What’s Cool Changes
httpv://www.youtube.com/watch?v=x0YcIw09qBc
A lot of people wish it would rain. I know it might sound strange.
Some borrowing:
httpv://www.youtube.com/watch?v=SnFcoE_YtNA
(I really love the “here’s one of my old 45s on a record player” genre of Youtube videos.)
More and so much more. READ MORE >
February 12th, 2010 / 4:59 pm
Source Material
As Justin pointed out, the New York Times reports today that the Mississippi plantation diary of a wealthy slave-owning Mississippian has been found that Faulkner consulted often to find names and incidents to use in his work. The son of Faulkner’s friend recalls that when reading the diary, “Faulkner became very angry. He would curse the man and take notes and curse the man and take more notes.”
I can relate.
For about three years, I worked on a never-finished manuscript about my mother’s family. While I went back and forth, for part of the time I wrote it as a fictionalization, so I made up new names for all my relatives. To help, I consulted a family genealogy book called The Descendants of Robert Kay. Robert Kay was my great-(x7 or 8)-grandfather on the side of my mother’s mother’s mother’s mother, one Miss Viola Verona Kay King (pictured: one of her sons). Robert Kay was himself a wealthy, slave-owning cotton farmer in the 18th century. The first few pages of the book tell about how he came to Anderson County, South Carolina (where my mother grew up) from Virginia.
All sides of my family have lived in the South as far back as anyone can trace. But it’s one thing to figure that my ancestors probably owned slaves, and quite another to see a list like the one unceremoniously provided on page 9 of The Descendants of Robert Kay. Here’s an excerpt from the inventory of his property up for sale:
One Girl Silvia seven years of age $250.00
One Girl Winifred five years of age 150.00
One Girl Delilah 80.00
One Large Iron Pot 5.00
One ditto 3.00
One Pot and Skillet 3.00
One kittle, frying pan, and three pairs of pot hooks 2.75
Exercising with Exercises in Style
One of my favorite places to read is while running on a treadmill. Seeing as reading is powerful in its ability to render time null, and exercising is a space where time seems to stretch the longest, the most against the frame (though sometimes that is part of what makes the experience nice, in a wholly other way, other times you just want to get it done), reading, then, can create an amazing mental blank over the focus of physical exertion, separating, in its best moments, the body from the mind, while putting both to maximum work in enhancement of a kind. The ecstasy of reading, I mean, can cancel out, or at least sure as hell distract you from the bitchmaster that is fleshy exercise.
Sarki on Lish
M Sarki with an interesting defense (I guess) of Gordon Lish at EWN. I found the intrigue here in Sarki, not in Lish (not so riveting to revisit the Carver thing). Not sure I’ve seen such reliance on another in judging an individual work. Sarki sends his poems to Lish via mail then gets a YES, NO, or SO SO written on the poem. Sarki writes:
But after so many years of working with him I pretty much have a feel for what he’ll like and what he won’t. I get mostly a Yes these days.
What do you think about book trailers?
Over at Salon.com, Laura Miller has a piece called “Never coming to a screen near you: Why promoting books with movie-style trailers is a silly idea.” Here’s a snippet of her argument:
Alas, Web videos are even more numerous than books, and as with books, the vast majority of them go unwatched and uncelebrated. A few manage to command that most mysterious of all magical powers, word of mouth, and become sensations, but that kind of success is as impossible to force as an “Oprah” booking. In the meantime, an author’s energies have been funneled into a project that’s unlikely to yield many results.
Here is an example:
httpv://www.youtube.com/watch?v=1chqggKw_Ds&feature=player_embedded
Two New Covers
Two excellent new covers for two books I am really looking forward to this year:
Patrick Somerville’s The Universe in Miniature in Miniature, from Featherproof Books Fall 2010, design by Zach Dodson
(which was just announced as a Featherproof title I think yesterday, on the heels of his smash The Cradle, and while you’re at it, take a look at the covers for Christian Tebordo’s The Awful Possibilities and Lindsay Hunter’s Daddy’s, (Daddy’s? wow), which are both also damn beautiful and exiting)
Tao Lin’s Richard Yates, from Melville House 9/7/10, photography by Michael Northrup