The Milan Review of the Universe
The Milan Review’s second issue is out, and of course it is gorgeous. And if you’re in New York, there’s a party for/with it (featuring Seth Fried, Robert Lopez, Lynne Tillman, Tim Small).
The issue features writing from Iphgenia Baal, Amie Barrodale, Chiara Barzini, Blake Butler, Matthias “Wolfboy” Connor, Seth Fried, Amelia Gray, Shane Jones, Robert Lopez, Clancy Martin, Francesco Pacifico, and Lynne Tillman & art from Massimiliano Bomba, Carola Bonfili, Milano Chow, TJ Cowgill, Joe DeNardo, Francesco de Figueiredo, Roope Eronen, Frédéric Fleury, Christy Karacas, Taylor McKimens, Brenna Murphy, and Toony Navok.
The Remaining Lost Poetry of Slash Lovering
Here are the Seattle-based poet’s remaining works, from the CD-R he gave me before his tragic death at age 38. More on Slash in my first post on him here. His graphic web-based poetry continues to inspire me – both for its raw emotion and for its quietness and grace.
On Starting Things
I’ve started something new. I guess I’ve been in the “starting” phase for months now. Every time I start though, I forget what beginning feels like. I forget how to write a novel. There is a process of re-learning. How many novels does one have to write before she understands the process?
The disheartening moment when I open a document – Document1 – Pages: 1 of 1 – Words: 24 of 24. Delete to Words: 0 of 0. Add some, Words 5 of 5, delete again. I know that page one will become two and on, but looking at page one, with the scant words, the lack of momentum, stagnation, it’s rending. And so I quit MS Word. I check Facebook. I check my eight email addresses. I check HTML Giant. I play games on my iPad. I check blogs. Read some reviews. I check email. I play more games. I put something pithy up on Facebook. No one responds, so I delete it after thirty seconds. I open MS Word. Of course, I didn’t save. There was nothing there anyways – what’s the use of saving five words, maybe a dozen, maybe, if I was very lucky, a full sentence? (I’d save a full sentence, probably.)
Disrupting the learning of writing
I am going to write some numbered paragraphs and then I am going to ask for your input. The numbers are there to create the illusion of motion and clarity of purpose. I am thinking out loud.
1. I was homeschooled. There are many ways to do this. I lived in Indiana, where you don’t even have to register your children with the state as being homeschooled (so that the school system first discovered I existed when I signed up for the draft). Some parents hire tutors for their children. Other parents send them to school for some courses (usually the technical ones they aren’t qualified to teach, and those with lab components) and keep them home for others. Some of them use this opportunity to control all cultural consumption by the child so that the child will have no choice to be religious and clean-mouthed and good, as well as probably emotionally crippled and totally incapable of making friends or otherwise enjoying life.
2. For my part, I was allowed to study pretty much whatever I wanted in pretty much whatever way I wanted, meaning that my math is poor but I did spend quite a lot of time reading and writing. I am used to teaching myself by following the examples of the things and people I respect and admire. (As to the questions of my emotional health and facility with personal interactions, well, I’ll let you be the judge.) READ MORE >
Roxane Gay—
Whenever I see people talk about how they hate two spaces after a period, I kind of wonder what the big deal is because with Find/Replace it takes less than 15 seconds to fix in Word or InDesign. Over at Dark Sky, Gabe Durham walks us through this complicated procedure.
This Friday in Brooklyn: “The Case of Nicolas Chauvin” (White Review reading & magazine launch)
When: Friday, 10 February 2012, 6:30–8:30 pm
Where: Cabinet, 300 Nevins Street, Brooklyn (map and directions here)
How: Free; no RSVP necessary
More importantly: “Beer for this event has been lovingly provided by Brooklyn Brewery.”
Why: Please join the London-based White Review for an evening of Chauvin, chauvinism, and their many inheritances. Featuring Ned Beauman on carbon chauvinism and humility in the universe; Joshua Cohen on the absolute best Chauvin biography never written; Jeremy M. Davies on whether any form of literature, however ambiguous, indeterminate, playful, or condemnatory, can escape being a chauvinist for something; and Diego Trelles Paz on Chauvin and national progress in Latin America.
More Who:
From the Margins: An Interview with Peter Davis
With just two books of poetry, and a third on the way, Peter Davis has already established himself as an innovator with a great deal of intelligence and skill. Modest but assured, he explores ideas most poets would not think to broach and pushes the accepted limits of form in ways that expand what a poem can be. Whether pondering the heinous mustache of the previous century’s most infamous tyrant, or inventing satirical monologues for real and imagined audiences, Davis knows that in order to break ground a writer must be bold and open to uncertainties: “An artist has to pursue something he or she is unsure of, but then pursue it recklessly.” While these pursuits make great comic shtick, they are only half the story, for Davis’s sense of play services a unique moral vision. The text below is a collation of one face-to-face interview in April 2011 and several email exchanges from April to June 2011. – Tony Leuzzi
What was the genesis for the idea of writing an entire book of poems about Hitler’s mustache?
A Lesson on Not Apologizing
Ever written something salacious and regretted it? Well, you shouldn’t. I shouldn’t. Take pride, bitches. Badass Die Antwoord released this video for “Fok Julle Naaiers,” which uses the word “faggot” generously:
{LMC}: Our March Selection: Salt Hill 28
The stories, poems, interviews, and art in the 28th issue of Salt Hill are reminders of the inspiration that comes with encapsulation; if we are living in a body, we are writing. Stories from Mark Baumer, Maile Chapman, Sarah Rose Etter, James Robison, and Jason Schwartz traverse sentience and sentiment in stylized prose. Poetry from Jennifer Denrow, H.L. Hix, Ben Mirov, John Skoyles, and Dara Wier navigates tonal and geographical journeys. An interview with Dana Spiotta on outsider musicians while Mary Caponegro talks about what’s inside her cerebral, musical prose. As the temperature hits its bitter notes in Syracuse, bundle up with SH 28 and find new meanings to the body’s hibernations.
CONTRIBUTORS
POETRY
Ciaran Berry, Bruce Bond, Brett DeFries, Jennifer Denrow, Laura Eve Engel, John Gallaher, H.L. Hix, Bridget Lowe, Ben Mirov, Oliver de la Paz, Wang Ping, Nate Pritts, Zachary Schomburg, John Skoyles, Tony Trigilio, Dara Wier
FICTION
Mark Baumer, Maile Chapman, Sarah Rose Etter, James Robison, Jason Schwartz
NONFICTION
Interview of Dana Spiotta by Rachel Abelson, Interview of Maile, Chapman by Chanelle Benz and Natalie Rogers, Interview of Mary, Caponegro by John Madera, Amy Benson, Casey Wiley
ART
Frederik Heyman, Andrew Jilka, Anders Oinonen
Abby Koski talks about the issue briefly at Vouched Books. This is a beautiful magazine and one you do not want to miss.
We are giving away fifteen of Salt Hill, first come, first served. If you are interested, e-mail me at roxane at htmlgiant.com with your name and mailing address. If this announcement is not crossed out, copies are still available. Salt Hill 28 is available for a fine discount available if you are interested in purchasing this magazine. If you go here, the magazine is available to HTMLGIANT readers for only $7. THAT IS AN AMAZING DISCOUNT. Support literary magazines! The discussion starts here, on Monday, March 4, after AWP.
LMC Administrivia:
Future club selections:
May 2012: Trnsfr
July 2012: Uncanny Valley
September 2012: J Journal: New Writing on Justice
Stay tuned for special offers and giveaways for these magazines.
If you’re interested in writing a guest post or some other feature related to Salt Hill 28, get in touch by e-mailing me at roxane at htmlgiant.com. Topics you might consider discussing include the design, content, overall aesthetic, whether the magazine met your expectations, what the magazine contributes to the literary scene, etc. You might also do an in-depth analysis of one writer’s work, etc. There are no limits.
There’s also a Google Group with light posting about literary magazines and club announcements. If you want to join the group or want more information about the LMC, if you’re an editor who wants your magazine featured, etc, send me an e-mail. To summarize: however you want to participate please get in touch or watch this space in November when hopefully, we’ll have a great discussion about an interesting literary magazine.