STARK WEEK CONTEST: Win a free book by talking about a crazy place you’ve lived

starkweek

TIME FOR YOU TO WIN STUFF

For our final two installments of Stark Week, we’re going to turn things over to you guys. Thanks for reading all this stuff about this book, which as I said a long time ago (last Monday) I really do feel is worth checking out and talking about in a big way. I hope you have felt the same and have enjoyed these posts! I asked Sam to do a video where he read a poem and came up with a contest idea. One of the least shy people I know, Sam felt paradoxically shy about making a video (maybe because he is an old ghost man), but I think he did a good, spookily red job.

Here’s how the contest works: check out Sam’s poem from the last book of The First Four Books of Sampson Starkweather, which is about a crazy place he lived, and then talk about the craziest place you lived in the comments. Craziest place—as judged by Sam and maybe his girlfriend or his friends or his pizza delivery guy—will win a free copy of The First Four Books. If you don’t feel like watching Sam’s poem or watching him make fun of me in the beginning of the video (cuz, like, you have really busy Sundays in your life), just leave a comment! Win a book!

Deadline: 11:59 PM Wednesday July 24th

Contests / 14 Comments
July 21st, 2013 / 2:38 pm

STARK WEEK EPISODE #11: “No myth is written all at once” — Jared White on THE LAST FOUR BOOKS OF SAMPSON STARKWEATHER

starkweek

For our final textual episode of Stark Week, Jared White takes us a billion years into the future, where creaky American poetballer Sampsonian Starkweathershire has released his final four books, capping over a career of the highest highs and the lowest lows and the crunchiest chicken tenders. Later today we’ll be posting TWO CONTESTS where you’ll have a chance to win your own copy of The First Four Books of Sampson Starkweather. HTMLGIANT fav Unnameable Books in NYC reports that people have been stealing The First Four Books, which you shouldn’t do, but is also kind of cool, right? DON’T STEAL; WIN CONTESTS. STAY TUNED! For now, we turn to Mr. White and the year 2066—or was it 2666?

the photographs_Page_1Sampson Starkweather died for the fifth time in the year 2066— or was it 2666? Either way he had already nicknamed the year to a more personable, abbreviated 2-6-6, like police scanner code: 2-6-6, year of the singularity. But was it death? Or like words, would Sampson Starkweather live on as the ghost in the machine?

Famously, Starkweather’s poetry was entirely written in a blaze during a six-year period before he reached the age of 21, at which point he abandoned writing entirely. Instead he devoted himself to long travels in the southern hemisphere as an incognito adventurer, knight errant, part-time athlete, wrestler, and stone quarry foreman. Whether he died of bodily injuries or illness or returned from his self-imposed exile a much-changed man, he was never seen from again, except in photographs and emails, traveling through the ether more slowly than the news of his death.

Then, during the war, three soldiers are said to have come to the house where Sampson Starkweather was living in the woods alone. Either because of his political beliefs or perhaps in spite of them, he was arrested without charges and executed in a field in front of the Great Fountain on the road between Viznar and Alfacar. But in outer space there are no fountains and no fields; instead there are small space-crafts and plenty of space-junk that must be steered around and so there are also frequent accidents like the one that took place in the tunnel where spaceman Sampson Starkweather was struck in the middle of the night. (What is night in between stars? In outer space is there star weather?).

the photographs_Page_2His injuries at first appeared minor but in the wake of the incident his drinking became more acute. Shortly after his fortieth birthday he was found in a stupor in the stairwell of his apartment and brought to the hospital. Here, Starkweather drifted in and out of consciousness before expiring. His last words were, “My first four books did this to me.” And by some great coincidence, just down the hall on the same floor, a forty-six year old Sampson Starkweather was admitted almost simultaneously. His chief complaint was hiccups, but it was clear that what ailed him was serious and his condition worsened over the days that followed.

“Malaria?” one  intrepid doctor offered, though there was no consensus. Within days, Starkweather was dead and his publishers began the long work of preparing the unfinished text of his First Four Books to be published posthumously.

Overhead, Sampson Starkweather read these books on the screen of his transom-window, writing in steam with his fingers on the glass with its fogged vantage of Mars. No myth is written all at once. And then, of course, the singularity, much delayed, in that year of sixes, when the upload was complete and the mind inside the machine became indistinguishable from the image of the body outside. (The heart in the machine is green too.)

the photographs_Page_3Sampson Starkweather may still be in there, if there can be called an inside, now that time has stopped and the same year continues day after day, a permanent Tron grid of ‘80s video games stretching out into infinity: “Forget futurism… I want to talk to you without skin.”

Sampson Starkweather is Sampson Starkweather’s ghost, dying. But when a ghost dies, what happens then? When a ghost dies does it come back to life?

Jared White’s most recent chapbook, THIS IS WHAT IT IS LIKE TO BE LOVED BY ME, was published by Bloof Books this spring and is now available as an ebook herehere, or here. Another chap, MY FORMER POLITICS, is forthcoming from H-NGM-N. In addition to writing, he is co-owner of Berl’s Brooklyn Poetry Shop, a small press bookstore, and father of Roman Field White, a seven-month-old baby. READ MORE >

Author News / 1 Comment
July 21st, 2013 / 2:17 pm

The Beginner’s Guide to Hegel

Hegel

Jesse Hudson, one of the most monastic and scholarly people I know, started talking about Hegel on Facebook. Hegel’s work has always felt intimidating to me, and often when I read his writing, I think that he’s totally full of shit—that he took simple, intuitive ideas and hyperinflated their elucidation to appear logically rigorous and philosophically masterful. Basically, I got thinking that Hegel was a damned charlatan.

But I also knew that Jesse deeply responded to Hegel’s philosophy. So I asked him some questions for the Hegel-averse and uninitiated, following the format of The Beginner’s Guide to Deleuze with Christopher Higgs. Here we go:

Why should we read Hegel?

Hegel is fucking difficult, right?

In order to proclaim the importance of reading Hegel, the initial hurdle to overcome is the impression one initially has in regards to the supposed difficulty (or, stated more extremely, incomprehensibility) of Hegel’s texts. This isn’t necessarily a misinformed opinion of Hegel since, without doubt, Hegel’s texts are extraordinarily rigorous and densely packed. It isn’t uncommon to spend hours (or hours and hours over the span of several days) unpacking a mere page or two of his Phenomenology or Logic. This is due, in large part, to the fact that Hegel (like, it must be admitted, any other philosopher) writes with his own peculiar terminology. Derrida has differance; Deleuze has rhizome; Hegel has being-for-self, negation of the negation, positing presuppositions, ‘sublation’, being-in-and-for-self, etc. Hence, reading Hegel involves a great deal of work that is not unlike the work involved in learning a new language. But, to paraphrase Derrida, you wouldn’t necessarily decry the difficulty of a thermonuclear physics text or a text discussing the subtleties of semiotics and differential calculus. Therefore, the cries of anger and frustration seem a bit odd when directed towards philosophy (texts that are undoubtedly as theoretical and ‘specialized’ as the previous examples). READ MORE >

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July 20th, 2013 / 3:45 pm

STARK WEEK EPISODE #10: “So of course I said yesh of courth” — Sommer Browning on the cover of SELF HELP POEMS

starkweek

For our last cover artist divulgence of STARK WEEK, here at mighty mighty Episode Ten, we have the top-of-the-mountain comic drawer and comic speaker and deep poet Sommer Browning to share with us her process for the cover of Self Help Poems and her ideas on what exactly will help us all.

I was honored (drinking) when Sampson asked me to draw the cover for Self Help Poems, so of course I said yesh of courth. After reading the manuscript, I could see why he asked me to draw this particular cover. The poems pull innocence and nostalgia through the streets of pop culture and childhood—and I think I draw like that. He offered me a few wonderful ideas and I pulled together the ones I loved. One of the ideas was the classic self help book cover, so I researched (Googled) what those look like.

Picture 79

I used to work at Waldenbooks (a store that sold textual materials) and the self help section was my favorite (more favorites: Four Loco and images of nuclear reactors). The life-affirming promises on the covers of these books are self-satisfied propaganda at the expense of the self-centered (woman-moms, man-dads, etc.). To me, putting these kinds of promises on the cover of a book of poems was hilarious (Mr. Bean when you are seven years old) and true (Bible)—and I thought it created an interesting juxtaposition (Ice-T & Coco).

Sam also gave me a photograph of himself dressed like Les Nessman in a neck brace waiting for a call from Brian Dennehy. Needless to say, this was pure inspiration. The “Over 7 Sold” sticker was a creative way to conceal a number of things. Pretty much my favorite part of this drawing was Dan Boehl’s suggestion that I add the “*Neck Brace Sold Separately” bit.

Free shipping

I was also in love with spelling the title of the book wrong. So I had a backup cover, a very lo-fi drawing of a fast food type cup with SELP HELF written on it.

Sommer Browning is the author of Either Way I’m Celebrating (Birds, LLC; 2011), a collection of poems and comics, The Presidents (And Other Jokes) (Future Tense Books, 2013), and various chapbooks. With Julia Cohen she runs the Bad Shadow Affair, a reading series in Denver, and with Tony Mancus she founded Flying Guillotine Press, a small poetry chapbook press.

Behind the Scenes / 1 Comment
July 20th, 2013 / 3:25 pm

STARK WEEK INTERLUDE: SLampson at the Beast Forest

This is what happens when a poet quotes his poetry to a weird worm-looking thing in Second Life, a 3D world that announced a ban on in-world gambling on July 28, 2007, in fear that new regulations on Internet gambling would affect the privately held American Internet company if it was permitted to continue.

beast
[21:11] Slampson Slarkweather: this forest is unusually horny.
[21:13] Namadisi: it is a romantic forest on the sky hahahhaha
[21:13] Namadisi: :)
[21:15] Slampson Slarkweather: They sky has no clouds here. Just a ridiculous blue.
[21:16] Namadisi: maybe is your viewer?
[21:16] Namadisi: i see clothes
[21:19] Namadisi: lol
[21:19] Namadisi: clouds
[21:20] Namadisi: hahahahhhahaa
[21:22] Namadisi: and clothes or course
[21:23] Slampson Slarkweather: Anyone who dances with their shirt on is dead to me.
[21:23] Namadisi: hahahahahahahahaa
[21:24] Namadisi: we ae near the lake who wear shirt  near a lake???
[21:26] Slampson Slarkweather: Fracking laws and loopholes taught us water is winning.
[21:27] Namadisi: hhahahahaha the water does look nice
[21:27] Namadisi: you should go take a dip
[20:28] Slampson Slarkweather: You should really come see what it’s like down here, to be me.
[20:30] Namadisi: where r you?
[20:33] Namadisi: hahahhaa now i know what you mean hahahahhaa
[21:35] Slampson Slarkweather: I want to go home, find you have been living beneath my bed, take off all our clothes, lie back and talk and talk until it’s ruined the stars.
[21:38] Namadisi: wow
[21:38] Namadisi: nice words poet?
[21:38] Slampson Slarkweather: i’m not a poet i just crush a lot.
[21:39] Namadisi: hahhaha
[21:39] Namadisi: you fo that well
[21:40] Slampson Slarkweather: My friend thinks poetry has nothing to do with words.
[21:42] Namadisi: well thats silly poetry has eferything to do with words
[21:02] Namadisi: :=))
[21:42] Slampson Slarkweather: Poetry is exactly like sexual harassment. Don’t ask.
[21:43] Namadisi: no i think i understand =P
[21:44] Slampson Slarkweather: Your exercises in empathy are encouraging, but is it really possible for two people to ever understand each other?
[21:45] Namadisi: hmmmmm good question
[21:45] Namadisi: i think so
[21:46] Namadisi: if you get 2 kno someone well enough and spend alott of time listening to each other then yea
[21:47] Namadisi: thats true love =D
[21:49] Slampson Slarkweather: I have love like a headache.
[21:49] Slampson Slarkweather: Sure you can cut a hole in a sheet but good luck trying to fuck a ghost.
[21:51] Namadisi: O-o what do u mean
[21:51] Slampson Slarkweather: Hello plasma. It’s me, fellow fake state of matter.
[21:54] Namadisi: is this a joke or somethin’
[21:55] Slampson Slarkweather: the secret to life is being tan.
[21:56] Slampson Slarkweather: Give me your wallet.
[21:56] Slampson Slarkweather: Did you think this poem was going to end by itself?

[Note: This dumb thing was inspired by this broadside from Rye House Press.]

Author Spotlight & Blind Items / 1 Comment
July 20th, 2013 / 4:00 am

Reviews

STARK WEEK EPISODE #9: “Help and Hope in Sampson Starkweather’s Self Help Poems” — Amy Lawless on the last book of TFFBOSS

starkweek

Sniffingly we are nearing the end of STARK WEEK, as we round the corner into the last book, Self Help Poems, with the fantastic Amy Lawless onboard to epically investigate. Don’t put your boots away yet because there is more to come, including prophecy, art talk, videos, and contests!

large_Mickey_Rourke_The_WrestlerI have asked myself many times why actor Mickey Rourke is so appealing and attractive to me. Over time he has aged, yet he still manages to allow us, the consumers, access to another human place and plane. Sampson Starkweather doesn’t use the words “appealing” or “attractive,” but he writes on how Rourke’s “therapist told him he was in a hopeless situation, but he still had hope. All humans aspire to the condition of Mickey Rourke” (255). Here on the ninth page of Self Help Poems in The First Four Books of Sampson Starkweather, hope emerges, which makes sense because man is a social animal—we are each other’s only chance of salvation.

Mickey Rourke is not tricky; he is wise—body-wise. In the film The Wrestler, viewers followed him into an oblivion, a place we all go (some of us more quickly than others). Some of us are tiptoeing as slowly as possible toward death with our many fish oil supplements, mountain poses, punitive juice cleanses, hand sanitizers, Deepak Chopra books, or prayers. Some of us are in a speeding car wearing no sunscreen, driving as far away from prostate checks as possible, pumping the speedometer far right with a recklessness our mothers should never know exists. We are each Mickey Rourke jumping off the rope toward our own single finality. READ MORE >

2 Comments
July 19th, 2013 / 4:06 pm

Great Here

goya

In reaction to Dzhokhar Tsarnaev beautifully gracing the cover of Rolling Stone, with great hair the less-disheveled would pay for, a Massachusetts State Police officer released photos of “the real Boston bomber,” as a kind of ultimate #nofilter, featuring one of the boy painfully climbing out of the boat he was hiding in. A sniper’s rifle laser falls short of the Hindu third-eye, but we’ll take that red dot as a kind of more precise Western spirituality. Francisco Goya’s “The Sleep of Reason Produces Monsters” (c. 1798) is probably the most iconic of Los Caprichos, a set of 80 satirical etchings condemning Spanish society for its superstitious pedagogy and foolish ruling class. “The author is dreaming,” he remarks of the print. “His only intention is to banish harmful superstition and to perpetuate with this work of fancy the sound testimony of Truth.” Little did he know that we, as idle linguists with something to grind, would chew on such Truth like termites over the course of a ruined home. The author ducks from his very thoughts, portrayed by flocking owls, only to be banished within the very consciousness from which such birds are cracked. It’s not great here, the mind. In 1970, Charles Manson was featured on the cover the Rolling Stone — with likewise great hair, which may also invoke Jimi Hendrix, Britney Spears, George Harrison, Kurt Cobain, Justin Bieber, Johnny Depp, Amy Winehouse, Madonna, et al., etc., ad infin. Short of reducing such talented people to their hair, we might consider whose demand the magazine is supplicating. As part of the American dream i.e. code for commerce, appalled dissenters are free to not buy a copy, and stores — in timid solidarity with its ruling class, the consumers — may boycott that issue, or the magazine in general. My guess is they’ll be fine. Two wrongs don’t make a right, but a market return. In our grand national narcolepsy, may we have a lucid dream in which we wake, one so lifelike and real — with bells and whistles, traffic jams and hail, love and murder — that it seems, with insane conviction chaperoned by invented beasts, that we are awake.

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July 19th, 2013 / 12:57 pm

STARK WEEK EPISODE #8: “SAM FLIES TO MIDDLE EARTH AND MATES WITH A SPHNIX” — Jonathan Marshall on the cover of THE WATERS

starkweek

For Episode Great Eight of STAAAAAAAAAAAAAAAAAAAAAAAHK WEEK, we welcome artist and witty flowchartist extraordinaire Jonathan Marhsall to map the process of developing the cover of The Waters, book 3 of The First Four Books of Sampson Starkweather.  More multimedia and interaction coming soon! Including contests to win a copy of this bad boy for yourself!

CLICK THE IMAGE TO SEE IT FULL SIZED

Flowchart for Sam

 

Jonathan Marshall is a visual artist living in New York City, originally from Austin, TX.
He is currently holed up in his studio, preparing for a solo exhibition at Grimm Gallery in Amsterdam, NL, which will open in October of 2013.  http://www.jonathanmarshall.net 

Behind the Scenes & Craft Notes / Comments Off on STARK WEEK EPISODE #8: “SAM FLIES TO MIDDLE EARTH AND MATES WITH A SPHNIX” — Jonathan Marshall on the cover of THE WATERS
July 19th, 2013 / 12:31 pm

Reviews

WOLF & PILOT by Farrah Field

field450Wolf and Pilot
by Farrah Field
Four Way Books, Oct. 2012
72 pages / $15.95  Buy from Four Way Books or Amazon

 

 

 

 

 

 

 

The art museum in my hometown of Knoxville has a collection of Narcissa Thorne dioramas, miniature rooms of various fashion and purpose, similar to doll houses. There is a Victorian parlor, a Spanish foyer, a frontier kitchen, all meticulously detailed and like the collection room itself, mostly devoid of people. Each illuminated box presents a stage where any number of actions can take place. The rooms rely on the many arrangements of our imagination—who sat in the armchair, who leaned on the mantelpiece—all the possible scenarios laid out and invisible like precious crime scenes. Yet despite the dramatic combinations an empty stage can offer it’s still bound by purpose: the kitchen is where you cook, the bedroom is where you sleep, and the armchair is where you left it. In the opening poem of Wolf and Pilot—not coincidently inspired by one of Thorne’s rooms—Farrah Field writes:

No one knows how big houses came to exist, how anyone
could walk in on a daily basis, mount a war-period wall clock,
pollute the cold kitchen with pork dumplings, heat the toilet seat.

The poems in Field’s second collection both accept and challenge this mystery. They investigate the nature of absence, the human need to satiate a vacuum, and the gnarled process of memory and apprehension. Centered around four missing sisters, their witch-mother, their beloved teacher and the detective enlisted to find them, Wolf and Pilot is a novella-in-verse which defies its own narrative boundaries.

Echoing Pirandello’s Six Characters, the speakers in Field’s poems are inextricable from the theater of their lives. As per the demands of the story they follow a certain direction, confined to prescribed roles (“What are you supposed to do besides what you have to?”), but this doesn’t stop them from confronting—sometimes bravely, sometimes with caution—their psychological limitations (“We’ll never say this: we want to hang/a sheet from a tree and project movies”). There are moments when the characters are brimming with awareness, their ambitions and failures on display. “You think I’d know what to do,” the detective says, “because I agreed to take care of them.”

READ MORE >

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July 19th, 2013 / 11:00 am

U.K. Author Spotlight (1) – Gary J Shipley

union jack

Realizing that they speak and read English in the U.K. and that they write in it too (and because I’m originally from South Africa a kind of diamond and veldt version of the U.K. with much better weather and beaches), I’ve decided to start a new feature that follows kind of in the vein of the Seattle Author Spotlight series. So, periodically, now, I will be featuring a U.K. author.

And the first UK Author Spotlight’s of Gary J Shipley. Gary and I recently became email and Facebook “chums” (see how easy this is?) and then he did a nice write-up on my new book and I blurbed his forthcoming book of poetry. Gary and I swap quite a lot of emails and Facebook “Likes” (these, hint-hint, make me feel really, really great.)

Gary’s smarter than me, much more philosophical and is able to write a Godless sort of language and landscape that I envy tremendously. When I saw the movie Pina I thought about Gary’s poetry. Gary is also an Artist. Kind of like Michaux. But different. I look very much to one day meeting Gary in person.

Also, fyi, this is what Brian Evenson has to say about Gary’s “Dreams of Amputation“:

Dreams of Amputation reads like the nightmares Derek Raymond might have experienced if he’d written cyberpunk. An exceptionally strange work, but a smart and thoughtful one as well. Disturbing, haunting, and inimitably weird, this is a book like no other.

So, anyways, Gary J Shipley’s Author Spotlight consists of a brief interview, Bio photo and Art.

 

Brief Bio:

Gary J Shipley is the author of eight books of various sizes. His latest is forthcoming from Blue Square Press. He has published in Gargoyle, The Black Herald, Paragraphiti, elimae, >kill author, nthposition, 3:AM, and others. More details can be found at Thek Prosthetics.

 

Brief Interview:

Rauan: Does the British Bulldog have any teeth left? (ie, can you tell us a bit about the state of British Literature, fiction, poetry, whatever)

Gary J:  Yes. It has a single brown stump that bends when it bites you. READ MORE >

Author Spotlight & Random / 5 Comments
July 18th, 2013 / 10:34 pm