs, like a flower laid on a grave.  On a grave.

Excerpts & Mean / 11 Comments
February 18th, 2009 / 11:04 pm

Power Quote: Dean Young

We’re trying to build birds, not birdhouses.

– “Leaves in a Drained Swimming Pool”

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February 16th, 2009 / 8:25 pm

Cribs: Literature special

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This post is somewhat of a stretch, but I figured (as a non-AWPer) it’s my duty to post something at least once before their long awaited return.

Last night I watched MTV Cribs, which I’m sure most, if not all of you know, is a show which follows celebrities around in their homes. The first home was 50 Cent’s; he lived in a mall-type castle, with a movie theatre, recording studio, complex lagoon system, and live strip-club (with actual bitches n’ shit — sorry, just keepin’ the vernacular fo realz). The rappers and basketball stars seem to live in the most oppulent places, which are (despite their success) probably on lease. Anyways, I have  a point.

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February 14th, 2009 / 2:30 pm

Junior High Dance

Is my poor boy suffering? Are you Htmlgiant people having fun without me?

No, this is not a picture of htmlgiant contributors rocking out at the AWP. (Yes, I am jealous and bitter.) This is a photo of a junior high dance. My son is at one tonight. I sit at home, worried about him. When I think of junior high dances, only one thing comes to mind: me, at a dance at a roller-skating rink, they play the “slow song”, called, “I Like Dreaming (cause dreaming will make you mine)”, and standing alone watching people slow roller skate, my heart broken in two. Here is an A.A. Bondy song about dancing, and death, and the Rapture:
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February 13th, 2009 / 8:41 pm

Putting in the Seed By Robert Frost

This man does not write poetry, but he does play tennis. I think about him a great deal, usually when I am naked.

It’s warm and sunny here in New York and the days are getting longer. I know, it’s only February. I know that the wind is causing all sorts of tragedy. But it IS boobs/chesticles friday. (I think I am the only one not ready to give up boobs/chesticles friday.)  And it has been positively Spring-like here. Time to make babies! I want to make babies with this man to our left. And speaking of baby making, Robert Frost wrote this wonderfully raw poem about Spring-time lust and fecundity:

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February 13th, 2009 / 1:48 pm

Power Quote from Lisa Yuskavage

I don’ t think there is an uninteresting person alive. It’s just that not everyone has access to themselves,  to the full range of thier emotional life. This is why my work often embarrasses me and why I need it to embarrass me. Being embarrassed allows me to access more surprising pictorial solutions. I don’t know precisely how, but it seems to function as a clarifying agent.

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February 8th, 2009 / 2:23 pm

Power Quote: Gordon Lish

God, the only thing to do is to have a good laugh at the joke. Ha ha ha. You hear me laughing at the joke? I am laughing at the joke. Ha ha ha. I am having a good laugh at it. Ha ha ha. “This is me.” “This is you.” Ha ha ha.

 

Zimzum


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February 7th, 2009 / 12:17 pm

Power Quote: M.L. Rosenthal

Behind much of [Edward Arlington] Robinson’s work, in both its more successful and its less successful aspects, lies a deeply American obsession with the theme of failure: failure of a career, failure of a social class or a society, failure of a needed meaning to sustain itself–and, finally, the inevitable failure of life to resist death’s encroachment. Remembering Eliot’s motifs of sexual and spiritual failure and Pound’s savage complaints at a culture’s failure to realize itself, we see how much those poets have in common with Robinson after all. ‘When we think of America,’ said D.H. Lawrence in his introduction to Edward Dahlberg’s novel Bottom Dogs, ‘and of her huge success, we never realize how many failures have gone, and still go to build up that success.’

– “Rival Idioms: The Great Generation” (being Chapter Five of The Modern Poets: A Critical Introduction)


**BONUS**

Read Robinson’s “Miniver Cheevy”

Read Robinson’s “Richard Corey”

Read Lawrence’s “Last Lesson of the Afternoon”

Enough failure for one day? Ready for earthy pagan Modernist resurrection sex?

Read Lawrence’s “New Heaven and Earth”

Daily affirmation.

Daily affirmation.

Author Spotlight & Excerpts & Random / 6 Comments
February 4th, 2009 / 1:55 pm

Dybek, Nahai, and Hemon help out the kids

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If you live in the Chicago area—or really, really want to go to Chicago in February and need an excuse—you should really go to the Sullivan Galleries of the School of the Art Institute of Chicago on February 12. The good people at Polyphony HS, a literary journal that publishes work by high school students throughout the nation, are holding a reading to raise funds.

Appearing at the reading will be—get this—Stuart Dybek, Gina Nahai, and Alexsandar Hemon. Dybek wrote “We Didn’t.” Hemon wrote “The Life and Work of Alphonse Kauders.” This means that the event includes the authors of two of my favorite short stories ever. (Nahai I don’t know beyond reputation. Sorry about that. I’m sure she’s very good, too.)

Go here for ticketing and event info.

If you are not in Chicago, consider helping Polyphony HS with a small donation. And tell them HTMLGiant sent you.

One of the co-founders of Polyphony HS is Billy Lombardo. Billy is a heck of a guy, and a damn fine writer. His book How to Hold a Woman is forthcoming from OV Books.

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February 3rd, 2009 / 2:20 pm

Herman Melville writes for Friends.

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So, you know when you’re watching a fairly uninspired sitcom, or a middle of the road comedy film, there’s that scene where two straight guys end up having to share a bed for the night and, invariably, when they wake up the next day, one guy has his arm around the other and they are all cuddled up and then they both freak out and jump up and act masculine? Or one wakes up and the other is so completely out of it, he doesn’t, and the one who is awake has to try to get himself out of the situation somehow?

You know how you watch that scene and say: “Oh, yeah. This again.”

That scene? You know that scene, right?

Did you know Melville invented it?

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February 2nd, 2009 / 5:39 pm