
Preparing to Strip ???
To follow’s a brief interview with Justin Marks, author of a Million in Prizes
Kristy Bowen, from Dancing Girl Press, characterizes her reason for publishing chapbooks:
I’ve always seen an editor more as a collector. I know a lot of people see them more as gatekeepers, culling the wheat from the chaff, but I think what I choose depends far more on my own tastes and whims than on any standard of what anyone else considers “good” poetry. What I tend to like or publish might not appeal to everyone all the time, but I always feel a bit more like someone collecting culture rather than passing judgment on it.
Plenty of more people from a notable variety of presses talking about chapbooks over at the November issue of The Chapbook Review, as well as reviews of five chapbooks.
It is all the same to me–the goddamn fancy phony rug, what’s on it and its fucking whereabouts.
Gordon Lish, ‘How to Write a Poem’
Preparing to Strip ???
To follow’s a brief interview with Justin Marks, author of a Million in Prizes
Facebook keeps suggesting I become friends with “Don DeLillo.” I’d like that very much, of course, and yet I have yet to seriously consider pushing the little button to connect myself to whatever’s on the other end of the DD-fb page. Ah, but just for a second, imagine if it really was… Playing DD at Mafia Wars. Taking his surveys. Clicking “I like this” when he posts about a good writing day. Sounds kind of nightmarish, actually, when you talk it out like that. No? Here’s some more from Mao II–
In the solitary life there was a tendency to collect moments that might otherwise blur into the rough jostle, the swing of a body through busy streets and rooms. He lived deeply in these cosmic-odd pauses. They clung to him. He was a sitting industry of farts and belches. This is what he did for a living, sit and hawk, mucus and flatus, He saw himself staring at the hair buried in his typewriter. He leaned above his oval tablets, hearing the grainy cut of the blade. In his sleeplessness he went down the batting order of the 1938 Cleveland Indians. This was the true man, awake with phantoms. He saw them take the field in all the roomy optimism of those old uniforms, the sun-bleached dinky mitts. The names of those ballplayers were his night prayer, his reverent petition to God, with wording that remained eternally the same. He walked down the hall to piss or spit. He stood by the window dreaming. This was the man he saw as himself. The biographer who didn’t examine these things (not that there would ever be a biographer) couldn’t begin to know the catchments, the odd-corner deeps of Bill’s true life.
hell yeah. noah cicero’s THE HUMAN WAR is going to be made into a movie. here’s an interesting post explaining his view on the book as it has aged.
Some epigraphs are hokey as a fart. But sometimes they can add a whole new skin on a book’s face. Or they can just be right. Here’s one of my new favs, from Vollmann’s You Bright and Risen Angels:
This book was written by a traitor to his class. It is dedicated to bigots everywhere. Ladies and gentlemen of the black shirts, I call upon you to unite, to strike with claws and kitchen pokers, to burn the grub-worms of equality’s brood with sulfur and oil, to huddle together whispering about the silverfish in your basements, to make decrees in your great solemn rotten assemblies concerning what is proper, for you have nothing to lose but your last feeble principles.
William T. Vollmann, Karachi-Anatuvak Pass – San Francisco, 1981-85
On the page before this it says:
Only the expert will realize that your exaggerations are really true.
Kimon Nicolaides, The Natural Way to Draw
What epigraphs do you like?
Ira Silverberg thanked Harper Perennial for sponsoring the event and noted that the Bee was part of Harper’s effort to reach out to small presses and online journals like HTML Giant and its editors. People clapped. I clapped. I wondered who in this room filled with pillars of print publishing was wondering what HTML Giant was. I wondered if they all knew.
–“James Frey, Ben Greenman and Maira Kalman Spell Some Words” by Rozalia Jovanovic
Display Book Shelf by Daniel Eatock
Eatock says, “The shelf sags under the weight of its contents in a graceful arc, the top edges of all the books are perfectly flush as a result of a conscious selection of volumes chosen to accommodate (or compensate for) the arc of the sagging shelf.”
Daniel Eatock is my favorite kind of conceptual artist: one who shows us the missed harmonies of this world rather than its discordances. His hand is patient, his mind is clear. Check out three of my favorites (trees, shoes, shelves) and then spend some time with the entire site. I like Daniel Eatock a lot.
James Frey was forced to sit down and let Oprah tear him to pieces before a studio audience because he committed the greatest crime a writer could commit. He made a bunch of people feel something when they read a novel. They thought they were reading something real. They connected with it and felt something. Turned out it wasn’t precisely real. It was embellished. It was changed to serve the story instead of the reality that the story was based on. All those folks who spend their lives vicariously feeling something through other people’s tragedies were angry that they felt something for a story instead of something that happened in the real world. They pilloried the jerk who went and made them feel something over a work of fiction.
This fetish for “real” is the most embarrassing part of the contemporary reading public. The memoir is, for the most part, just exhibitionists flashing their genitalia at voyeurs. Our Puritan ancestry is likely to blame for all of this.
Let’s hope the memoir dies soon and we can get back to the more important writerly pursuit: making shit up.
“What America needs most is tact.”
(Have I posted this before? Am I a broken record? Sorry.)