Slash Pine Reading

big-ass crunky green tomato reading notes

Done went 50+ poets in three days Alabama, something. Reading (s) questions/notes:

1. What to do with hands?

1. How long do you think about what you are going to wear?

2. Introductions longer than poems.

44. Risky: reading in southern accent because you are in The South.

11. Poetry readings in bars make the bartenders almost mime-like, hushed ordering, pouring of drinks, a reverent tinkling of glass, silent smiles. Quite lovely.

[Brandi Wells reading at The Green Bar. The can of beer in right corner low is Abe Smith‘s beer. It is a Good People IPA.]

3. POETRY (profound, hushed voice…book in hand) versus “Uh, these are some poems.” (crinkly paper in hand)

3. Read first or read last or read middle or refuse to read?

3. Inside jokes to friends during reading to larger audience as never effective?

3. Flask/no flask?

3. Revelation: I am beginning to prefer undergraduate or other poets who have not read live very often.

3. I honestly thank/congrat one poet and he blows me off. He ‘cut’ me as Hemingway used to say. A poet. It costs him one book sale and some bad word of mouth later at a beer trough. So what? Respect or hater? A tad of both, I suppose. I still dig his poetry.

4. Do you prefer podium or some physical thing to psychologically shield you from audience?

6. Moon, muses, gossamer. Three words possibly enfeebled/faded, or possibly a challenge to prove otherwise?

4. Best intro line I heard since it could be innocuous or an absolute rip-shot across bow or simply authentic or really smart-ass: “Hey ya’ll, I’m not really a poet. I wish I was, I’d be real smart.”

3. Eagerness is interesting.

Author Spotlight & Events & Random / 11 Comments
April 4th, 2011 / 9:34 am