Geography Thursday! Yippie!

I’ve only been in Geography for four weeks, and I have to admit, I haven’t “learned” a whole lot from classes. I have read a bunch of cool Geography stuff on my own. So rather than vent my frustration about class, I’ll talk about a book.

Benedict Anderson’s Imagined Communities posits that the social/community aspect of citizenship is premised on an imagined solidarity between people based on the arbitrary boundaries of the nation-state.

Let me back up for just one brief digression/explanation: In 1950, T.H. Marshall revolutionized the concept of citizenship by breaking it down to three categories: civil rights, political rights, and social rights. What was so ground-breaking about Marshall’s claim is the addition of social rights into the mix, which ties in notions of solidarity and community. Prior to Marshall, citizenship as a concept focused strictly on the relationship between citizen and nation-state. Marshall acknowledged the power in nationalism, pride, etc.

In order for there to be nationalism–and perhaps more importantly, in order for there to be people willing to die for their nation–there must be a solidarity between citizens (or else: a draft. My comment, not his.), but the key point is that this solidarity is imagined. The kinship felt is imagined, or at least, in its most nascent form, it was imagined. Anderson uses the United States as an example. It is impossible for us to know all 310 million people READ MORE >

Random / 11 Comments
October 7th, 2010 / 4:12 pm

Plath & Hughes

Ted Hughes draft of "Last Letter"

Newly released by the British Library archive, and published in the New Statesman, Ted Hughes’ poem “Last Letter” recounts the three days leading up to his wife Sylvia Plath’s suicide, ending with the moment he is informed of it. Fervent Plath fans, of the kind who vandalized her tombstone to remove his name from its inscription, may or may not receive his anguish well, for he is commonly blamed for her suicide, given that their break-up (initiated by him) immediately preceded it.

It is dangerous when fans, readers, and critics meddle in the private lives of writers, for their biographies, poetry, and nonfiction are all a kind of fiction; we can never know them, let alone judge them, the way we can never know ourselves. For anyone who thinks words, of any sort, lead to truth, I say: look outside. It is odd how Ted Hughes can finally be vindicated, as if such a pardon was ever needed. He had a severely depressed wife who killed herself, much like Leonard Woolf, except the former was also famous, so more meaning was attributed, relished, to their drama. Biographies are highbrow soap operas.

READ MORE >

Web Hype / 46 Comments
October 7th, 2010 / 2:22 pm

“This feels great and you not feeling what I’m feeling is disturbing”

Over at We Who Are About To Die, Daniel Nester posted a letter from Nas to his label, Def Jam. MTV News spoke to an unnamed source from Nas’s “camp” who confirmed the letter: “”It was a personal e-mail,” the source said. “[The leak] wasn’t planned. It was not meant to be blasted out in the world, but we’re not upset about it.”” You should read the letter, which I feel maybe has some interesting relevance to so-called “indie lit.” And to even broader notions of privacy/publicity/social interaction/creative culture/cultural capital on the internet/feelings. I know less than most people about rap, so I don’t know how legit/awesome Nas is, but I feel like the letter is fun. Here are fun quotes:

“I could go on twitter or hot 97 tomorrow and get 100,000 protesters @ your building but I choose to walk my own path my own way because since day one I have been my own man.”

“People connect to the Artist @ the end of the day, they don’t connect with the executives. Honestly, nobody even cares what label puts out a great record, they care about who recorded it.”

“I have a fan base that dies for my music and a RAP label that doesn’t understand RAP.”

Random / 18 Comments
October 7th, 2010 / 1:01 pm

Ted Bundy on Writing

“The fantasy that accompanies and generates the anticipation that precedes the crime is always more stimulating than the immediate aftermath of the crime itself.”

“I don’t want to beat around the bush with you anymore. I’m just tired.”

“I’m no social scientist, and I don’t pretend to believe what John Q. Citizen thinks.”

“It was like coming out of some horrible trance or dream. I can only liken it to (and I don’t want to overdramatize it) being possessed by something so awful and alien, and the next morning waking up and remembering what happened and realizing that in the eyes of the law, and certainly in the eyes of God, you’re responsible.”

“I went down the road, throwing everything I had, the briefcase, out the window. Throwing the briefcase, the crutches, the rope, the clothes.”

“You take the individual we are talking about and then you subject him to stress. Stress happens to come randomly, but its effect on the personality is not random; it’s specific. That results in a certain amount of chaos, confusion, and frustration. That person begins to seek out a target for his frustrations. The continued nature of this stress this person was under — the nature of the flaw or weakness in his personality, together with other elements in the environment that offer him a logical target for his frustrations or escapes from reality — yields the situation we’re discussing. There is no trigger, it is truly more sophisticated than that.”

“Possessing them physically as one would possess a potted plant, a painting, or a Porsche. Owning, as it were, this individual.”

“I’m talking about going beyond retribution, which is what people want with me.”

“Countless millions who have walked this earth before us have gone through this, so this is just an experience we all share.”

“I just liked to kill, I wanted to kill.”

“It’s a moment-by-moment thing. Sometimes I feel very tranquil and other times I don’t feel tranquil at all. What’s going through my mind right now is to use the minutes and hours I have left as fruitfully as possible. It helps to live in the moment, in the essence that we use it productively. Right now I’m feeling calm, in large part because I’m here with you.”

Craft Notes / 11 Comments
October 7th, 2010 / 11:19 am

Geography Thursdays #1: The Rise and Decline of Detroit

Rotting building in Detroit, photo by Yves Marchand and Romain Meffre, from their Time Magazine series (click on the picture to see all the photos)

This is the first installment of a regular feature. Every Thursday, Lily Hoang and I will be bringing the news from the world of geography. First up is the most beautiful piece of writing about a city I have ever read — Rebecca Solnit’s “Detroit Arcadia,” which first appeared in Harper’s, but which now seems to be available through a link from the James & Grace Lee Boggs Center to Nurture Community Leadership. The thesis, or one of them, is that Detroit has completed the usually epochal life cycle of a major city, from rise to decline, in a hundred years:

After the Panic of 1893, Detroit’s left-wing Republican mayor encouraged his hungry citizens to plant vegetables in the city’s vacant lots and went down in history as Potato Patch Pingree. Something similar happened in Cuba when the Soviet Union collapsed and the island lost its subsidized oil and thereby its mechanized agriculture; through garden-scale semi-organic agriculture, Cubans clawed their way back to food security and got better food in the bargain. Nobody wants to live through a depression, and it is unfair, or at least deeply ironic, that black people in Detroit are being forced to undertake an experiment in utopian post-urbanism that appears to be uncomfortably similar to the sharecropping past their parents and grandparents sought to escape. There is no moral reason why they should do and be better than the rest of us, but there is a practical one. They have to. Detroit is where change is most urgent and therefore most viable. The rest of us will get there later, when necessity drives us too, and by that time Detroit may be the shining example we can look to, the post-industrial green city that was once the steel-gray capital of Fordist manufacturing. (Click here for PDF Full Text of Solnit Article.) READ MORE >

Random / 23 Comments
October 7th, 2010 / 7:59 am

Thinking About Indulgence

This guy. Yeah. This one.

A friend of mine sent me a link to this letter ‘To a Young Writer’ from Wallace Stegner (you know, the guy  that fellowship that rejects you every year is named after.) The letter is long and dire and occasionally overwhelmed me with anxiety. I mean, it’s a great read. No, really. Uplifting.

You write better than hundreds of people with established literary reputations. You understand your characters and their implications, and you take the trouble to make sure that they have implications. Without cheating or bellowing or tearing a passion to tatters, you can bring a reader to that alert participation that is the truest proof of fiction’s effectiveness. You think ten times where a lot of writers throb once.

And there is very little demand for the cool, perfect things you can do. You have gone threadbare for ten years to discover that your talents are almost sure to go unappreciated.

Ok, great! Pass the barbiturates, Wally! If you can get past the fact that (prepare for a news flash) you shouldn’t expect ‘literary’ fiction to earn you a fabulous living on it’s own, the letter raises some interesting questions. I’m just going to point out one that caught my eye.

For one thing, you never took writing to mean self-expression, which means self-indulgence…I speak respectfully of this part of your education because every year I see students who will not submit to it—who have only themselves to say and who are bent upon saying it without concessions to the English language.

One of my least favorite phrases is ‘self-expression.’ When people say they make art or write or sing or whatever to express themselves, I immediately stop listening to them. Someday I’ll be able to forgive this turn of phrase, but for now, I can’t help it. It’s a red flag. (Like ‘Work hard, play hard.’ Yuck.)

We speak a lot about books being ‘self-indulgent’ or ‘masturbatory,’ but less is said about things being too self-expressive. Good writing goes deeper than the self; it isn’t about you, in particular. It’s a hole that you dug through yourself using words like pick-axes until you reached everyone else, or at least a lot of other people. Which reminds me of that post that Mike Young put up the other day. I loved that post. (And it’s weird to realize that sometimes it’s a random blog post that sticks with you and not that one book you read months ago Who wrote it? What was it called? It was so… expressive.)

Random / 9 Comments
October 7th, 2010 / 7:36 am

Screensees.

1. See left. (an excerpt: Amsterdam Island, France-
Everyone who stays on Amsterdam for longer than a year is examined by a medical officer from the south of France to check that he is coping with the long period of restriction of movement and the confined, purely masculine environment. No woman has visited longer than two days. At night, the men gather in the small video room in Great Skua to watch one of the porn films from their personal collection. Each man sits in a row on his own. The loudspeakers emit grunts and groans, and the air is heavy with the musky scent of the bull seals.)

2. See fifty (unfairly forgotten films).

3. See the wheel turn (on Robert Jordan’s The Wheel of Time series).

4. See new money.

5. See # above, + hats.

Random / 3 Comments
October 6th, 2010 / 9:41 pm

Notorious B.I.G’s lyrics arranged in haiku form

Bashful Basho

On lifestyle and finances:

escargot, my car go
one sixty, swiftly
wreck it buy a new one

On childhood:

super nintendo, sega genesis
when I was dead broke
man I couldn’t picture this

READ MORE >

Author Spotlight / 17 Comments
October 6th, 2010 / 7:15 pm

Theme-drenched works can be damn suspenseful. Page-turner and mind-turner–concepts not mutually exclusive (no matter what the aisles of my grocery store say). My example is The Road, by Cormac the Withered. Yours?

Random / 8 Comments
October 6th, 2010 / 3:38 pm

Isaac Bashevis Singer in Carbondale, Illinois

Four years before he died, Isaac Bashevis Singer visited Carbondale, Illinois, at the invitation of the Southern Illinois University English Department, and on money mostly from the Honors College.  It must have been some visit. Both times I’ve visited SIUC for their Devil’s Kitchen Literary Festival, there was no after-reading bar talk that was entirely Singerless. In the introduction to the new Best American Short Stories, Richard Russo, who taught there at the time, relates Singer’s formulation of the purpose of literature (First, to entertain; Second, to instruct; and in that order, and that order only.) My favorite account of Singer’s visit is recorded by Rodney Jones, in his estimable poetry collection Elegy for the Southern Drawl:

The Limousine Bringing Isaac Bashevis Singer to Carbondale

Rodney Jones

A town is the size of a language.

In four more years he would be dead, but now, READ MORE >

Random / 4 Comments
October 6th, 2010 / 3:22 pm