Surprisingly, very good (for something I thought would be very NOT good). There is so much behind-the-scenes stuff happening, it’s actually incredible, when you stop to think about it. So many people dismissed this movie when it first came out as just another spoof movie but, wait up! And look at this shit:
- Snoop Dogg appears in the first five seconds;
- You have Paul Mooney as Klansman #1;
- RZA does the music;
- Mike Tyson suddenly materialises as a character named James Clown (with full makeup and wig);
- Michael Blackson is Mr. Wooky (and it’s never really explained who the character is actually supposed to be or its purpose, in the world of Meet the Blacks);
- George Lopez is the president of the United States;
- And Charlie Murphy literally plays his heart out as a drug dealer fresh out of jail!
I could go on and on, here. Essentially, what I love most about this film is the zany world-building that takes place, which, in and of itself, already requires so much effort that it totally did not need to be in a film of this calibre, but here we are! Everyone and everything sort of follows the same internal logic (and if you can accept that, from the very beginning, you are going to looooove this film). That’s pretty much a guarantee.
I would describe it as a spoof of spoof films. So in the realm of spoof films, you have the OG: Airplane, and then Amazon Women On The Moon and The Kentucky Fried Movie (cause, why not?). Scary Movie comes along in the early 2000s to change the game, but before all that even, there’s Don’t Be a Menace to South Central While Drinking Your Juice in the Hood, Friday (which is less spoof and more, original comedy, but still worth mentioning), and then, Meet the Blacks. (I purposefully omitted the truly horrible examples, like Date Movie and Epic Movie because they don’t even exist, as far as I am concerned). It’s a very unique brand of lowbrow humour, here, and you have to go in knowing that. You think it’s catered toward a certain type of movie-going audience, but that’s just thinking inside of the box. Meet the Blacks actually tries so hard to be offensive (to everyone) that in the end, all of it is so silly and ridiculous, you’re going to laugh at half a dozen jokes (at least) even if you don’t think they’re funny, because it’s so absurd. It’ a nice exercise in finding out who you truly are. (Another good film for this is Edmond, 2005). I laughed at some jokes that on paper, I would have never laughed at. And there’s something to be said about Mike Epps’ delivery (and even though he is not a great actor, I appreciate his stage presence).
Overall, the spoofed-out parts are done brilliantly. There’s several bits where scary music is playing and you can hear the spooky echo of children laughing off in the distance (you know the sound effect) and then there’s the obligatory jump-scare–something a lot of shitty (recent) scary films do. Meet the Blacks wouldn’t be as good if we didn’t have so many terrible modern horror film tropes to harp on. And what’s brilliant is the writers absolutely know this (like full-on mad genius level) and take advantage of all of the inconsistencies that exist in what are essentially releases that are remakes of remakes, marketed as serious films.
I feel that Meet the Blacks is trying to say something–provide a message in the same way Get Out claims it was trying to provide a message. I am not sure I know what the message is, but I feel Meet the Blacks is way more sincere and open about what it is trying to say. There is an odd ambiance to the sound design too! In a few of the scenes, you will hear wind in the background, as the characters are talking and just existing, and this wind is something that was clearly added in post-production. It has no business being there, because it doesn’t add anything to any of the scenes, other than announce its presence. It’s actually pretty David Lynch, and it’s a bit strange, to see/hear in a film like this. It’s these small sort of if-you-aren’t-paying-attention-and-you’re-totally-dismissing-this-film-by-doing-another-sort-of-activity-like-folding-your-laundry… you’re not going to notice. And maybe that’s the point? Like a cool little unnecessary Easter Egg? (Aren’t all Easter eggs unnecessary?)
If you pretend this movie was made by someone you know and they made it over the course of an entire weekend and they didn’t have a lot of money to begin with, but for some reason felt they had a wholly unique vision and the only way to fulfill that vision was to make this film and now that the film is done, they really want you to watch it–this is that film. Meet the Blacks has some of the best use of wacky sound effects I have heard in a long while. Just as a quick aside, and to further cement my disdain (yet again) for many modern films… I would watch this over any of the Bourne films, again and again and again. Meet the Blacks breaks down all of the walls (whatever that means)–something I feel we need more than ever, especially right now, in our current socio-political-COVID-whatever environment/moment. This is a film that wants you to remember that it’s okay to sometimes laugh at something because it’s 100% stupid and doesn’t entirely make sense. ‘Cause life’s just life, y’know? Who gives a damn if you’re not making as much money as you think you should be making? Or that your dream publisher seems to just not want to ever publish you. Or that bad things keep happening in the world and that’s just never going to end. Stop living in the future and come back to the present. Enjoy the now and just slow down for a little bit, yeah? Breathe in. Cool. It’s Meet the Blacks. A high three out of five, from me.
September 4th, 2020 / 10:31 am
by John Darnielle
Farrar, Straus and Giroux, 2014
224 pages / $13.21 buy from Amazon
2. Universal Harvester. The cover is pretty dope-looking. (Plus, it’s sorta cool that advance reader copies came in a VHS case). It totally vibes with my anodized rainbow finish razor. (That’s 2 for 2 Darnielle, tho, I am not actually counting Master of Reality).
3. But hear me out. I want to get this out of the way, like, right away: the book is marketed as horror and perhaps maybe even a little bit mystery. It’s none of these things, really. Or rather, the story isn’t horror in the way you’d expect it to be horror. And it’s also not mystery, in the classic sense of the word, mystery. It’s a little bit of both, and then some.
4. I’m not taking points away from the book either, because of this, no. It’s not Mr. Darnielle’s fault. Rather, he did this on purpose, and I applaud him (in a way) because of these things—Darnielle is trying to do something new & interesting here and, as you might expect, the average reader is not going to be so into that (I’m guessing). (Maybe the not-so-average reader, as well). The narrative is sort of non-linear (so be prepared for that).
5. I must confess, tho, to what intrigued me initially—what made me want to read the book as soon as possible—the story takes place in Iowa (I got my BA from a school in Iowa, this is no secret; and actually, the town where I went to school is mentioned, pretty early on). Also, the fact that it has something to do with VHS culture and film. (I have never seen The Poughkeepsie Tapes but the idea of VHS tapes and weird things happening on VHS tapes made me think of this film, for whatever reason).
6. I also tend to enjoy most things taking place during a time when the VHS market is / was still booming. READ MORE >
March 8th, 2017 / 6:05 pm