Excerpts

a howling bird brings all the cats to yr yard

Illustrations for Melville's Pierre by Maurice Sendak

195

well) here’s looking at ourselves

two solids in(all
one it)
solution(of course you must shake well)

indolently dreaming puzzling

over that one
oh just thinking it over
(at that just supposing
we had met and just
but you know

supposing we READ MORE >

Excerpts / 2 Comments
May 14th, 2012 / 1:16 am

Can’t understand reality: thoughts on & excerpts from The Sugar Frosted Nutsack.

 

This is probably just me, but I keep misreading the title as, ‘The Sugar Frosted Nutshack.’ Feels like my brain is trying to auto-correct, ‘Sugar’ and, ‘Sack’ into, ‘Sugar Shack.’

Nutsack. READ MORE >

Excerpts & I Like __ A Lot / 10 Comments
May 5th, 2012 / 4:29 pm

Gay Sunshine, 1971

I remember the first time I thought a guy was hot. It was an ad in The Saturday Evening Post, a really American magazine and there he was, tall and blonde with his suit jacket slung over his shoulder like Sinatra and he was says into the camera Hey Mom and Dad can I have $20,000 for college. And that seemed like an enormous amount of money at that time and I knew my family wasn’t going to help me do anything like that – especially since I was considered dumb but I tore the page out of the post and stuck it on my wall. I figured it would appear to be about my absurd dreams of going to college but I knew it was about that guy. And my brother knew as well. My brother was a chubby guy named Edward who lived across the hall. I’ve met Edward Field since then who is a poet and he has made the name okay but in my family both my fat brother and that sadistic bastard uncle Ed both marked the name as anything but good. I mean I don’t know why I hate my brother so much since he was my first lover if I may be so perverse. I guess it’s because despite his devotion to sucking my cock when we were kids he didn’t actually want to be perverted. He wanted to be dad which he is today but I remember what his glee looked like when disgustingly for the first time I got off. He would come into my bedroom in the morning and I would pretend. Pretending seemed to be what befitted the baby brother. I was ten when our game began. First he’d play with my nipples which made me both crazy and sick because I thought he wouldn’t do this if we had any sisters so he’s making me like a girl but that’s when my boner would begin so I knew I was sick too. Kind of like him. But the look on his face when he took my tiny cock in his mouth was really bad like he was eating bad food. It was just like he was ashamed by what a pervert he was and of course the fact that he made himself sick was what made it okay for me. To be quiet, to softly groan, to put the pillow over my mouth so I wouldn’t make noise and mom wouldn’t come up and afterwards I got paid. He’d throw seventy-five cents on my bed or sometimes only fifty like we were in some western but in the movies cause on teevee they never went that far. Sometimes we went really far. It seemed to me at the time. If Mom went shopping on Saturday morning he’d be right there in my room and he’d be sniffing my asshole and licking it like a dog and once in a while shoving a finger in with the help of some Vaseline. READ MORE >

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April 11th, 2012 / 12:47 pm

Snake Plissken’s Ninth Postcard to the Daughter of an Ex-US President


Utopia,

(if you are not Utopia but just happen to have picked this up out of the sea, first, thanks for doing so, you’re being a responsible nautical citizen, because you never know if it will simply say HELP or DEAR DAD, RUM-RUNNERS KIDNAPPED ME AND I WOULD RATHER STAY WITH THEM THAN WITH YOU. AND, NO, IT ISN’T A “SEX THING.” LOVE, CASSIE P.S. I EXPECT TO KEEP RECEIVING MY ALLOWANCE, HOWEVER or I HAVE FOUND ATLANTIS AND SHOULD THE PORTAL REMAIN OPEN, IT WILL NOT ONLY BE AQUATIC ARCHITECTURE THAT WILL ARISE IN A SEETHING FOETOR BUT THE DEEP ONES THEMSELVES, BANISHED FROM SURFACE AND SIGHT BEFORE OUR TIME, AND ALREADY THE HIDEOUS, THROATY CALL OF Y’HA-NTHLEI BOOMS GURGLING FROM THE LEAGUES BELOW, I BEG OF YOU, DESTROY THE ELDER TRIDENT, DESTROY IT NOW, CAST IT INTO FIRE, OR IT WILL BE TOO LATE FOR US ALL BECAUSE THEY WILL WANT TO INTERMARRY AND HAVE KIDS AND THINGS WILL GET REALLY FISHY AND TERRIBLE, I’M NOT BEING RACIST, I’M JUST SAYING LOOK AT INNSMOUTH, THE ECONOMY NEVER RECOVERED, FIRST THEY TOOK ALL THE JOBS AND THEN THEY MOVED BACK TO THE SEA AND LEFT THOSE BUSINESSES HIGH AND DRY, AND WHO WAS LEFT TO CLEAN UP THE MESS, I’M JUST SAYING YOU KNOW WHAT THOSE PEOPLE ARE LIKE, I MEAN YOU KNOW and second you have no business reading this, prithee give it to its intended reader and keep your dripping nose out of the business of two distanced hearts)
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April 4th, 2012 / 9:05 pm

A preview from Tom Bissell’s forthcoming essay collection, Magic Hours, is up today at McSweeney’s.

“Las Casas” by Patrick Somerville

Two men sit in a booth at a bar.

They’re talking.

One’s a little older than the other.

The older one says: “Have you ever heard of a man named Bartolomé de Las Casas?”

The other says: “I don’t think so.”

“Dominican monk named Bartolomé de Las Casas, writing in the sixteenth century, Bartolomé de Las Casas. Okay. No. He was Spanish. He came over to see the New World. And he was totally and immediately fucking horrified by what he saw the soldiers and the conquistadors doing and so he just went right to the notebook and tried to record as many of the atrocities as he could? Just knee-jerk This is what I can do. Someone needs to remember this. Someone needs to see it and remember it and bear witness. READ MORE >

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February 14th, 2012 / 12:44 pm

I Went to Scandinavia

I had a week off. I decided to leave Germany. I booked plane tickets. I packed a bag. In the bag I put six pairs of underwear, six pairs of socks, five tshirts, one sweater, one button-down shirt, a pair of gym shorts, a pair of long underwear, a copy of The Angel Esmeralda: Nine Stories, a copy of The Year of Magical Thinking, and a copy of Miami, a Flip videocamera, my passport, my cell phone, a 2 oz. bottle of hand sanitizer, my toothbrush, a bottle of vitamins, a bottle of zinc supplement, a cup, and a hefty amount of Konsyl psyllium fiber supplement. I was going to Scandinavia.

I didn’t know much about Scandinavia, other than that it was socialist, expensive, and cold. A couple years earlier I’d been published in a short-run magazine called Gustaf, and had limited contact with its editor Audun Mortensen. We’d met briefly in New York and emailed infrequently since then. When I contacted him upon moving to Berlin, he told me he’d been living with his girlfriend, another writer, Victoria Durnak, in Stockholm. He encouraged me to visit and said I could stay with them in their two-room apartment. I asked if he knew anywhere to stay in Oslo, and he seemed not to. I posted on my Facebook asking if I knew anyone in Oslo who wanted to host me for two nights. A few days later I received an email from Kenneth Pettersen, a poet who I’d never talked to as far as I could remember, but somehow seemed a constant in the internet literary scene. A month later I arrived in Rygge, took an hour bus ride through the gray Norwegian countryside, half asleep and flipping through DeLillo stories.

Upon entering Oslo, the scenery changed dramatically. Cranes hung across the sky, like the entire city was under construction. There were buildings coming up everywhere, skyscrapers looming over the damp clouds and foggy ocean. Kenneth met me at a subway station, which took me longer to find than it should’ve, after I paid the equivalent of $40 for a 48-hour pass, after I paid the equivalent of $30 for the bus from the airport. He took me to his apartment, which was a room with half of a kitchen and a bathroom with heated tiles. I had trouble keeping my eyes open and we made small talk, mostly about literature and blogs. He took me to a bar, where I bought a $40 fish and chips and Aass beer. I said something about how I didn’t understand how the money worked and he mentioned wages. He said he worked at a kindergarten.

We drank our beer, then another, and another. There was some sort of a event happening at the bar, hosting an airline company, and a pilot sat in the corner of the room, getting progressively drunker, while his slicked back hair changed directions. He was sweating in a sports coat, tie, jeans. People were silent, drinking from pitchers and then all of a sudden very loud and laughing and then silent again. The bar served Sam Adams and Brooklyn Lager.

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Behind the Scenes & Excerpts / 19 Comments
November 3rd, 2011 / 11:30 am

Favorite Passages from Deleuze & Guattari’s What Is Philosophy? (In Chronological Order)

To criticize is only to establish that a concept vanishes when it is thrust into a new milieu, losing some of its components, or acquiring others that transform it. But those who criticize without creating, those who are content to defend the vanished concept without being able to give it the forces it needs to return to life, are the plague of philosophy.

There is such force in those unhinged works of Hölderlin, Kleist, Rimbaud, Mallarmé, Kafka, Michaux, Pessoa, Artaud, and many English and American novelists, from Melville to Lawrence or Miller, in which the reader discovers admiringly that they have written the novel of Spinozism. To be sure, they do not produce a syntheses of art and philosophy. They branch out and do not stop branching out. They are hybrid geniuses who neither erase nor cover over differences in kind, but, on the contrary, use all the resources of their “athleticism” to install themselves within this very difference, like acrobats torn apart in a perpetual show of strength.

If philosophy is paradoxical by nature, this is not because it sides with the least plausible opinion or because it maintains contradictory opinions but rather because it uses sentences of a standard language to express something that does not belong to the order of opinion or even of the proposition.

Philosophy thus lives in a permanent crisis. The plane takes effect through shocks, concepts proceed in bursts, and personae by spasms.

We do not lack communcation. On the contrary, we have too much of it. We lack creation. We lack resistance to the present. READ MORE >

Excerpts / 6 Comments
September 16th, 2011 / 3:23 pm

“My momma always said I got a head shaped like a heart. Not like them cartoon hearts bitch girls draw about other boys in their notebooks. Like the real thing. A pumping chambered ugly of a muscle not meant for no light of day. Guess that means instead of brains I’m all blood. Guess that’s why I ain’t ever been scared of blood. It’s warm like I’m warm. It pools thick and gorgeous and don’t step in it less you want to make a painting of what you done for any passing bitch to start hollering about.” — from “Heart,” a great new Lindsay Hunter short in Burrow Press’s “15 Views of Orlando” project

Friederike Mayröcker and some scattered thoughts on writing spaces

Friederike Mayröcker

Look at this clutter. Kind of glorious, no?

Is a messy mind the mark of a good writer or is that something dysfunctional people tell themselves in order to find comfort in the heaps of scattered pages? What is your writing space like? I don’t really have one, as I’m always on the move these days. I will say that it’s hard for me to sit at a desk. The closest I ever came to incorporating a desk into my erratic work routine was when I would go to IHOP in the middle of the night and stay until morning downing cup after cup of decaff coffee while scribbling in my notebook all bleary-eyed and delirious. But if it were socially sanctioned, I probably would have sat on the IHOP floor. Mostly I do everything while lying down in my invisible bed or sitting on the floor, perhaps because I am lazy…? I don’t believe in furniture. Probably am just undomesticated, feral. At a writing residency last year I had a normal room with a desk and a bed. And what did I do? Pulled the mattress onto the floor and probably didn’t sit at the desk once.
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“I MUST FORGET EVERYTHING in order to finish this work, you have to get yourself in harness, no enmeshed, once you get involved in a writing project a writing diktat, there is no going back, or everything will be ruined, isn’t that right, maybe it’s getting your claw hooked into the robe of language, you attach yourself, you get snared, you get snagged in language in the MATERIAL in the TEXTURE, etc., and in the same way language seems to get hooked, attached, it hooks its claws into us the moment we acquiesce, so, we lead we guide each other, in equal measure . . .”
–Friederike Mayröcker, brütt, or The Sighing Gardens

Behind the Scenes & Craft Notes & Excerpts / 12 Comments
June 14th, 2011 / 2:56 am