March 24th, 2010 / 10:30 am
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Mess Section


1. BUT NOTE:THE AUDIENCE WILL NOT TUNE IN TO WATCH INFORMATION. YOU WOULDN’T, I WOULDN’T. NO ONE WOULD OR WILL. THE AUDIENCE WILL ONLY TUNE IN AND STAY TUNED TO WATCH DRAMA. –from a letter from David Mamet to staff writers on The Unit

2. It is as though what Stein’s generation needed to do to make art was to find out for the first time what art was. In other words, the whole point of acknowledging the present for Stein is to disclose what, once laid bare, seems always to have existed. When this happens, art happens. Understood in this sense, the avant-garde isn’t just the struggle for its time. It’s the struggle in its time for something lost or forgotten or repressed by its time. Stein’s term, both for this struggle and for its object, is “a continuous present.” –from an essay by R.M. Berry

3. ‘I’m not a genius. Sloppy? Perhaps. It’s like this: When I am feeling good, I train a lot. When I feel bad, I don’t bother. I don’t enjoy working to a timetable. Systematic learning would kill me.’ –from an interview with Magnus Carlsen, 19 years old, world’s #1 ranked chess player

4. A dose.

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12 Comments

  1. jesusangelgarcia—

      Isn’t Gertrude Stein echoing T.S. Eliot?

      Time present and time past
      Are both perhaps present in time future,
      And time future contained in time past.
      If all time is eternally present
      All time is unredeemable.
      What might have been is an abstraction
      Remaining a perpetual possibility
      Only in a world of speculation.
      What might have been and what has been
      Point to one end, which is always present.

  2. jesusangelgarcia—

      Isn’t Gertrude Stein echoing T.S. Eliot?

      Time present and time past
      Are both perhaps present in time future,
      And time future contained in time past.
      If all time is eternally present
      All time is unredeemable.
      What might have been is an abstraction
      Remaining a perpetual possibility
      Only in a world of speculation.
      What might have been and what has been
      Point to one end, which is always present.

  3. Sean—

      The chess interview was awesome.

  4. Sean—

      The chess interview was awesome.

  5. Brian Foley—

      Loved these links Ken. Keep them coming.

  6. Brian Foley—

      Loved these links Ken. Keep them coming.

  7. anna—

      very

  8. anna—

      very

  9. I. Fontana—

      Yes. Thanks so much. I’m interested in chess, and often play games on my computer, but this interview was interesting for many other reasons.

  10. I. Fontana—

      Yes. Thanks so much. I’m interested in chess, and often play games on my computer, but this interview was interesting for many other reasons.

  11. Merzmensch—

      Mamets critisizm is eligible, but this line makes me nervous: “THE MAIN CHARACTER MUST HAVE A SIMPLE, STRAIGHTFORWARD, PRESSING NEED WHICH IMPELS HIM OR HER TO SHOW UP IN THE SCENE”.

      This absolutism can kill the show.

  12. Merzmensch—

      Mamets critisizm is eligible, but this line makes me nervous: “THE MAIN CHARACTER MUST HAVE A SIMPLE, STRAIGHTFORWARD, PRESSING NEED WHICH IMPELS HIM OR HER TO SHOW UP IN THE SCENE”.

      This absolutism can kill the show.