Pimp Faulkner
William Faulkner was a pretty serious guy, and his answers to an interview with The Paris Review in 1956 reflects a severe staunchness and didacticism that, as an enormous fan, I can only afford him. He brought cerebral European modernism to America and rolled it around in dirt. Here’s my favorite reply of his:
PARIS REVIEW: Then what would be the best environment for a writer?
WILLIAM FAULKNER: […] If you mean me, the best job that was ever offered to me was to become a landlord in a brothel. In my opinion it’s the perfect milieu for an artist to work in. It gives him perfect economic freedom; he’s free of fear and hunger; he has a roof over his head and nothing whatever to do except keep a few simple accounts and to go once every month and pay off the local police. The place is quiet during the morning hours, which is the best time of the day to work. There’s enough social life in the evening, if he wishes to participate, to keep him from being bored; it gives him a certain standing in his society; he has nothing to do because the madam keeps the books; all the inmates of the house are females and would defer to him and call him “sir.” All the bootleggers in the neighborhood would call him “sir.” And he could call the police by their first names.
It’s so perfectly hilarious it seems sarcastic, or even a satire, but in the context of the entire hyper-rational interview, he’s simply following his logic. I love the way he says “social life in the evening” unabashedly with a straight face. It’s official, ‘Faulkner as pimp’ edges out ‘Kafka as clerk’ as my all-time-high mental image/ideal of a writer. The next time I orgasm I’m gonna cough out Yoknapatawpha! and have a flashback to a previous chapter. Bill, my man, slap that ass.
Getting to Know Furry Girl & Feminisnt
Susie Bright was plugging this on her facebook yesterday, and it popped up in the feed on my page, and it seemed pretty neat. This is all NSFW, so caveat whatever. …
Possibly Obnoxious Half-Figurative Question(s) #1: Can a person be a glutton for information? What is the healthy amount to subsume?
Diamanda Galas
I’m watching a very dumb movie called Doomsday. I ran three and a half miles today, only the second time since I was very sick. My fucking throat still hurts – I keep thinking I’ll be all better, but no. One of my cats peed blood yesterday. God help me. This dumb ass movie is making me think of Diamanda. After the jump are two videos from the one and only Diamanda Galas. I saw her perform at The Kitchen in NYC when I was in my early twenties. She hurt my mind in the very best way. Shortly thereafter, I was a twenty-something waitress when she came into Orson’s on my lunch shift with great regularity. She was the most polite, grateful and truly sweet and joyful customer. God bless. I never let on that I worshipped her ass, or saw her perform. I am different now. Now I say, “Hey I LOVE you!” I am not cool anymore. What a fucking relief. Here are a couple of crazy ass videos: READ MORE >
Used Bookstore Finds: ‘The Director of the Meteorological Branch is please [sic] to supply…’
A few weeks ago, my friend Mike Scalise sent me a bundle of old guides of all sorts from the dollar bin at Riverby Books in Washington DC. I found the following letter in Weather Ways, a weather guide for pilots published by the Meteorological Branch, Department of Transport, Canada in 1957.
Today I lost 3 followers after tweeting: sink or swim applies to art too, it is not a welfare state | “please bail out my dog house so that my dog will have a place to sleep”
Hey, howsabout a joke?
One writer says to another writer: So, what are you working on?
Other writer says: Oh, I’ve been writing a novel.
First writer says: Yeah, me neither.
Got another? Let’s hear it.
Massive People (11): Peter Cole
Peter Cole is the editor of Keyhole Magazine and Press, an entity that has gone from start up beginnings to massive and all over perhaps quicker than any other literary magazine that has ever existed. Based out of Nashville, Keyhole is not only a magazine, a website, a press for full length books, it also continues to push its horizons with any way it can get words into peoples hands, such as the Nashville is Reads project, which tapes poems to random locations in publics, and Keyhole Digest, freely distributed online and in real life.
In around 2 years they’ve released 7 full length print issues, maintained a steady flow of content on their website, released a full length book (William Walsh’s fantasticly odd and oddly moving Questionstruck) with plans for many more already lined up, several chapbooks, contests… so much output I can hardly even remember to list it all.
I asked Peter if I could ask him some questions about the start up of Keyhole and its ever expanding umbrella, and he kindly agreed.
Other cities
If Blake likes a book, you can be relatively sure that it will be decent or, at the very least, cause some sweet internal hemorrhaging. Awhile ago I read with interest something that he posted about this Dalkey book just recently translated into English, The Other City, by Michal Ajvaz. Being a masochist, I eventually picked it up and, with its weird transdimensional runes and strange otherworldly trolleys, hasn’t disappointed. The Prague Ajvaz describes isn’t one you’d recognize from a Fodor’s travel guide, but is definitely truer for all that, I think. I say this having never been to Prague, but it just feels right. Laird Hunt (whose new book Ray of the Star is coming out in September some time), touches on this idea in his last novel, The Exquisite. He writes:
There are two New Yorks. One of them is the one you go out into every day and every day it smacks you in the face and maybe you laugh a little and the people walk down the street and trucks blow their horns and you are happy or you are not, but your heart is beating. Your heart is beating as you walk, say, through a steady drizzle, your beat-up umbrella bumping other beat-up umbrellas, muttering excuse me, skirting small, dirty puddles and drifts of dark sediment, stepping out of the way of the young woman or young man on a cell phone who didn’t see you coming, didn’t notice you had stepped out of the way, didn’t give a shit, didn’t hear you say, because of this, fuck you, saying fuck you with your heart beating faster, feeling pretty good about saying fuck you, suddenly maybe feeling good about the drizzle, about the brilliant beads of water on the cabs going too fast down Prince, on the delicate ends of the oak branches as you cross Elizabeth, on the chain-link mesh as you move across the street…Down dark, windswept hallways, across empty public spaces, past vanished water-tasting stations and stopped-up springs, along oily waterways littered with rusting barges and sleeping gulls, down abandoned subway tunnels and the sparking guts of disused power stations: into the second New York. The one in which a heartbeat is at best a temporary anomaly, a troubling aftershock, an instance of unanswerable deja vu. Which is much bigger than the first, and is for the most part, in your current condition, inaccessible to you, you think, although sometimes, like sitting in the bar drifting, or lying on your bed surrounded by lights and strangers, you can catch a glimpse.
I’ve always love that idea of the city as this living, heavily breathing entity, existing totally independently of its human parasites. And, being substantially more familiar with New York than Prague, I can say that Hunt is dead on with his description of the city’s schizophrenia. Or secret identity. Whatever. Which leads me to believe that Ajvaz is too, and makes me want to take advantage of affordable plane tickets to Europe to check out this eerie city of his.