Cut your fucking ears off and put them in my mouth, chud fucke*s. All y’all ever talk about up in this bitch is your fucking Morning Nutritious blend Vitamin A cattle finch pomegranate quicksilver soggy sonnet dick bullshit literature.

Your indie this / Adbusters that / dead white guys with white beards and ski caps.

Fuck ski caps.

What you need is the feeling of car keys against your throat. What you need is a little yellow smiley gone bloodsoaked, with some mutton showing, with its face jiggling off.

What you need is some STRONG POETRY.

And bless your shoe licking hearts, I’m here to deliver, courtesy of the only man I’ve ever seen eat six anvils with a cock ring on: K “THE SILEM” MOHAMMAD. Witness this, his analysis of what makes a STRONG POEM, and by analysis I mean free steak:

George W. Bush, Bill Clinton, Hilary Clinton, Sarah Palin, and Barack Obama are strong poems. Al Gore, John Kerry, George H. W. Bush, and Geraldine Ferraro are weak poems.

The relationality of the strong poem should not lead one to believe that its strength is not tangible.

The strong poem fully expects to be hated by many. This increases its strength.

The weak poem is reducible to a rectangle or rhombus whereas the strong poem resembles a parallelogram, or more exactly a trapezoid or irregular quadrilateral.

Conrad Aiken’s “Morning Song of Senlin” is a weak poem. Charles Olson’s “The Lordly and Isolate Satyrs” is a strong poem. The verdict is out on Allen Tate’s “Ode to the Confederate Dead.”

Not every instance of the term “strong poem” is relevant to the definition at hand. Sometimes it is merely a convenient, informal, and largely meaningless designation, as in “Good, Susan, that’s a strong poem compared to your earlier work.”

The strong poem carries with it the undercurrent of a threat in the guise of robust confidence. It is always on the verge of violating something.

“Strong,” but not yet stale, sweat.

And, yes, there’s more. You thought that was it? It? You don’t even know half of it! That’s because it is a half of shit, and half of shit is your shit (oh! what!) and half of your shit is the shit I just shit on your shit. Bitch. That’s because you’re a–wait, no, you’re not a pussy, not even that, no, you’re a bunny cunt, you’re a blowjob in pajamas. Go eat a fucking Mounds bar, girl. That’s what girls do. They just sit around eating Mounds bars and–