The Rumpus has got Steve Almond on “Why I Went Ahead and Self-Published.”
TNR’s The Book has reprinted Auden’s “A Preface to Kierkegaard” from their May 15, 1944 issue. First sentence: “In a just world, translators would be paid ten times as much as authors.”
NYT reports that the diary that Faulkner used as the inspiration for the grandfather’s ledger in Go Down, Moses has been discovered. “The original manuscript, a diary from the mid-1800s, was written by Francis Terry Leak, a wealthy plantation owner in Mississippi whose great-grandson Edgar Wiggin Francisco Jr. was a friend of Faulkner’s since childhood. Mr. Francisco’s son, Edgar Wiggin Francisco III, now 79, recalls the writer’s frequent visits to the family homestead in Holly Springs, Miss., throughout the 1930s, saying Faulkner was fascinated with the diary’s several volumes. Mr. Francisco said he saw them in Faulker’s hands and remembers that he ‘was always taking copious notes.’ ”
The Poetry Foundation has got Tao Lin analyzing five love poems by Michael Earl Craig, Matthew Rohrer, Joshua Beckman, Chelsea Martin and Ben Lerner. Quoth Tao from the thesis: “I have limited my thoughts to a context of “romantic relationships.” I have included, as the last sentence of each set of thoughts, when I would most like to be forced to read each poem for the first time (if I hadn’t already read them).” And on Ben Lerner’s “Mad Lib Elegy”: “Out of the poems in this essay I think I would most be interested in a psychology experiment—of which I would also like to be a participant—where one hundred people who have just been “dumped” to emotionally devastating results in the past hour are forced to read this poem then interviewed about their experience, with accompanying brain-scans.”
Ian Vanek from Japanther on Note Books at Largehearted Boy— Note Books being the feature where musicians discuss books like they like, as opposed to Book Notes, where authors discuss music they like.
And for NYC folks, tonight is the Greatest Three Minute Rock N Roll Story Ever at Bar Matchless in Lower Greenpoint. I’ll be one of over a dozen readers, including Jami Attenberg, Zachary German, Kendra Grant Malone, Franz Nicolay, Lincoln Michel, and James Yeh, who is also hosting the event along with Jason Diamond of Vol 1 Brooklyn, which itself is the site I ganked the DeLillo and Japanther links from. Come on out and see us why don’tcha? There’ll be booze specials, The Wailing Wall will play, and each reading will run 3 minutes or less.
John Oakes (among other things the former editor of Four Walls Eight Windows) is at the Huffington Post talking about his new publishing venture, OR Books. “Imagine taking the guesswork out of publishing. Imagine a publisher printing only to fulfill orders, and with a minimum of waste; imagine further a system that sidesteps warehouses, wholesalers, and even–at least at the outset of a book’s life–bookstores and online retailers. This would be a process wherein the publisher focuses on developing ideas into workable manuscripts, carefully editing them–and, above all, devoting substantial resources to marketing the finished product. These tasks were once the exclusive province of publishers, but in the last twenty years or so, development and editing have increasingly fallen to agents, and marketing has become the responsibility of authors themselves.”
Jason Diamond, editor of Vol. 1, offers a Kaddish for Jewish Zines. “Beyond the pictures of Roseanne dressed like Hitler, and the ads showing a tefillin-wrapped arm with a needle plunging into the vein–which even as a non-observant Jew made me pretty uncomfortable–my time with Heeb has brought one incredibly positive change into my life: it’s helped me become comfortable with my place in the “Jewish world.”
December 4th, 2009 / 11:14 am
The great Jason Diamond of Vol 1. decided to celebrate the announcement of next year’s Pavement reunion by asking a handful of people to cite their favorite of the band’s lyrics. Those polled included Ari Messer of The Rumpus, Jens Carstensen from The Giraffes, and a few other notables, including Gigantic-editor (and Giant frequenter) James Yeh and yours truly. In fact, James and I both went a little apeshit, so you’ll find our annotated selections down at the bottom, below the civilized metered discourse.