Some technical difficulties caused posts and comments to be jacked up during the weekend. They are fixed. Thanks for your patience.

Things & Stuff

There’s a deep and abiding chasm, I think, between materialism and consumerism. It has to do with the how and the why. And also, with shame. I have a fierce attachment to my things, and I’m frequently consumed by a desire for more things. I have walked into shops and trembled. I consider myself a materialist. I am also a consumer, vulnerable to marketing tactics, but when I give in to them, I feel embarrassed. There are certain objects that mean a lot to me, but probably wouldn’t mean much to anyone else. These objects are reifications of my experience, evidence that I exist: how would I or anyone know that I went to the bazaar, figuratively speaking, if I didn’t bring back the miniature tin kettle and cup and saucer, figuratively speaking, to prove it?

I like knowing that Walter Benjamin collected so many books, but didn’t read many of them. The collecting is greater than the book.

Random / 2 Comments
June 1st, 2010 / 11:47 am

These Days I Just Want To Do Something That Makes Me Feel Something: An Interview with Sasha Fletcher

To celebrate the official release of Sasha’s exciting new book, WHEN ALL OUR DAYS ARE NUMBERED MARCHING BANDS WILL FILL THE STREETS & WE WILL NOT HEAR THEM BECAUSE WE WILL BE UPSTAIRS IN THE CLOUDS (Mud Luscious Press), he and I chewed the old question/answer…but first: publisher J.A. Tyler has graciously offered to give away a free copy of the book to whomever leaves the most interesting comment in the comment box below…

HIGGS: I wonder if you’d begin by describing your process. To me, this book seems meticulously constructed: the way certain images and themes repeat and resonate, build upon each other and then collapse or disappear or mutate, the way the final passage almost seems to encapsulate all of those images and themes. Did this book come to you as an idea first or were you just thinking on paper as you went along? Did it take years or days? Did you compose it from opening to closing or did you compose it in sections and then arrange them?

FLETCHER: The book came out of several things.

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Author Spotlight / 40 Comments
June 1st, 2010 / 11:39 am

What you’re doing tonight if you’re where I’m not

I’m jealous of all you New Yorkers who have the chance to hear the dazzling Josh Cohen read from WITZ tonight at the National Arts Club. 8pm. Go. Enjoy. Revel.

Events / 6 Comments
June 1st, 2010 / 9:41 am

Ok Death, that’s enough now

Louise Bourgeois, RIP, 1911-2010

Massive People / 8 Comments
May 31st, 2010 / 11:04 pm

If you’re writing an email to a magazine inquiring as to the status of your submission, the answer is they ain’t gotten to it yet.

The 20 Under 40 Pick ‘Em Contest is now closed due to The New Yorker‘s putting the June 7th issue online for subscribers. I’m closing it one day early to make sure we’re fair to those who submitted entries a while ago, just in case the list is included in that pay-walled content. When I can finally see a copy of the list, I’ll go through the entries and post the winner’s as soon as possible. Thanks for playing. Also, Lily’s post below reminded me to add to the prizes one tiny, unused Moleskine. UPDATE: Mike Young tells me the list isn’t actually out yet (he checked the issue online), so I’ll leave it open until the original deadline, 11:59pm tomorrow. Sorry for the confusion.

HAVE YOU SEEN BEGOTTEN?

I think you might like it.  Here’s the trailer.

Since the DVD of Elias Merhige’s amazing film is kind of rare now, I believe, you can watch the whole film here.  If you’re feeling like being altered now.  Happy Memorial Day.

Film / 14 Comments
May 31st, 2010 / 9:56 am

Composition Space without Exposition

I used to be in a writing group, there were three of us (I’ll name one F and the other K because they may or may not want me writing about them publicly), all women, professors in our mid-twenties to early thirties, with at least one book published, and drastically different writing styles, and it was the radical range in style that made our group function: there was no secret animosity, no competition, we read and respected each other’s writing, worked towards doing what we wanted to be doing. This group functioned how a writing group ought to function, at least to me. Then, of course, as things go with the academy, we scattered. K got a TT job. F and I stayed put in South Bend. But the group dynamic wasn’t the same, since we lost 1/3 of our membership, and eventually, I left too: up north, with my partner, who’s here for grad school, and I’ll start grad school in the fall too, in Geography, a move away from writing entirely.

But back to my story, I tend to wander: We used writing group time to “workshop,” absolutely, but between stories, we’d talk about process. Both K and F write primarily by computer, though they always have a notebook handy, in case they get ideas. Maybe, let’s call it, a hybrid type of writing, relying mostly on laptop. I write by hand, usually a whole draft or most of a draft, but I transfer to computer every day or three. We talked about that for a while, the difference between these two modes of composition, and—I’m getting to my point, slowly, but I assure you, I’m getting there—then, we talked about paper.

We all write in Moleskines, typical, cliché, we can admit that. Here’s the difference though: F writes on blank paper, K on lined, and I write on graph paper.

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Craft Notes & Word Spaces / 63 Comments
May 31st, 2010 / 8:35 am