NYTBR has got some interesting stuff going on this weekend, mostly in the form of its bylines. They’ve got William T. Vollmann reviewing Crossers by Philip Caputo, August Kleinzahler on a new biography of Thelonious Monk, Amy Bloom on a book about feminism (When Everything Changed: The Amazing Journey of American Women from 1960 to the Present), and George Packer on Mark Danner’s Stripping Bare the Body: Politics Violence War. Plus, you know, a bunch of other stuff. The usual run of whatever, plus as near as I can tell there seems to be only one new entry this week into the NYT’s famous vortex of nobody-gives-a-shit. That would be David Kamp (The United States of Arugala) reviewing the new Michael Chabon essay collection, Manhood for Amateurs (yikes!) which features that infamously stupid essay about childhood that made everyone hate him. Anyway, here’s the beginning of the Vollmann review:

Once when I was so weak with amebic dysentery that all time not spent on the toilet was passed in bed, I found in my host’s house one book in a language I could read. It was one of those storm-tossed but ultimately upbeat women’s romances, a genre I had not yet sampled. I read it, then read it again and again, since there was nothing better to do. If I ever have the luxury of repeating such an experience, I hope to do so with a Philip Caputo book. For how many decades in how many used bookstores have I seen “Horn of Africa” standing steadfast, a Rock of Gibraltar compared with the mere boulders of Ken Follett and Sidney Sheldon? And only now, with a half-century of my life already over, have I finally learned whom to turn to for a good potboiler in my next wasting sickness!

Palette, cleansed.

rauanklassnikHello, I’m Rauan Klassnik. My themes are sex, death, violence, God. And love. Yes, I’m also laced, scarred, disfigured and healed by love. Today’s my birthday and my first htmlgiant post. Yeah!!

Slope has reopened, with a new issue 26 featuring Heather Christle.

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Q&A w/ Gary Lutz

via Eugene Lim

Author Spotlight / 27 Comments
October 18th, 2009 / 12:31 am

make magic then send it to dogzplot.  read about the magic issue here.  it is ok to like this.

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Creative Writing 101

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Tuesday, 10/13. Shredded Text Day.

For Tuesday we read a few brief excerpts from Naked Lunch (Dr. Benway’s “aesthetic surgery,” and “have you seen Pantopon rose”) plus four selections from Gentle Reader! a collaborative book of poetry written by Joshua Beckman, Anthony McCann and Matthew Rohrer. If you’ve never heard of this book, it’s because it was privately (or, if you want to be a dick about it, self-) published by the three poets, and hence is not generally available. (I cadged a copy from Rohrer.) The poems are not written collaboratively–I don’t think–but they’re all unsigned, so you have to guess who wrote what. Also, each poem is an erasure of a Romantic-era text. There’s a key at the back. Since I don’t have the materials ready-to-hand (I’m posting this from a writers’ retreat in Breckenridge, CO, where I’m serving as writer-in-residence for the weekend) I can’t tell you much about the poems, other than that the one called “I Was Alive” is an erasure of Frankenstein, and that it was written by Anthony McCann–both of which things I know because McCann first published the poem non-anonymously in the Agriculture Reader.

Anyway, we didn’t do a lot of textual analysis, and so you won’t be getting the usual slate of close readings. I was more interested in presenting a variety of non-narrative forms, and in talking about the technical aspects of the processes used to create the works. Then we busted out the scissors, Sharpies, and photocopies, and got down to the good work of fucking shit up.

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Behind the Scenes & Craft Notes / 20 Comments
October 17th, 2009 / 11:32 am

Reviews & Snippets

Former Tao Lin Intern Reviews Current Tao Lin Novel

Former Tao Lin Intern Reviews Current Tao Lin Novel

My good friend, Soffi Stiassni, formerly of the Tao Lin Internship Program, and also an alumna of this site, has reviewed her ex-boss’s new novella. Now, I know a lot of people feel like we’ve been linking to Tao-related and SFAA-related stuff too much. Well, go fuck yourselves. Seriously.

Essentially, the reader of “Shoplifting from American Apparel” is a voyeur, preying upon characters who are voyeurs. Beneath a patina of isolation and ennui the innocence of these characters remains. They are intact, untouched, half members of the world at large.

42 Comments
October 17th, 2009 / 2:52 am

Waiting for Gato

cat shadow sculpture

cat shadow sculpture

Instructions on writing a piece called “Waiting for Gato.”

1. Google an excerpt from Waiting for Godot

2. Using ‘find and replace’ MS function replace “Godot” with “Cat.”

3. Use online translator to translate from English into Spanish.

4. Replace non-verbal sounds with “meow.”

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Craft Notes & Technology / 12 Comments
October 17th, 2009 / 1:59 am

Buying This Now

Join me.

Author Spotlight / 14 Comments
October 16th, 2009 / 8:55 pm

Friday Frustration

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A while back, Blake Butler posted a brief snippet that said something like, “It’s not okay to like everything,” and I’ve been thinking that statement through since. A series of random events over the past few weeks has me thinking the corollary is also true. It is not okay to hate everything, either. Don’t get me wrong. I don’t like everything. I’m not an optimist or a perky individual. I have a bitch streak a mile long. It just seems some people are never happy or satisfied with anything—and those people are completely unwilling or unable to appreciate things that do not fit into the constraints of what they like or think is good [writing, art, design, living, whatever] or have become accustomed to. I’m really burnt out on relentless cynicism and negativity and snarky judgment. When someone either loves or hates everything, I find it hard to take them seriously or give their opinions much credence. Isn’t criticism more effective when used judiciously?

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Random / 64 Comments
October 16th, 2009 / 1:57 pm