[ Just as Shakespeare jauntily lifted and displayed pieces from his great store load of words pertaining to and characterizing people’s privates (including “nothing,” a favorite among feminists!) I have decided to whip out here some closely guarded tidbits about famous people’s pussies. So, come on, slap your thighs, crunch peanuts in the pit, and gaze up, all forlorn, at the sultry clouds.
And, above all, enjoy. ]
A non-pregnant Kim Kardashian’s is a furry teacup pig on its day at the spa. Showing off its nails and gleaming skin. The clit’s a snout and it makes gorgeous and empty little squeals that no man can resist.
Paris Hilton’s is very much like a starved Flamingo curled up into a sad ball on the fringes of the high-acid waters of some South American crater lake. The sky’s filled with hotels and jails and at night the stars crowd in like ghoulish paparazzi. . . And the starved flamingo shivers like a scared Chihuahua that pees on Paris’s marble floors whenever it’s afraid or excited.
(Cormac McCarthy’s trying to work this dish into a new disaster novel). READ MORE >
Camille Paglia says:
If avant-garde is advanced guard, or vanguard, is Lady Gaga indeed avant-garde?
“God I’m scary. I’m scaring myself.”
“Models are there to look like mannequins, not like real people. Art and illusion are supposed to be fantasy.”
“When I started modelling, I’d raise my arms and it was all muscle and all the other models had nothing. Really, everybody thought I was a man. I don’t have to do much to have muscles. It’s just genetic.”
“I also think that men need to be penetrated.”
“Now when I enter a carriage, it almost empties. But there’s always one brave enough to stay.”
“I’VE LOOKED THE DEVIL IN THE FACE, AND GOD, AND SOMEHOW I’VE FOUND A BALANCE. BUT BEING EXTREME IS AT THE SAME TIME A BALANCE – ONE EXTREME BALANCES THE OTHER”
“As a model one is forced to spend a lot of time in front of the mirror and I just started to freak out, like I was going on the other side of the mirror. So I moved every mirror out of my house when I stopped modeling.”
“A legend is someone who has died.”
On Lady Gaga being a copycat: “I really don’t think of her at all. I go about my business.”
“I get bored. I provoke things to happen without even realizing it. I just follow my instincts. I don’t think about it, really.”
“Without daaaancing, it’s a business meeting.”
“Use, don’t abuse.”
On gibberish: “It’s not a made-up language. It relates to everyone… Only the people who are in it.”
“If you take it just for partying, that’s when it goes pear-shaped.”
Uber cool Kate Durbin has created a new journal called Gaga Stigmata: Critical Writings and Art About Lady Gaga . Right now it features work from Meghan Vicks (a doctoral student of Comparative Literature at CU Boulder) and htmlgiant comrade Brian Oliu. Here’s the scoop:
Gaga Stigmata: Critical Writings and Art About Lady Gaga is a new technological breed of journal that intends to take seriously the brazenly unserious shock pop phenomenon and fame monster known as Lady Gaga.
Critical Work (any format; any length) and Art (Creative Writings, Visual Art, Music, etc.), or any combination thereof, that intelligently interacts with the pop cultural manifestation that is Lady Gaga.
We are also interested in critical writings on the web that already exist, so please call these to our attention if you come across them.
Those who follow Gaga know that she moves as the speed of pop, which is far faster than the speed of critique; therefore, we have chosen the blogger format for now to allow us to keep pace with Gaga. We encourage pieces that are immediate (for example, critical responses to her newest performances, interviews, and music videos), though we are also eager for your more thought-over works as well. If your work is accepted, expect it to be published quickly–likely within a day or two of acceptance. You should also expect to interact with others in the comment boxes of the blog; permitting the peanut-crunching crowd of monsters to further the conversation’s evolution.
Our goal is to eventually create a book of the best works on this site, both in technological and physical form, possibly in collaboration with the Haus of Gaga.
Send all submissions to firstname.lastname@example.org
March 20th, 2010 / 12:35 am