It has been a great month and some change talking about Beecher’s. I had a roundtable discussion with editors past and present about the magazine, what they look for, and what they hope for the future of Beecher’s.
Why the name Beecher’s?
Chloe Cooper Jones: Obscure Kansas history reference!
Iris Moulton: It’s meant as a reference to Henry Ward Beecher, an abolitionist who wanted to make sure Kansas would enter as a free state. He packed rifles for this cause in crates labeled Beecher’s Bibles, sneaking weapons for the cause. Chloe’s right, it is an obscure Kansas reference, and that’s part of why it endeared itself to us. And we felt like we were putting some serious ammunition in an unsuspecting package as we worked to assemble Beecher’s One.
Ben Pfeiffer: Also, we liked the simplicity of Beecher’s, the sound of it, and we liked the flexibility that name provides to future KU-MFA students: They can put their own stamp on Beecher’s while retaining continuity with earlier editorial boards. In the future, we anticipate editions with titles like Beecher’s Last Stand, Beecher’s Grocery List, and Beecher’s Carnival of Sadness. Even in the beginning we were thinking: “How do we build a magazine that lasts once we’re graduated?”
I’m reviving LMC and the first magazine we’ll be discussing is Beecher’s, the graduate student run literary magazine from the University of Kansas. We’ll feature a new magazine every two months and hopefully that lighter schedule will allow more readers to participate.
The debut issue of Beecher’s we’ll be reading features Alec Niedenthal, Rebecca Wadlinger, Joshua Cohen, Rhoads Stevens, John Dermot Woods, Phil Estes, Creed J. Shepard, Lincoln Michel, Yelena Akhtiorskaya, John Coletti, Colin Winnette, Dana Ward & Stephanie Young, James Yeh, Alexis Orgera, Rozalia Jovanovich, Ricky Garni, and Justin Runge.