A few years before Kurt Vonnegut died, I paid a visit to the studio of Joe Petro III of Lexington, Kentucky. Petro was Vonnegut’s late-life collaborator on several series of silkscreened art based upon Vonnegut’s drawings, some of which were new, and some of which were elaborations upon the drawings he had incorporated into middle-period-and-later books such as Slaughterhouse-Five, Breakfast of Champions, and Hocus Pocus.
Petro generously offered me a tour of his studio, where, in addition to his work with Vonnegut, he had completed work for the likes of Ralph Steadman and Greenpeace. The Greenpeace work had caused him some problems, so he was a little nervous about people knowing where he lived. Nonetheless, he wanted to do his part to champion the work that had become the passion of Vonnegut’s late life, so he consented to an interview, and then he consented to put me in touch with Vonnegut, who had indicated that he, too, was willing to yammer with a nobody such as I was, so long as that yammering was about drawings and silkscreenings. READ MORE >