Seth Abramson’s Using Me!!
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[ “…….. I’m kind of thinking, believing, that even without these peculiar and exceptional contexts (and this is impossible for me to truly know) that there’s something really compelling here. Something really fascinating. Many of you will think I’m goofing around here. I am not ……..” ]
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to follow is an excerpt from one of Seth’s newly-minted poems (available on Inknode (here) and on Youtube (here) where you can listen to the audio of the poem coming out of the visual of a disconcerting seated-figure):
“…Seth Abramson grabbed her. Threw her to the ground. Pulled off her pants. Ripped off her panties. Mounted her. Seth Abramson’s young pink balls rubbed painfully against her hairy twat. O Lord, he thought. O Lord. O Lord. And finally Seth Abramson collapsed in a young boy’s cumless climax. She pressed charges. Seth Abramson was arrested. But when they examined her they found no traces of semen or forced entry. And when they examined Seth Abramson it all made sense: he had a house-mouse cock…”
(from “Strangers,” a poem “comprised of 275 statements made by individuals I have not met.”)
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And this, if I might say so myself, is excellent work (ha ha), and I say so, because I have a sense of humor, and because I wrote a “version” of this in my Adventures of Sex Ableton (# 11, to be precises) that I posted READ MORE >
NYFW COMMANDO CASTING FAIL & “THE ROOM”
Last week was particularly weird. It was–is?–New York Fashion Week. This always means there is a lot that is happening in which I am not particularly interested in partaking but will end up doing anyway, because I am interested in the act of mistake-making. Every year and season I have a different approach to the fashion weeks, but usually it is a combination of excitement and confusion for what might possibly happen. [1]
DIRTY LAUNDRY
This year the surprise came to me as I was sitting on Houston eating the Whole Foods pizza slice my friend Brenna bought me. I looked like I smelled and was wearing my favorite hat, which no longer exists because of this beautiful dog I was dogsitting. Three short figures approached me and started talking to me about doing a runway show, and I definitely did not say yes and I was trying to be fully uninterested but maybe I wasn’t convincing. Initially, I did a stellar job at ignoring the email I received following the proposition, a message that emphasized how much they would love for me to stop by for the casting. [2] But then, two days later I got additional strongly-worded texts and voicemail messages. “We really want you!” read an SMS my ego believed, and there I was in an ugly white room with fluorescent lighting in Midtown.
Unfortunately, I had shaved and they liked me much more with facial hair and stinky, so in the end this was a waste of energy. But I was also rolling and attended the casting underwearless, swiftly adhering to commands such as: ‘Take your pants off, please.’
Perhaps I self-sabotaged, but at least I didn’t have to wear cowboy gear in public.
September 9th, 2013 / 1:42 am
………..Penny Goring…………
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anyone familiar with Penny Goring (her work, her Tumblr, her Tweets) will understand why I’m chuffed to be featuring her here in the 3rd installment of my UK Author’s Spotlight. anyone not familiar with Penny should check her out. most every link in this post will be to her Tumblr or Twitter. except for the one to her book, the zoom zoom.
(you’ll find Penny’s Bio at the end of this post.)
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brief interview:
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rauan: as far as writing goes where, if at all, do you draw the line?
penny: words or pics, it’s all the same to me, i don’t draw lines. my exes mum, after reading a poem of mine, he told me she sed to him: ‘someone needs to get her to stop. will she ever draw the line?’ but i won’t. because i don’t want to. if something happened to me it is mine. i can do what i like with it.
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rk: some people think that all Art comes from the way Male and Female bodies talk to each other, violent, gentle, in shadows, and in light. whatcha think? (and please elaborate)
pg: i’m always deeply cringing at any sweeping statements about what art is or isn’t etc. ugh. i’m not comfortable with the capital A either. being an artist feels more like a curse to me. i ran from it for what felt like a long time. but i got into lots of trouble, nearly died, ended up in rehab. so now i make stuff but i’m doing it compulsively. its like i’m a donkey chasing a carrot. and i put out too much work. i treat tumblr, facebook, twit, like a wall in a studio, not a show. if i’m working on it i’ll post it. that applies to my macros, vids, and written work. but then i’ll go back, within minutes, days, or weeks, and delete most of it.
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rk: the movie Ted and Sylvia is, undoubtedly, one of the great movies of our time. READ MORE >
HTMLGIANT Updated Review Guidelines
FOR PUBLISHERS/PRESSES/AUTHORS:
Email info about upcoming titles to janice@htmlgiant.com. Just the basics are fine ie. Title, Author, Release Date, Publisher, and URL to the book page online.
Only if someone is interested in reviewing a title, will I write back with a request for a review copy and you can send a review copy directly to the potential reviewer. This helps preserve sanity, space, and dollars.
FOR REVIEWERS:
Most of our reviews are submissions-based. Send any formal review submissions to janice@htmlgiant.com and any 25 points or anonymous review submissions to brooks@htmlgiant.com.
If you’re interested in reviewing for htmlgiant and would like to stay updated on possible review copies or are open to assignments,etc, send an email to janice@htmlgiant.com.
September 6th, 2013 / 5:11 pm
There are a few things I have been meaning to say and one of them is
Do you see the tree for the water? Sometimes I don’t, and then the dark melts up like a fat pit stretched out over the first note, the first noise. Silence. But it’s not the not that bruises. It’s the rim. It’s the interception that slays the calm that could have been. Whether it was or wasn’t both a lake and a fountain, it’s definitely that the feedback is too high. But is it water or sky you see? That’s when I sink into the couch and try to hide behind an open window, or a broken conk shell. The world is too bright sometimes, others not enough. You could say it’s exactly what it is, but it’s also a piece of wax. And we’re not killing it, because it is everything and everything else. We can, however, bruise it. We can pinch a nerve. We can not have home. I hope you’re still with me, because now I’d like to suggest some natural magic. Last night at my apartment a trill ripped the drone of my open window, forever unrolling one long quake like an ancient sometimes sea, the road. I went out to investigate, barefoot. I went down a hundred-year-old set of stairs dotted with dead leaves and trash. At first I saw nothing, just the road, which is not nothing so much as not what I hoped to find, which was a kind of softer terror. I heard no trill either, just the stream of cars, occasional garbage, probably leaves. I started back inside, up the stairs. I looked back once more to see a coon correctly use the crosswalk, trotting over from my side to the vacant lot across the road, a too-steep hill full to the brim with trees and shrubbery. The coon trilled and threw its head around. Rabies, I thought. Then I saw the tree, a pine I think, bend into the streetlamp. A swarm of raccoons, fifteen, maybe twenty, haunted the tree like a dark wind, almost motionless. Raccoons on top of raccoons. Raccoons where raccoons might not have been. I couldn’t see a bear, but I pictured a black-bear ghost chewing a mess of coons up there in a swirl of sparkling purple. A flurry of lower trills slackened as the raccoon cloud descended the staircase of leaves to the sidewalk. “Holy shit,” said a voice in the night. It was mine, but I didn’t know who it was for. No one was around. It was after midnight and Oakland is a heavy sleeper. Three of the coons crossed the street in different directions, looking back, avoiding all cars. One of them came my way and didn’t see me till it was close. I forgot that I was a little afraid. But I was bigger and I knew it. So did the coon. It crept in on a corner, behind some bushes, under some cars. It crossed the street in front of a honk, and shrank into the sewer like a huge rat. Then the tree was silent. Then the street was silent, for a while there were no cars. And that was the worst part, the silence. It starts at the rim. It’s what’s on when the internet is not. It’s not dinner conversation. It’s not a book. It’s not even a good way to say exactly what it is, which is why it’s better to say
September 5th, 2013 / 6:31 pm
I Am Sad And Lonely: Notes On Blurbs
The following are my notes for obtaining blurbs, a nearly six-month endeavor, for my novel Daniel Fights a Hurricane. My hope is that this list is a kind of raw/sloppy guide for others reaching out to the same, or similar, authors. Here, maybe, is what to expect.
Why The Troll’s Been Bashing Blake Butler
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Is the comments thread of a post eulogizing Seamus Heaney the place to be snarky and to attack Blake Butler?
Well my long-time (and still) friend Philip Hopkins thought it was:
“Oh, did Heaney die? I guess that’s cool”
and
“…I thought clarity was outré. Heaney hasn’t written a magnum 700 page spooj-laden opus on tennis and corporate sponsorship has he? Has Blake Butler’s blog lost its edge?”
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And in reply to those comments ZZZZZIPPP (who only writes in ALL CAPS) asked: “DID BLAKE BUTLER HURT YOU IN SOME WAY” ?? (Perhaps ZZZZZIPPP had also seen Phil’s comment to my post about who is the best tweeter amongst us writers:
“Blake Butler is the best person at everything in the world all the time because he’s so literary. Always. Especially when he’s not.”)
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To clear the air now (ie, to stop the trolling, silly and embarrassing–and it’s happened before) and because, also, I am sure many people actually agree with his opinions, I asked Phil to flesh out his ideas, passions and grievances in an intelligent, civilized way (while I don’t agree with Phil’s strong positions I’m fine with his having them.) And, so, this, is what he sent me:
by Philip Hopkins
To clarify some of my recent comments on HTMLGIANT.
Blake and Rauan have said on this site and elsewhere that they find ethical considerations trite READ MORE >
THIS SEPTEMBER ISSUE: TWELVE REASONS TO CHOOSE HARPER’S
THE BRIEF HISTORY OF HARPER’S CLUB
Six days ago I received an email with the subject: “HARPER’S MAGAZINE RENEWAL.” The line of argumentation the email included was constructed by the magazine’s “Circulation Director.” I never read it, because I believe everything it said: I didn’t need to be persuaded in regards to the absolute necessity of my continued subscription. [1]
The motive that initially made me subscribe to Harper’s was my desire to intellectually engage on a more personal level with a friend from college, Dan. We both agreed that the depth of our homosocial rapports was not adequately profound, and because we enjoyed discussing with one another we eventually came up with the idea of what we jocularly referred to as “Harper’s Club.” [2] Dan’s academic interests were very different than mine, but we both enjoyed challenging various points of view in our pursuit of forming an informed opinion.
The planning of The Club’s meetings became impossible and our friendship never deepened. Regardless of this failure I could not be happier for the epiphenomenal ramifications of our failed initiative. By encouraging me to think about familiar subjects in different ways, “Harper’s Club” regularly challenged me as a thinker. This held true even when I was the solitary member of the Club, and continues to be valid to this day. Every time a new issue arrives in my mailbox I expect to encounter articles that serve this mission. My expectations are pleasantly surpassed consistently.
THOUGHTS ON ADS (ATTN: MIGHT BE FEELINGS!)
The Strange and Dirty Beauty of Hudson NY
Swallow, a coffee shop located on Warren Street, has either the feel of just opening or just burglarized. It’s a disarming effect – the space is wide open with minimal furniture, the walls a fresh coat of white paint, and there’s a record player swamped in trash at the back playing soft noise, like fire crawling across the floor and around your feet. They serve Stumptown Coffee and the workers act like they don’t give a fuck. On a recent day trip from our home thirty minutes north, my wife got into line and Malcolm Gladwell was three people behind her. Before we left, I asked her if she saw Malcolm Gladwell and she said yes, and asked me if I saw the guy from Grey’s Anatomy, and I said no, was it McDreamy?