2013 PO’ IN REVIEW–85 (or so) Lines & Quotes That Effed Me Up, in chronological(-ish) order of when i reddit
Right about now is the time of the year when everyone with a goddamn login gets all hyperboled about whatever dumb book they read way back in March, just so they can save a .jpeg and write a bunch of convoluted bullshit about that dumb book and some other dumb books for some dumb literary blog. Those things (blogs, books, hyperboles, et al, et al) are cool. But books are books, and books cost money, and I’m sure that you’re probably broke because you bought me a bunch of Yolo Polos for God’s birthday. Oh, you good little sigh, you.
So instead of giving you a list of books you’re never going to read, I figured I’d go through my pockets and pull out the best lines and quotes I came across in 2013, because (and I know I might be alone here) 2013 felt like a winning fucking lotto ticket to me. Happy holidays. Now give me a hug.
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Out there, in the Between, it’s kiss or be kist
R.M. O’Brien, “Poem For Chris Toll In The Between” (Sink Review, Jan. 1)
He could have laid me back
in the middle of the Atlantic; we could have been on a raft
loaded with exotic cargo, parrot eggs and pigeon blood rubies
rather than egg sandwiches and a bottle of wine
thick and pungent enough to be blood. It was hard to imagine
anyone here, not him shucking his shirt onto the deck,
nor ancient sailors or drug dealers in their bullet-boats.
Bridget Menasche, “Claudine Goes Sailing With A Man Who Hates The Hamptons” (PANK, Jan. 15)
a huge amount of fire to see much.
Daniel D’Angelo, “The End of the Sound of Waves (Alice Blue Review, Jan. 29)
To me fiction is not about ideas. It is above ideas. I make a divide between the holy, the sacred, the mysterious, the unexplainable, the implicit, the aesthetic, the moral, and the ethical on one hand, and the empirical, the functional, the explainable, the logical, the true, and the proven on the other. In short, the Holy and the Empirical. Literature belongs to the holy. You can do fiction, nonfiction, a mixture, who cares. Literature is above the distinction. It is sacred.
If one were so inclined, one could buy The Whole Livery Line, 1987, by “Jean-Michel-Basquiat [sic] faithfully recreated by hand using the finest art quality linen canvas and Winsor and Newton oil paints” for just $255 from either of these companies – judging from the templates, presumably run by the same “on the fringes of legality ethics” mo-fos. I wonder if people will openly sell forgeries of Rammellzee pieces in ten or fifteen years, when people realize, maybe, that he was, like, really important, and dead. Probably not.