sam lipsyte

It looks like Open City is closing its pages—a real shame. Issue 30 will be their last and it’s only $10.

5 required test of the status of the gouts of yellow snot of

11. I never understand what a translator must feel. To “guess” what word might represent the author’s intent. Like dancing about architecture or fucking about bowling parties, I’m sure. Here is a fascinating interview about translating Haruki Murakami.

55. At a thousand thousands, Sam Lipsyte reads Hob Broun.

5. There is no # 5. Ok, this: Taylor Swift is vacuous. So there is no # 5.

14444. Sean D. Kelly writes an essay about Scylla, blow-driers, Charybdis of religious delusion, the conditions of thigh chaffing and self-deception,  the dancer as the dance, and the anxiety and nihilism of George Michael/Nietzschean post-God secularism. Well done, sir. And worth your time. Click. Trust me.

7. Hey you opinionated cacafuegos. What makes bad writing bad? This is sharp blow glow. Watch:

httpv://www.youtube.com/watch?v=raWLS2_PEfI

There’s no rule that says you get steadily better.

I had a big Hemingway boner.

It’s pretty bad.

Author Spotlight & Massive People & Random / 1 Comment
December 10th, 2010 / 7:16 pm

{LMC}: Organizing New York Tyrant 3.2

I help to edit one magazine and I am the co-editor of another and I am not sure yet how one organizes such a thing, probably because I haven’t had to actually do it myself yet. The best analogue I know is mix CD’s, which I do make often, and about which I have many specific and strongly held opinions. What goes first in a mix CD? Well you want to put the strongest track first, but here “strongest” has a pretty specific meaning. It should probably be a pretty short song. It should be something with an impeccable sense of rhythm. It should be unbelievably entertaining, charismatic. It should leave the listener, though, with a certain yearning, a hunger for more. And it should also, at the same time, promise more. It should also perhaps be, as an opening gambit, unexpected, surprising. You don’t use the first track from someone else’s album, you probably don’t use the single. Some of these rules have easy analogues in literary magazines. Some do not.

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Literary Magazine Club / 5 Comments
November 1st, 2010 / 3:00 pm

Don’t forget: Tomorrow, Thursday May 27 at 9 PM Eastern (6 on the west coast) the amazing Sam Lipsyte will be doing a live streaming reading here on HTMLGIANT, from his new book The Ask, followed by a q/a. Please help us spread the word!

Next Thursday, May 27, Live Giants 5 w/ Sam Lipsyte

Mark your thing or whatever, as we’re superstoked to be hosting Live Giants 5 with the magnificent Sam Lipsyte, who will read from his home (or perhaps some surprise location) on May 27 at 9 PM Eastern, for his latest novel, The Ask. As usual, the live stream will be right here and free for all, with chatroom and q/a opened up to those who hang. See you there!

Author Spotlight / No Comments
May 17th, 2010 / 12:35 pm

NYers: April 6, Rumpus Party!


If you live in NY, you should not miss this. Look at that! Also, just announced, there will also be a first ever reading from the Sam Lipsyte Creative Ensemble.

The Rumpus folks have offered to give away a pair of tickets to a random Giant reader. If you live in town and can make it, comment and we’ll draw at random someone on Friday evening to get the goods.

Otherwise, tickets can be gathered here: http://www.highlineballroom.com/bio.php?id=1403

Contests & Web Hype / 26 Comments
April 1st, 2010 / 6:08 pm

You can read with Sam Lipsyte at a Rumpus event. All you have to do is write a piece of prose that uses a sentence from Sam’s new—completely awesome—novel, The Ask.

Sam Lipsyte interview by Paul Constant of The Stranger. It’s a good one. Q: This book in particular felt Elkinish to me. And I was wondering if you were thinking about him a lot when you were writing… A: Well, I think that his example is always with me. The notion of doing it with language—whatever you’re trying to do—of doing it with language and the example he set with his books is always with me. If you are in Seattle, Sam Lipsyte will be reading tonight at Neptune Coffee.

A Look at Sam Lipsyte’s The Ask, guest posted by Giancarlo Ditrapano

[The Tyrant writes in with thoughts on one of our most anticipated books of the year, Sam Lipsyte's The Ask. Here's Gian... - BB]

You got the new Lipsyte yet?  That’s weird. Why not? You bought what instead?  No you didn’t. Really? You really bought that? Were you Ex-Lax/Tampax-embarrassed at the counter when you bought that? You must have been.  I wish I could have seen you there holding that stupid, stupid book. I wish I were behind you in line so I could’ve coughed all over you, said excuse me, then started up a conversation about the book you were getting ready to buy.  I’d say I hadn’t heard much about the author (a lie) and then I’d ask if you knew anything about them. I’d laugh and laugh (on the inside). Then I’d ask why out of all these books are you buying this one.  You will probably have called over security by now so, hey, I’ll back off. But really. You shouldn’t have bought that. Take it back.  Trade it in for The Ask (can you even do that with books?).

Joking partly-aside, I’m sure whatever new book you bought is just great (I’m just trying out some dickish) but why not get another one?  Venus Drive, Sam’s first book, was a huge one for me.  I think I read DFW mention it somewhere, so I bought it, read it, fucking loved it, googled Sam, and that led me to an interview where he not only mentioned Lutz and Kimball and Michel but also Paley, Elkin, and Hannah, who were also unknown to me at the time. And it just snowballed from there. I had always just read “classics” up to that point, but paid closer attention to Faulkner and Conrad (both still my top major dudes). Sam was like my gateway drug to good indie-lit. And now I’m strapped in, begging like a bad kid, sucking anything they make me suck for the rare new good stuff.

Although I prefer Sam’s short stories to his novels (and this could be purely sentimental), The Ask is fantastic. Better than Home Land?  Yes, in its way. Better than The Subject Steve? That depends. There is so much gorgeous shit in that one. How it got overlooked is fucking confounding. How Sam can keep great humor so close to this Old World romantic poetry should be noticed more than it has been.  Like right here, when he’s fucking the cripple in The Subject Steve, he writes, “Compensation is not the word for what Renee does with her hands and her mouth to triumph over her dead half. I’ve discovered marooned colonies of feeling down there, too. We’ll lie under moonlight for hours, tell jokes, sing jingles, make puppets of our private parts. I’ll kiss her breasts, kiss the blue vein in one of them that must flow to her heart, a quiet river running through a church.”

That there is the shit I love love love.

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Uncategorized / 101 Comments
March 15th, 2010 / 11:08 am

Ways to Spend (a small part of) Your Weekend

image by Lori Nix, via Blood Milk Jewelry

Over at Boing Boing, Cory Doctorow gets around to reading Dan Ariely’s Predictably Irrational, a study of consumer behavior that challenges the “rational consumer” hypothesis. CD also links us to this NPR story on obsolete professions, such as switchboard operator, ice-deliverer, and “lector,” who is the guy hired by all the cigar workers in the factory to sit in the center of the factory floor and loudly read the workers left-wing newspapers and pro-union propaganda, so that everyone can better themselves and become less alienated from their labor. If this job ever makes a comeback, I want to do it! The NPR piece has photos of each profession and audio clips of very, very old people talking about when these things existed and they themselves–young then–did them.

Dennis Cooper is testing your sight recognition skills at a French wax museum. I already failed utterly.

The Rumpus asks: Would you like to write about poetry (for the Rumpus)?

Tell us about the last poem or book of poetry you loved, no length requirements. The best will be published right here in the blog. Send your entries to poetry-at-therumpus-dot-net.

They’re also looking for people interested in reviewing full-length poetry collections. But FYI: Stephen Elliott and I had a long conversation the other night about the problems with book reviews for sites like his (and ours); we are both highly suspicious of the kinds of “reviews” that read like press releases or protracted blurbs, because they don’t tell us anything we can’t glean from a blurb, which is two lines long instead of seven paragraphs. The site-meters prove that these pieces don’t get read or linked the same way that more incisive, interesting books-pieces do, so neither the book nor the review-author nor the site is benefiting. If you’re going to try and review some poetry for The Rumpus–which you absolutely should–be sure and give them some red damn meat to sink their teeth into–something we’ll want to link to after they publish it, something that tells me something about the book I couldn’t glean on my own from its Amazon page. Good luck!

NYTea Time: Lydia Millet loves on the new Lipsyte, and Laura Miller likes the new John Banville, but Allison Glock seems to like Tammy Wynette less after reading Jimmy McDonough’s new biography of the country star.

The life story of the fame/drug-addled brat is nothing new, but McDonough wants more than for us to appreciate Wynette, he wants us to like Wynette. Because he likes Wynette — a little too much at times. He writes a handful of chatty letters to his subject. Page 1 begins: “Dear Tammy . . . Don’t worry, I won’t spill all the beans — I can’t. There’s just too much about you that will never be resolved.” Putting aside the dubious choice to shoot your biography in the foot on the first page, writing mash notes to a dead woman is oddly creepy — and only grows more so as the letters pro­gress, one recounting a dream he had about her in which she wore “a yellow pantsuit and matching headband.” At another point he admits to having had “the hots” for her.

Yeesh. Also: A book about making moonshine, Sam Lipsyte answers Stray Questions, and Daniyal Mueenuddin won the Story Prize.

Random / 5 Comments
March 6th, 2010 / 1:30 pm

What’s Up, Rumpus?

Steve Almond, by way of elegy, offers up a reprint of a piece from his book Not That You Asked. “Heart Radical: The Strange, True Flight of Airships.”

So that’s what Airships was about for me: coming out of hiding as an emotionalist. Realizing that, amid the vanities and elisions of the Southern literary tradition, there was a deep, Christian possibility: that confession might actually cure, that love might act as a revolutionary force, that the chaos of one’s past and present, if fully experienced, might portend some glowing future.

Also, Sam Lipsyte interviewed by David Goodwillie.

Rumpus: Beyond the masturbation issues, Milo Burke is a real sad sack. He keeps fucking up, and he’s very aware of it, and yet he is trying. He’s not giving up on life.

Lipsyte: That’s right. I think you’ve got it. He’s got problems, but he’s definitely putting in the effort. It’s just not clear where the effort should be directed. He’s in over his head.

Also^2, Elizabeth Bastos shares the Last Book [She] Loved, which is The Brief Wondrous Life of Oscar Wao (WARNING: review includes spoilers).

Web Hype / 2 Comments
March 2nd, 2010 / 3:36 pm

Michael Kimball Guest Lecture #3: The Rough Parts

Here’s a quote from Rachel Carson: “The discipline of the writer is to learn to be still and listen to what his 
subject has to tell him.” I always read “still” as “sit still,” which makes me think of this quote from Harry Crews (via Opium): “Sometimes you need to affix your ass to the chair.” That is, sometimes, sitting down and doing the work can be the most difficult part of being a writer. Sometimes, it’s the other parts of life that get in the way. Other times, it is the fiction itself, how we think about the fiction at different points in the process.

So how does the writer get through the rough parts, the blank parts, the parts that we know suck? Virginia Woolf says it is determination: “It is worth mentioning, for future reference, that the creative power which bubbles so pleasantly in beginning a new book quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything.”

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Craft Notes / 37 Comments
February 15th, 2010 / 1:46 pm

Michael Kimball Guest Lecture #2: Keeping Going

So let’s say we have a great opening and maybe even a good idea or an interesting voice to go with it. Now what? How does the writer keep going? One of the things that has helped me keep going while I’m working on a novel is not thinking about it. That is, I try to not think about what I’m writing when I’m getting it down (the thinking, so to speak, comes later). For me, it’s just a voice speaking, a way of talking, and I’m trying to be receptive to it, open. I’m just trying to get from one sentence to the next sentence. Often, I do this by looking at the previous sentence—its syntax, the words in play, the acoustics of it—I’m thinking in these small ways, but not so much in bigger ways (say, story or plot or idea). I’m just trying to get material down, which is the hardest part for me. After that, after I have something to work with, then I feel like I can do something with whatever I have on the page. It’s the blankness that is difficult for me, filling in the blankness.

Here are some quotes from Sam Lipsyte, Gary Lutz, Joseph Young, and Blake Butler that discuss a similar process in somewhat different ways.

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Craft Notes / 78 Comments
February 4th, 2010 / 4:54 pm

NYers: Open City 28 Party

Yet another reason to be in NYC: next Tuesday’s Open City party, in celebration of their new issue (open bar and a copy with $10 entry), not to mention Sam Lipsyte’s new novel The Ask (also holiday-purchase worthy), and don’t forget their newest book, Rachel Sherman’s Living Room!

31Please join editors Thomas Beller and Joanna Yas for the 2009 Holiday Party to celebrate the launch of Open City #28

Featuring short readings by Jonathan Dee and Sam Lipsyte Tuesday, December 15, 7-9 p.m. (readings will begin at 8 p.m.) The Hi-Fi Bar, 169 Avenue A (between 10th & 11th), NYC $10 Admission (includes a copy of the magazine and open bar) Open City #28 features: Sophie Cabot Black, Jonathan Dee, Louis B. Jones, Gary Lippman, Sam Lipsyte, Miranda Lichtenstein (cover), Sarah Malone, Leslie Maslow, Michael McGrath, Ben Nachumi, Kevin Oberlin, Adam Peterson, James Schuyler, Dan Sofaer, Christopher Sorrentino, and Laurie Stone.

Mark your calendar!

Uncategorized / 8 Comments
December 8th, 2009 / 1:56 pm

Some Jews are OK?

Thanks to Tony O’Neill for the tip off: christwire.org calls Jonathan Safran Foer “A Jewish Star Christians Really Can Follow!”.

Some direct quotes from the article:

John Updike crowned Foer the genius voice of his generation, but sadly, the rest of that generation was off growing goatees and clicking around MySpace.

His soaring words put cruel and negative Jewish writers like Gary Shteyngart, Sam Lipsyte and Michael Chabon to shame. All they write about is chasing homely girls and how they lack the jocky virility to open a mayonnaise jar. Pathetic!

foer

Snap! Take that Lipsyte, ya hack!

Author Spotlight / 56 Comments
November 19th, 2009 / 2:29 am