September 2010

“Source” New Work by Mike Germon & Truett Dietz

If you happen to be in Atlanta tonight, this is where you should be. Saw the opening preview last night [which Eugene Marten read at, from Firework, brutal] and it is gorgeous and exciting show. At Beep Beep Gallery 8-11. If you are not in Atlanta, you can also check out more of their work online:Mike Germon | Truett Dietz.

Here’s a video of Germon trying to build a ceiling-high tower of books, which didn’t last, and in the show is altered to a kind of book pyramid:

Events / 6 Comments
September 11th, 2010 / 12:51 pm

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From The Classroom

Having just finished week three of the fall semester, I thought I’d share a list of the films I’ve screened (so far) for my “Introduction to 20th Century Experimental Short Stories” class.

I open every class session by arriving about ten minutes early and starting up an experimental film, so as students trickle into the classroom they can transition out of the ordinary and into our “unique learning environment” — which is my clever way of saying “very strange class” — plus, I like making interdisciplinary connections between the texts we’re reading and other art forms, as a way of creating and extending a wider conversation around the idea of artistic experimentation in general.

Anyway…

On the first day of class the students were met with Ryan Trecartin – P.opular S.ky (section ish) (2009), which is a really good way to blow minds right off the bat.

From there, it went like this…

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154 Comments
September 10th, 2010 / 3:47 pm

People I Know Doing Things I Like What The Hell Is Going On Over Here

I met Hamilton Morris when he was in San Francisco back in early July. I met him first at a show at the Thrasher warehouse, way the hell out in Bayview, where I skinned my tailbone sliding ass first down a half-pipe. The next day I spotted him, like me, bleary-eyed trying to find the way to a rowdy Oh Sees show at the Serra Bowl in Daly City. I asked him what he was doing for the Fourth, which was the next day. He said he was going to take ecstasy with the man who popularized it, for an episode of his webshow “Hamilton’s Pharmacopeia” on VBS.TV. I said, Word, I think, or something like that. Anyway, that episode “SiHKAL: Shulgin’s I Have Known And Love” just aired. I think Hamilton probably didn’t take ecstasy with him — dude is kind of old, I dunno.

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Roundup / 23 Comments
September 10th, 2010 / 1:01 pm

I’m tired of people using David Foster Wallace’s championing of “heart” in fiction as an argument for watery, sentimental prose. Have you read the man? Perhaps he was less in tune to humans than he imagined: more alien math than home-ec. This is part of what makes him so by-the-throat. By the way, he gave up. If you want to grab my heart, don’t use grease.

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You Are Sort of There: The “Richard Yates” Launch at BookCourt, 9/9/10

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44 Comments
September 10th, 2010 / 10:57 am

Power Quote: Keanu Reeves

via The 12 Most Depressing Keanu Reeves Quotes

Power Quote / 76 Comments
September 9th, 2010 / 8:59 pm

Sherman Alexie got banned in the state of Missouri. One down, forty-nine to go.

Purple People

Which do you prefer: City, college town, or countryside?

I’ve always thought college towns would be ideal. Then, frosh week started and these purple people (literally, no metaphor at all) descended on my town. And reader: these are NOT the poor freshmen. That would be logical, maybe. No, these are the hazers. Needless to say, this place is a hazardly mess.

Random / 28 Comments
September 9th, 2010 / 5:59 pm

I Like J. Bradley A Lot

J. Bradley is a poet and fiction writer who wears many different hats. He is the author of two excellent books—Dodging Traffic (Ampersand Books 2009) and The Serial Rapist Sitting Behind You is a Robot (Safety Third Enterprises 2010), a slam master for the Orlando Poetry Slam, and the Interviews Editor for PANK. If I were to use one word to describe J. Bradley’s writing, it would be sharp, like a knife. The word “edgy” is often overused when discussing writing but that term is appropriate when talking about J. Bradley’s work. He is often profane and downright inappropriate and yet, his stories and poems are compelling, sometimes funny, and sometimes they’ll tear your heart out of your chest. He’s not writings thing like, “”I’m gonna fuck you so hard, you’re gonna have Down’s Syndrome,” just to be outrageous. There’s always a purpose to the profanity, a method to the madness. When I read Bradley’s writing, I cannot help but think, “Who is this man who dares to go there?”

The Serial Rapist Sitting Behind You is a Robot is a curious little collection of words. Each story is unique but possessing Bradley’s distinct voice. He makes frequent use of analogy, forever comparing one thing to another in ways that are surprising or shocking or charming but always engaging. Whether writing about a boy with chainsaws for arms or a man’s wife’s girlfriend or a wedding ring forged into a bullet, each of the very small stories in this chapbook are strange but controlled and cool breaths of fresh air. Bradley’s wonderful stories offer the reader vivid snapshots you would not be able to see from the mind of any writer but J. Bradley. I loved his chapbook so much I thought I’d ask him a few questions about his writing, warped mind, and other literary endeavors.

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I Like __ A Lot / 70 Comments
September 9th, 2010 / 12:00 pm

Round this–

A new major book review section is about to open, at… the Wall Street Journal?

Jeff T. Johnson’s got an essay on “The New Hybridity” at Fanzine.

Castro thinks Ahmadinejad should stop slandering the Jews. You can add that to the list of things Castro and I agree about.

Mathias Svalina has been writing Book Proposals for Broadway Books. From “My Year on a Moving Sidewalk”:

This book will be popular among readers who enjoyed such books at Mary Roach’s Stiff, Mary Roach’s Packing for Mars & the City of Portland, Oregon’s downloadable pdf “SIDEWALK REPAIR MANUAL: How to Repair and Maintain a Sidewalk.”

Bianca Stone has a new chapbook coming out. Someone Else’s Wedding Vows is now available for pre-order from Argos Books.

Tender, imaginative, wry and wise, the poems in Stone’s first collection take the reader from the bottom of the ocean to the orbit of the moon.  In between, the geography of the heart is mapped lyrically and unexpectedly.

Not a lot to complain about in that description, is there?

At the Faster Times, Kyle Minor absolutely loses his shit over Amelia Gray’s Museum of the Weird. I stopped pretending I could follow what he was talking about somewhere toward the middle, but the upshot seems to be that he likes her book very, very much.

And finally, as if you needed me to tell you, the launch event for Richard Yates is at BookCourt tonight. It begins in about ten hours, which means that I am going to leave my house in a few minutes to head down there and claim a seat.

Roundup / 14 Comments
September 9th, 2010 / 9:58 am