(Canadian) Sunday Service: Jon Paul Fiorentino poem
NOTE: Canadian poetry! For no particular reason, I will be taking over Melissa Broder’s column for the month of the October to spotlight poems by contemporary Canadian writers. Today’s poet is Jon Paul Fiorentino, whose latest (and also, I feel, career-best) collection, Needs Improvement, was just published by Coach House.
It still means fuck all to me
Write of the solitary fence post
of the day you heard the incantatory wisdom of birds of Alberta
and how the peculiar birdsong of the tundra swan once set your
spirit free
Write of the struggles of your fathers
of the linguistic imperatives that shackle you and keep you from
articulating the particularities of non-heteronormative and
alternative identities
Write of the land and how it’s shaped you
of the small things like the footsteps you hear when you wish
to hear nothing and the incomprehensible strangeness of being
and exactly what you have gleaned
Write of the day that you lost her
of the day that you lost him and everything collapsed into
emblems and metaphors and similes and other tropes blending
into the cruellest and sharpest unit of metonomy
Write of the city that you left there
of the Winnipeg half-jokes, the myth-making memos, the spray
paint and solvents, the cult of new money, the rebuild and letdown,
the angst of personae, the collective of lonely
Jon Paul Fiorentino is the author of the novel Stripmalling, which was shortlisted for the Paragraphe Hugh MacLennan Prize for Fiction, and several poetry collections, including Indexical Elegies, which won the 2010 CBC Book Club “Bookie” Award for Best Book of Poetry. He lives in Montreal, where he teaches writing at Concordia University and edits Matrix magazine.
Sunday Service: Aaron Novy poem
My friend is 71
I’ve been working in the hotel painting
I don’t get paid
With paper and shit like that
It’s just me and a friend painting
My friend talks about dying everyday
All the time
He has a plan when he’ll do it
He doesn’t want to deal with court or rent or brain surgery or immobility
He bought and sold motels
Lost money in pyramid schemes
After work we smoke cigarettes and talk
He says he wants to drink my cum so he can take my DNA with him
My friend is 71
All this is a lie except the cum drinking DNA part
Aaron Benjamin Novy is 27 years old. He has attended five different colleges for journalism and never graduated from one. He has spent the last two years driving around the United States in his van selling paintings and meeting different characters. He currently lives in Christmas Valley, Oregon, a desert community of about 400 people, where he spends his days writing, painting, drinking, smoking and attempting to build a house of used rubber tires and found wood. Here is his Tumblr.
Sunday Service: Mitch Grabois poem
Japan
I walked into the water and started swimming
I thought I would swim forever
My wish was to swim to Japan
and eat fish that contains deadly toxins
unless it is scrupulously prepared
and then visit the Buddhist temples
to bow down at a family shrine at the side of the road
to eat rice with the family
But I felt myself sinking
I don’t know how he got there
My sister’s boyfriend threw a carry on me
His hand massaged my breast as he towed me
It was unpleasant
but it was foreplay
so it was compulsory
I knew all about compulsory
from my Olympic training
He dragged me onto the sand
Each grain of sand was a finely honed razor
I already knew that the world was made of razors
If you explored the molecular structure of anything
you discovered it was made of razors
My brain is made of a billion razors
Each neuron is a razor
Each synapse is a strop
I wanted to scream at my sister’s boyfriend:
Why are you torturing me?
but couldn’t get any words out
He gave me mouth-to-mouth
I thought that meant we were married
without violence
I sat up and vomited in the sand
My sister came over with a child’s shovel and covered it up
The shovel was bright green
It turned into a mystical frog
and squirmed in her hands
She shrieked and dropped it
The mystical frog peed in the sand
and froze everything for eternity
Mitch Grabois was born in the Bronx and now lives in Denver. His short fiction and poetry appear (or will appear) in over one-hundred literary magazines, most recently The T.J. Eckleberg Review, The Examined Life, Memoir Journal, Out of Our and The Blue Hour. His novel, Two-Headed Dog, published by Xavier Vargas E-ditions, is available for all e-readers for 99 cents through Amazon, Barnes and Noble and Smashwords (which also provides downloads to PC’s).
Sunday Service: Matthew Fee poems
Ghostology
Your cupboard is not a ghost. Your lamp is not a
ghost. Your television is not a ghost. Your electric
toothbrush is not a ghost. The wind through the
open window is not a ghost. The reflection in the
mirror is not a ghost. The minivan in the street is
not a ghost. The doorbell is not a ghost. The man
in your closet is not a ghost. The man in your
living room is not a ghost. The man in your
bathroom is not a ghost. The man in your kitchen
is not a ghost. When this man puts his hands on
yours, they are not ghost hands but real hands.
When this man leans over in the middle of the
night and says, I love you, they are not ghost
words but real words. You are afraid.
The White Poet
The White Poet wanders through whiteness. He
considers the things that are white. The streets
are white. The hills are white. The moon is white.
The shadows are white. The vacant lot where
children are fighting in the rain is white in his
thoughts. In memory, his mother’s hands are
white and stained with white dirt. Everywhere he
turns, a policeman stands behind him, flashing
his white flashlight into his White Poet Eyes.
Matthew Fee is currently studying at the University of Utah. Recent work is published or forthcoming in journals such as The Laurel Review, Everyday Genius, Lemon Hound, Sixth Finch, Salamander, Hunger Mountain, and The Cortland Review. Find more at pointingatindigo.blogspot.com.
Sunday Service: Alex Vance poem
selvedge jean is the highest level of jean
obviously i want to sit in your tub
i want to be soaking my raw selvedge jeans in there
i want to be reading something you recommended
i want to be listening to something i recommended
i want you to be reading too
i want you to be on the toilet, sideways, leaning back on the wall
i want you to be cross-legged
i want your legs to be long in your boy shorts
i want them to exude mystery and shyness
i want your arms to be uncrossed
i want your breasts to strain against your striped cotton shirt
i want them to exude huge, disastrous power
if you are wearing glasses, i want your hair to be done
if you are licking your lips, i want it to be audible
i want to watch you in my peripheral vision, picturing pinknesses
i want you to not think of me at all
i want to get out of the tub
say ‘my denim is done’
look at you blankly
i want you to finish your passage
look at me blankly
i want to walk up to you and uncross your legs in a yank
kiss you with a dangerous force
drain my lust in you
fuck you right there on the toilet seat
denim still on
you figure out how
Follow Alex Vance on Spotify by searching “Alex Vance” and clicking “Profiles” at the top.
Sunday Service: Nick Ripatrazone poem
The mime has stigmata
and that is a problem.
He is not even Catholic
but considered converting.
The wounds first appeared
during a Thursday night show.
It was not Holy Thursday,
but it was wholly sold out.
Though no photos exist,
the memory is fixed:
his palms flat and up,
blood pinking white gloves.
Everyone knew it was not
part of the performance:
his routines include sandwich
making, window washing,
cello playing. No
violence. Afterward, he
burned the gloves, washed
his hands with such force
they were redder than blood.
Someone called the bishop.
He hadn’t worn gloves
in years, asked if he could
borrow the mime’s,
who said he’d burned all
his pairs, convinced cloth
had given him the rash.
They stood together
on the empty stage,
burning beneath the light,
concluding that pantomime
was an essential ingredient
for most professions.
Nick Ripatrazone’s most recent book is The Fine Delight: Postconciliar Catholic Literature (Cascade Books). He is also the author of two books of poetry, Oblations and This Is Not About Birds (Gold Wake Press), and two forthcoming novellas. This Darksome Burn (firthFORTH) and We Will Listen For You (CCM Press). He lives with his wife and twin daughters in New Jersey.
Sunday Service: Sophia Le Fraga poem and Jay Deshpande poem
should they may
be could you would
she called me up in
may and thought
she should but I would
not. can I may
could you might
then we fight —
he said should she
would she could but
which they might
and she could see there
only what she looked at
which was not there.
New York based Sophia Le Fraga holds a B.A. in Linguistics and Poetry from New York University. Her poetry has appeared in Lambda Literary Review’s Poetry Spotlight, The Broome Street Review, and Lemon Hound, among other publications. It has been exhibited at the Brooklyn Museum, the Corcoran Gallery, and in 2011, throughout Berlin. Her chapbook I DON’T WANT ANYTHING TO DO WITH THE INTERNET is out now, and her book of Whitman erasures, Song of Me and Myself is forthcoming.
This poem was inspired by The Hanged Man card of the tarot deck.
Sunday Service: Ben Pease poem
from Fugitives of Speech
the trees fanned out around Mallender
as Sheer had described them
during his concussion-induced study session
in the woods behind his house
here too the branches wavered without the weight
of their leaves Mallender couldn’t focus
his eyes upon them maybe they weren’t entirely trees
too ephemeral milky black a few shades thick enough
not to be pure apparitions more like a neuron
diluted in the foggy ocean of the sky
the base of the tree
unconnected to the very earth
each tree
flickered in tune to the wind
which drew Mallender
plodding in one direction
a feint blue light
pulsed through the persuasively permanent
darkness ahead
when Mallender came to a circular clearing
he arrived also with the knowledge that his journey
had been long and full of peril
though he hadn’t experienced that interim
must have been a leap in time
as a jellyfish’s body fluctuates in the sea
translucent blue vespers shimmered in the area
cleared of trees
metal appendages detached from a body
that remained connected by the pale blue aura
it all floated in the shape of a body making an X
a body mid jumping jack not unlike Davinci’s
Virtuvian man that Mallender’s mother had on bookplates
in her Audubon books from the 70’s
the entire body spun making the blue fan out
into a sphere perfect except
for slight delineations call them borderlines
between each spinning section of the body
The legs separated from the sphere
and came at Mallender like a sliced blue tomato
the blue disappeared into the legs and immediately
the metal could take any shape it wished
not as fluid as T-1000 but more imaginative
and without the one-track-violent mind
the living metal sliced itself into silver byzantine halos
hovering slowly and developing wings
the accoutrements of angels without bodies
filling but not overwhelming the grey sky
the arms next detached themselves
from the still spinning
but increasingly piecemeal sphere
in front of Mallender they became a lathe and spun
and carved themselves into an obelisk bearing the hexagram
Mallender had cast for himself so recently
not just an obelisk but a sort of chimney shrouding the sky
with another sky from grey to green to hazel
next the head lowered itself to Mallender
the hair spread out as it had before at Whitney Park
rivers untangling from each other below
the half angels and golden brown sky
not simply rivers arbitrarily distributed
they spelled out words in luscious cursive
which Mallender could not read
though he knew the message vital to him
riverwriting show me the riverwriting he yelled
in response the final segment the torso approached him
the metal condensed itself into a chrome pomegranate
bursting open
the seeds floating in air sprouting into
blue roses
those wilting as fast as they bloomed
into blue herons that paced
around Mallender
and trumpeted silently into the air
the vision for all its chaotic happenings
maintained an un-earthly rhythm
the herons’ awkward steps always in line with one another
the halos spun around Mallender with the rhythm
of a torsion pendulum on an anniversary clock
the rivers sang
and in a flash without thunder
Diana stood before Mallender
just her the hazel sky and the trees
she was looking at him with respect but not love
as she had at Havland pond
from the trees still inky black
came a single note an ah
voices of the young and old male and female
it helped release Diana’s nature from this machine
Diana dispersed as the sky had from the obelisk
the trees turned green the chrome steel body
stood at attention with a blank stare on its flawless featureless face
but still Mallender’s affections for this husk of metal and energy
did not change
Ben Pease is a poet and visual artist with degrees from Emerson College and Columbia University. He hails from Ludlow, MA, the setting for his next book, Fugitives of Speech. He is an assistant professor at ASA College in New York City.
This poem was inspired by The Chariot card of the tarot deck.
Sunday Service: Bianca Stone Poem
Pulling the Sun
Once, drunk on an island in the south of France
at a dinner party
a woman read my cards.
She didn’t speak any English.
Simone’s mom translated for me.
I wavered on a precipice
watching her lay each card down.
I looked unhinged into her low stream of French.
Her voice was amazing.
Full of calorific heat. She pushed coals
around my feet, pounding, her teeth
crooked in a fabulous smile.
Her hands were soft, multiplying rapidly,
gesturing through a veil
of incredible wine.
She set a video camera beside us.
She was making a documentary.
I felt like a female Great White shark
mating in the near-soporific effect
of a feeding frenzy.
I was riding a tiny horse
out of a sunflower field.
The whole feng shui of the house fluttered
around me. The sun sunk and died in my arms.
It’s something to do with your mother, she began.
And a bone-china teacup floated
in front of face and cracked
mid-air—
there’s too much at stake.
The body, the brain,
the liquor of the past
pouring in like a tonic.
In the middle of nowhere
the brain is more meaningful.
Some days I forget where I am.
I feel nothing. I know
nothing.
I watch the sea admonish the people within it.
I’m enormous from eating
in rooms of attractive European conversations
I can’t partake in.
Simone like a ten foot tall Amazon warrior holding my hand through the void.
I could hear a phone ringing off in the distance.
A swift single shot. Everything was hitting
home. Knowledge was
idiosyncratic. Somewhat retained.
The woman was the new girlfriend of the uncle.
He stood a little on the side, fatalistic, troubled
when his face wasn’t in league with hers.
He didn’t get along with the family.
The mother had just died suddenly the weeks before.
The girlfriend walked around
like a black haired shaman, nonplussed with a camera.
Mid-fifties in dark red lipstick.
We communicated all night via outside sources.
When she looked at me
I wanted to be cast down
into the subjective feeling of helplessness.
I was reading a lot of Yeats at the time.
Imagined that I would bicycle lusciously through the South of France.
But my hair stood up on my arms in the wind.
A hologram in the middle of a culturally rich environment.
It was a kind of foreign breakdown.
An untranslatable doom.
She pulled The Sun,
enveloped in accurate lunacy.
My lips were stained various shades of mauve.
I couldn’t see myself as something
living. I was intellectually outside of the conversation.
She spoke long melodic prophecies, thus interpreted.
She hit a nerve.
I eventually passed out on the settee.
Bianca Stone is the author of several poetry chapbooks, including I Saw The Devil With HIs Needlework (Argos Books), and an ongoing poetry-comic series from Factory Hollow Press. She is the illustrator of Antigonick, a collaboration with Anne Carson (New Directions), and her poems have appeared in such magazines as Conduit, Tin House, and APR. She lives in Brooklyn, NY.
This poem was inspired by The Sun card of the tarot deck.
Sunday Service: Jenny Zhang Poem
THE LAST FIVE CENTURIES WERE UNEVENTFUL
The last five centuries were uneventful
the stitches that melted
from my ripped open cunt
tasted like mint and changed color
when I peed
I peed with the door open
because this is bounty
the universe has a fat lip
we put every cock from China
inside it and splash
in the slippery oriental jizz
you feel like seppakuing because your butthole is unretractable
you feel like seppakuing because your butthole is too determined
you feel like seppakuing because one time a man was rejected by a woman
she said, You’re creepy
and he got a gun
and wrote a manifesto
against bikram yoga
against women with great bodies
against women who want to have babies with other men
against women who want to have babies with men who are not allowed to be part of their lives after they have the baby
against women who know they are good looking
against women who have died for knowing they are good looking
against women who loved women and mocked men for jerking off to the idea of a woman touching a woman
I have jerked off to the idea of a man
jerking off to the idea of a woman touching a woman
and that idea bought a samurai sword from ebay
and seppakued
I wanted to have a baby
I wanted to carry my baby to term
I wanted to have milk oozing from my tits
I wanted to have bigger tits than the tits I have now
I wanted to drink my own milk and breastfeed myself
I wanted to breastfeed my mother and tell her I love her
I wanted to miscarry a baby by falling down the stairs
I wanted to toast to my own miscarriage with breast milk from my tits
I wanted to have bigger tits without having a baby
I wanted you to tell me I’m the reason why the world is going to hell
I wanted to give you the hell you said I was capable of creating
no one really cares but you do and I do
we take the relics of entire countries
and trash them in the sea
when we dive for the past
we find unearthed thoughts
the fertility of what you think could one day be
is just the honest desire to be remembered after you’re dead
so much that you focus on how to be great
so much that you focus on how to be new
so much that you forget to love your father
so much that you forget to love your mother
so much that you forget to love your children
so much that you forget to love your pets
so much that you would forsake the barren godforsaken twice
farted sea which gave rise to the queen and her queenly farts
and her princely kingdom
where she once told you and I and our children to fear everything
and we did
and we lived like that
and we still live that
and we still know nothing
hiding our big dreams in the invisible centers of roses
where we feel big and round and ready
and ready
and ready
and ready
and ready
and ready
and ready
I’m ready
I’m ready
I’m ready
I’m ready
I’m ready
I’m ready
I’m ready
JENNY ZHANG is the author of the poetry collection, Dear Jenny, We Are All Find (Octopus Books, 2012.) She writes for teenage girls at Rookie magazine, and teaches high school students in the Bronx. You can find her at www.jennybagel.com
This poem was inspired by The Empress card of the tarot deck.