Light Boxes Redux
I reviewed Light Boxes back in February, 2009. In honor of the official US release day of the Penguin presentation, here are those words, slightly altered and here again:
I feel it’s hard today to find a work of art that is earnest, that is compassionate. (Michael Kimball’s Dear Everybody comes to mind). I was startled by Shane Jones’s novel because it is so painfully both; it bleeds itself, and bleeds for others.
Light Boxes is a story about a community, about a man’s quest to rid his community of February, a bitter and long spell of cold that haunts the the town and its people. I don’t want to speak explicitly of the ‘narrative’ here, only because I think there is magic in discovery; it’s a sensual work. Many of the images affected me viscerally, and will stay with me for a long time. Dead bees pour from the sky, a broken father sits in the middle of a snow-covered street, a body surfaces in a river covered in text… I could list all the beautiful and often tragic images contained within for awhile.
To go deeper: The people in Light Boxes breathe true. I felt them living and felt them dying. They seem warm, hot & cold all at once, much like the seasons that surround them. The story also functions on a level outside its own prison, outside the printed page, but, again: I’d like to keep quiet. I’d like you to discover the layers and try to keep warm yourself.
Shane has crafted a fine myth, one I hope lasts for a very long time.