January 2010

Azorno

It fell completely silent. I felt like a diver who finds himself at the bottom of the ocean one minute and on solid ground the next, unable to hear whether the others are saying he’s dead or alive because he’s encapsulated in a silence as vast as if he’d brought the ocean up with him and it surrounded him now like a hue bell that no one could pass through without drowning. The fluttering plant curtains filtered the light that flickered over my eyelids as over a gray sandy bottom. I dozed off in this air that was dense and warm and green, and also poisonous, because she had already discovered me, and then, with the greatest silence, sprayed her poison in through the windows, a green poison that quickly stripped all the leaf-flesh off my human body, exposing my ribs, fluids, and reproductive system, causing me to cave in, collapse, crumble, almost vanish; yes, there was actually only a little dust remaining, and that could be easily brushed off the sheet before lying down, as if there were a little sand between the toes the evening before. I got up. A couple of drops fell from my crotch. They spread out and became a little gray spot on the sheet. A little head with ears.

Inger Christensen, Azorno, pp. 22-23 (translated from the Danish by Denise Newman)

—-

Inger Christensen died last year. She wrote very many books. There are no interviews with her online.

Massive People / 10 Comments
January 4th, 2010 / 12:10 am

nate tyree sends word of a new online anthology oprah read this

The Rule of Threes is Bullshit

image source

1. The Kansas City Public Library’s parking garage. Library patrons voted on which titles got used in the facade. Reminds me of Frank Gehry’s Binocular Building in Venice, Ca. Don’t you think it’d be nice to live inside a cartoon? We could draw ourselves into any scene; and every building could double as an object of desire. If your house could be any book, what would it be?

2. For all of the dorky grammarians out there. (I include myself in that group.) Learn Your Damn Homophones.

3. Last night I watched a great Swedish movie called Let the Right One In. It’s likely the most poetic vampire movie you’ll ever watch.

httpv://www.youtube.com/watch?v=ICp4g9p_rgo

4. (because the Rule of Three[s] is bullshit) A tiny lil poem from Mary Ruefle, in her book Indeed I Was Pleased with the World. I love it, and I’m very interested in the tense changes.

Bring me a coffee mug from a house
where no one has died. Bring me
an eggbeater, the scissors,
and a very ripe plum.
I am going to make you a toy.
When you play with it,
in my heart I open my sad eyes
and stare.

Random / 46 Comments
January 3rd, 2010 / 5:30 pm

So Fixed Your Function

Like if I watched you brushing your teeth, you pick up toothbrush this way, start on this tooth, move that way, spit, start there, that tooth…the same method every morning. You don’t believe me? Videotape yourself.

You drive to work two ways. Two routes, maybe. Same roads/signs/stores/sky. You could easily take some other roads/paths, maybe 40. You would see 40 new things. But you don’t.

I want you to go eat something new. Don’t cheat. Go the ethnic restaurant, produce aisle, international market—select something you have never eaten before. Eat it.

What is the point?

READ MORE >

Craft Notes / 20 Comments
January 3rd, 2010 / 4:43 pm

Sleepingfish 8

Sleepingfish 8 is out now, edited by Gary Lutz and Derek White, featuring literary text objects by: Ryan Call, Anna DeForest, Sasha Fletcher, Nina Shope, Rachel May, David McLendon, Eugene Lim, The Brothers Goat, Lito Elio Porto, Adam Weinstein, Diane Williams, Dennis Cooper, Elliott Stevens, Tim Jones-Yelvington, Alec Niedenthal, Amelia Gray, Matt Bell, Eduardo Recife, David Ohle, Evelyn Hampton, Émilie Notéris, Ottessa Moshfegh, Cooper Renner, Christine Schutt, M. T. Fallon, Daniel Grandbois, Julie Doxsee, Terese Svoboda, Blake Butler, Stephen Gropp-Hess & Ali Aktan Aşkın.

$12, with excerpts online, including music and textual collage.

Uncategorized / 32 Comments
January 3rd, 2010 / 1:41 pm

Mexican Getaway with Julia Cohen & Mathias Svalina

All poetry power-couples should be required to have dueling(/dualing) blogs. As JC has mentioned on her blog before, her parents are retired to sunny Mexico, and so she and MS went down from Denver to spend the holidays in the not-snow. His slideshow is here. Hers are here, here, and here. Also, his new (debut full-length!) collection, Destruction Myth, and her chapbook, For the H in Ghost.

Here are photos they took of each other.

Oh, and here’s Mexico-

Good deal.

Author Spotlight & Behind the Scenes / 5 Comments
January 3rd, 2010 / 12:51 pm

Sunday Service

Thomas Patrick Levy Excerpt

from I Don’t Mind if You’re Feeling Alone

Have you lacked power?

When you were in the mall, I was drunk, looking for the toilet, photocopies following me everywhere. When you were brushing my teeth, I was in the Oldsmobile, the cold water flushed over my face like a flash of light in the woods.

I could see you there, watching me with your ugly lens, my body bent into the ice chest like a baseball bat. The baseball bat wrapped out of a tree into the angles of my body.

At 4 am we’re crossing the street as if it were a river. Your eyes watching me like the eyes of a water beetle. I turn around twice, tabs of mint against my cheek.

I tell you how precise I am. I touch the neck of the steering column. I laugh to myself, folded like a gerbil. I touch your thigh which trembles with your bones. I’m trying to sand this down, dropping each telescope into a glass, carrying a small bag between my fingertips.

Did you ever wonder if you were crazy?

I walked and walked to understand blood oranges and avocados. I walked until perhaps I thought to keep walking north until I became a mountain. And when I became a mountain you looked at me in the morning, I was obscured by clouds, but you saw me beautifully—my new hair style, a pair of pants, my tie perfectly knotted.

Did this seem normal?

Feels like a film. Mostly rock stars, stairs, boots, coats. Shadows covering the street. Cold like a walk-in. I am saving the milk, breaking a box apart. Smiling at you. A leather strap across your chest, a melon beneath your arm.

Have you experienced any cravings?

Once, I’m like a twenty-dollar bill. I can’t find you anywhere. I go around and around. At the store I see a girl with striped arms looking into the glass at a bottle of seltzer. I go back to your house and find her drinking alone. You’re there too, smoking, staring through a kind of enlightenment, looking like a peachy finger, brush strokes of smoke crushed against your forehead.

What is an allergy?

Or once, I am in your car driving through the woods, hot air kicking in at us through the windows, we have dust in our mouths, I cannot see but watch the ghosts jogging on the roadside.

Your lover turns to me, her hair like the discarded shell of snake skin, and she tells me that I am small, that I am inside her box.

I close my eyes and watch soccer players silhouetted against a wall. I feel like a rapist. Maybe my throat closes up and I can’t breathe, maybe my heart rate increases, maybe I see the morning in her chest, coming at me like headlights through the trees.

Are you convinced that your life can hardly be successful?

Please understand, I tried to find the perfect place to sit.

I didn’t know what to do with my hands. I sat on the floor, folded back the cover of a coloring book. Your tongue came later, after it was in Charlie’s mouth, after it licked the gummy insides of a shot glass.

I still worry about my breath.

I sat under the pool table, then on a rock in the yard. You might have found me like that, your hands running across my shoulders and down my thighs while I thought of my grandmother with her hands of crucifix wood.

Later, with the crucifix in my mind, I would remember that I was wearing fishnets and high heels, that you were moving not like a whore but like a drapery. I buried myself in you, a game of hide and seek.

I went upstairs to sit in the folding chair, tried the recliner, walked home, frustrated.

I furiously wiped the surfaces in our kitchen. You came home late and found me strangling around the apartment like a weed, a muted cooking show on the television.

Are you on your way?

It was late. You had spent all day like this. I cut a lemon, put it down the drain. I wanted to break you like an axle. I went outside, drove my fingers through the bark of a tree as if my eyes were made of trees.

I thought you only cry at night. I felt like breath, I took off my sunglasses. I thought you will never change and drove into the mountain hoping for a truck to come between us.

Do you understand that self-knowledge is insufficient?

I was worried I wouldn’t wake before the fish started swimming. We had been around your yard all night, started in the grass and went through the cellar door as we began to hear them waking.

One day, you said, the fungus just started going away at your brain, saw them coming up from the ground each week, watched the gardeners hack them down.

One day, with your eyes flushed like the burn of a cigarette, you said you woke and couldn’t get your feet down on the world.

They came down later and called us fucking freaks.

I was on the couch in a trench coat, my heavy boots dug into the cushions. I rocked back a little bit, thought about walking outside across the street, into the stream near the train tracks, into their pink sky.

A native of New Jersey, Thomas Patrick Levy now resides in Southern California. His work has appeared widely across the internet and in select print journals. For more information visit him at www.enumerations.org.

This image at VVORK has stuck. And this interview with designer maestro/badass John Gall. And this new site for Christopher Brand, another designer in bookland. And this incredible German word.

Happy New York (Part I)

I don’t think the Rust Buckle Books (more on these in Part II) beer can logo (below) is by Brian Calvin, but seeing it reminded me–via Flood Editions, where Calvin’s heads (Half-Mast, 2001, and Killer, 2006) can be found on Graham Foust’s Necessary Stranger (2007) and A Mouth in California–that “Head”, his show at Anton Kern, closes on January 16.

I’m sure New Yorkers themselves go elsewhere (where?), but “Goings On About Town” is still my first stop to find out what I get for living where else. Although there’s always an abundance in ART (the above BRIAN CALVIN, WALLACE BERMAN – Jan. 9; “FROTTAGE” – Jan. 17) and MOVIES (Tati–tonight, Trafic–at the MOMA: see also, under ART, OROZCO) that I wish I wasn’t missing, rarely does READINGS AND TALKS make me want to move.

Ever abbreviated (possibly defensible in print, but why all the white space online, where this week there were three total readings–no talks–compared to eight pages of movies?), the section is never more so than in its annual capsule announcement of the reading of the year:

A hundred and forty poets and performers, including Penny Arcade, Yoshiko Chuma, Steve Earle, John Giorno, Taylor Mead, Judith Malina, Jonas Mekas, Eileen Myles, and Genesis Breyer P-Orridge, gather for the thirty-sixth annual marathon reading at the Poetry Project.

What about the other 130 plus poets (from Ana Bozicevic to Magdalena Zurawski) and performers (Philip Glass) and performers (Ostashevsky)? Is there another reading anywhere that, thanks to the Project’s own Arlo Quint (and Emily XYZ) covers every letter? But I guess I shouldn’t quarrel with an alphabet that begins with Penny Arcade and ends with Genesis Breyer P-Orridge. Indeed I would have gone to hear the listed Ms alone: where else could you find Mead (who turned 85 on New Year’s Eve), Malina (b. 1926 in Germany, godmother of the American avante garde), the Lithuanian born Mekas (godfather of same, turned 87 on Christmas Eve), and Myles (the only Presidential candidate who’s written a speech about Robert Walser?), not to mention Machlin, Marinovich, (Chris) Martin, and Mesmer, among Many More (see list-in-progress, with links, after the leap), in one audience, let alone on one stage?

CAConrad, the poet of the year if ever there were one (when’s the last time anyone had books as good as Advanced Elvis Course and The Book of Frank come out in the same year?), has an anecdote about the most memorable line from the 2005 reading in the comments section of this to-be-revisited list. Can anyone give us some highlights from yesterday’s event? Will anything else in 2010 approach this gathering in sheer skylight? READ MORE >

Massive People / 16 Comments
January 2nd, 2010 / 6:32 pm

i am Writer checklist

1.)    Skinny eyeglasses (unusual hue?)

2.)    Satchel

3.)    Fell for a compliment back when

4.)    Ponytail inappropriate to age (and hair heft, ply, puissance)

5.)    Earth tones (or all white?)

6.)    Access to drugs, but not the great ones

7.)    Took a strong found sentence, added two words, twisted, called it your own

8.)    Subaru in lot. Or bike. Or shoes with just a hint of yellow

9.)    Feels a small, repetitive animal jumping around inside stomach/thorax.

Am I missing something? I will stop at 9, since 9 is a holy number (in certain sections of hell).

Random / 27 Comments
January 2nd, 2010 / 6:07 pm