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Here Is One Good Way for a Reader to Approach a Book:

Go in with low expectations, a generous readerly spirit, and a desire to take incomplete pleasures on their own terms.

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March 31st, 2011 / 3:36 pm

80s night

On some public access channel they do this 80s dance. People dress up like the 80s and dance to 80s songs, less with irony or nostalgia than just obtuse impulse, the same impulse which drives people to eat pretzels at a bar, or pet a dog. I always stay on the channel, doing the “coffin” yoga pose on my couch, watching these people dance badly to either bad or great songs. The jury is still out, on whether the 80s created or corrupted “art,” and it doesn’t matter, as there will always be dogs, no matter how badly they behave. Most wear dark sunglasses, as if bracing for the light at the middle of the tunnel.

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March 31st, 2011 / 3:25 pm

For the shit genre!

Opening my notebook the morning after a night of woozy ambien scribbling is like opening a present: you never know what’s inside. Today there was a note that said, “Beckett—101-2. Shit genre.”

Here is the passage I noted. It’s from Samuel Beckett’s first play Eleuthéria, which was disowned by the Beckett Estate.

Dr. Piouk: What does he do?
Mme. Meck: (With pride) He is a man of letters.
Dr. Piouk: You don’t say! (Enter M. Krap. He reaches his armchair and cautiously sits down)
M. Krap: You were saying nice things about me, I feel it.
Mme. Meck: There isn’t anything the matter with her?
M. Krap: She is unharmed.
Mme. Meck: She is coming?
M. Krap: She’s getting ready for that.
Mme. Piouk: There was a time when you were unaffected.
M. Krap: At the cost of what artifice!
Dr. Piouk: You are a writer, Monsieur?
M. Krap: What gives you leave to–
Dr. Piouk: It can be felt in the way you express yourself.
Mme. Piouk: Where has she been?
Mme. Meck: She is going to tell us.
M. Krap: I will be frank with you. I was a writer.
Mme. Meck: He is a member of the Institute!
M. Krap: What did I tell you.
Dr. Piouk: What genre?
M. Krap: I don’t follow you.
Dr. Piouk: I speak of your writings. Your preferences were for what genre?
M. Krap: For the shit genre.
Mme. Piouk: Really.
Dr. Piouk: Poetry or prose?
M. Krap: One day the former, another day the latter.
Dr. Piouk: And you now deem your body of work to be complete?
M. Krap: The lord has flushed me out.
Dr. Piouk: A small book of memoirs does not tempt you?
M. Krap: That would spoil the death throes.
Mme. Meck: Admit that this is a bizarre way to treat guests.
Mlle. Skunk: Extremely odd.

The shit genre. I love that. I’m stealing that. Whenever someone asks me what genre I prefer I will tell them, “The shit genre, of course.” You’ve never heard of it? You must not know much about literature. (Like Beckett’s characters, I sometimes fantasize about getting sassy with “legitimate” types….)

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Behind the Scenes & Craft Notes & I Like __ A Lot & Massive People & Random / 8 Comments
March 31st, 2011 / 3:02 pm

Early 1Q84 / Murakami Roundup

At the Alfred A. Knopf blog, Chip Kidd discusses the process of designing the book jacket for the long-awaited American edition of Haruki Murakami’s 1Q84.

Murakami’s Random House site offers “The Murakami Mix” READ MORE >

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March 31st, 2011 / 3:32 am

I would like to hear optimistic statements about the writing life.

Famous Authors ‘Nude’ 2

A while ago I got bored and did a post about looking up famous authors’ nude photos on google image search. I got bored again today. Here are some more nude pics I found of famous authors.

‘richard russo nude’

‘jhumpa lahiri nude’

‘marquis de sade nude’

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March 29th, 2011 / 3:47 pm

Don’t piss us off

I’ve been thinking about pissed off women lately. Or, rather, I’ve been thinking about why writer-artists like to portray women as pissed off, including female writers. Are women really as angry as art and pop culture say? If so, aren’t men equally angry?

Think Medea.

Think Clytemnestra.

Think Gertrude (as in Hamlet’s mother, not my cat).

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March 29th, 2011 / 2:55 pm

7 is holy like the world working Chaka Khan

1. Strange Maps does Twin Peaks.

Ultimately, however, the series’ exact location is incidental, even obstructive to its narrative.

1. Excellent Redmond O’Hanlon profile here.

He likes to stack up around himself everything he has ever valued, as if he fears it’ll all be taken away: stuffed animals, skulls, a giant pelican, a mummified frog, hundreds of photographs of pygmies, a pair of buffalo horns and lots of cabinets – for beetles, butterflies, birds’ eggs and an alarming spider.

2. Oh eyeballs! Interview with Tony Rauch about Bizarro Fiction.

If you think about it, there’s nothing strange about a giant vegetable who lives up in your attic without you knowing about it.

4. Mike Smith writes poems that are all anagrams of each other. Then he chooses poems by sixteen well-known American poets and writes anagrams of some of their poems. WTF?

7. Speaking of reviews, I like when people say a story is “Slight.” That is code for thin, as in brief in all universe, as in shallow, as in SUCK. What are other words in reviews that say one thing and mean another?

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March 29th, 2011 / 7:14 am

Hot, Young Poets!

I find it sometimes necessary, when recommending a poet’s work to a non-poetry reader to say, “I don’t read poetry, but…” and then plug whomever it may be.  This is a half-true statement. I don’t read much poetry. I read a little and the little that I read (Berryman, Lasky, Flynn, Nelson) I absolutely love. But poetry, as a whole, seems to exist for poets. It’s something that poets read either in the hopes of being better poets or because they have a nice time reading it. I don’t know anyone who reads poetry who doesn’t also write it.  True, there are exceptions. A lot of fiction and non-fiction writers read a little poetry (like myself) but for the most part, poetry is consumed by poets.

Which leads me to wonder: Do any poets read Oprah Magazine? And do any poets wear very simple, straightforward $341 shirts? Does this seem like an irrelevant question? And how could it not?

Oprah Magazine just published a fashion shoot in which young female poets are dressed up in very nice clothes. To make it obvious that they were poets, their words were scattered artfully around the image. Supposedly, this is part of Oprah’s “National Poetry Month” Issue, the Oprah empire’s attempt to get your mom to read some poetry, which I feel is a worthy, albeit fraught, endeavor. If every non-poetry reader (or non-poet) found at least one poet whose voice they liked, and if we all bought a book by that poet, I feel the effect could be tremendously positive. But is that what is really going on here?

Here we see full-color spreads of the young, female poets, their words lying disjointed around them. Some of these poets have not yet even published a collection, or if they do, they’re not mentioned in the little blurbs accompanying the shots. One is Anna Moschovakis, an editor at Ugly Duckling. One is modeling a style deemed ‘Perfectly Punk,’ and looking up at a line of (her own?) poetry that references a studded belt.

And it’s just a little depressing, somehow. Is fashion really a good way to sell poetry, to get the O-reading masses to read some poems? Or is this, as I suspect, just fashion for fashion’s sake, and the poetesses is just the unlikely vehicle for the clothing the needs advertising?

I really do want your mom to read poetry. I want your dad to read it to. But really, I will settle for them reading a book of any kind. Sadly, I think this fashion shoot  is going to sell a lot more $995 jackets designed by ‘Haute Hippie.’ (I am depressed that I now know a clothing designer named ‘Haute Hippie’ even exists.)

Random & Web Hype / 44 Comments
March 28th, 2011 / 4:20 pm

What is Experimental Literature? {Five Questions: Alexandra Chasin}

Alexandra Chasin is the author of Kissed By, a collection of short innovative fictions (FC2) and Selling Out: The Gay and Lesbian Movement Goes to Market, a nonfiction/scholarly book (St. Martins).  Chasin’s creative work has appeared in print in Unsaid, Hotel Amerika, Post Road, AGNI, Denver Quarterly, and Chain, and online in Exquisite Corpse, elimae, Diagram, and Big Other, among other places.  Relevant bibliography for this piece includes inclusion in Wreckage of Reason: An Anthology of Contemporary XXperimental Prose by Women Writers, edited by Nava Renek.  Chasin has a PhD in Modern Thought and Literature from Stanford, and an MFA in Fiction Writing from Vermont College.  She teaches at Lang College, The New School, and currently serves as Co-chair of the Literary Studies Department there.

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March 28th, 2011 / 1:37 pm