I wasn’t surprised that my Monday post, which was ultimately about reading & applying some ideas from Viktor Shklovsky’s Theory of Prose, mostly generated conversation about Tao Lin and the New Sincerity. I knew that would happen even as I wrote it. So I thought I should take a post to clarify my thoughts on “the whole NS thing.” What follows will be a mix of fact and personal reflection.
Get out your diapers, sluts! PW weighs in with the top 50 MFA programs. My dad says this is totally out of whack with the actual parameters of what young thugs want in language learning these days. What are you to think? (click img for larger versions)
Before Rauan Klassnik joined the team here at HTML Giant, he did a little blogging in the realm of parody with a stream of posts that involved, in a semi-veiled way, the recently hotly discussed character of Seth Abramson.
Rauan provides the adventures of Sex Ableton.
They are pretty graphic, and obscenity laden, and freely riff of Sex’s wife and cock and etc, but also delve further, in the way much of Rauan’s work does, to larger ideas of identity, fucking, and, yes, love.
Here’s an excerpt:
She drops to her knees. Unzips him. There in the moonlight. In the corn.
And two hairless testicles pop out at her.
O, how cute, she exclaims, you wax!
But where’s the cock? she ponders.
And then it hits her: a house mouse cock!
O, My God she exclaims so loudly that the breath from the elongated twangy syllable she made of the word “God” swept over Sex’s balls and on to his tiny hidden cock. And it all tingles. Tingles like all the stars. All the stars crushed into a dot. A scorched waiting primordial dot.
It was as though the hand of God or some other great power or creature had touched them. He was petrified. Primary. Excited beyond the capacity of anything that measures. Mass or girth. Demons or Colin Firth.
For those still interested in the ALC/Fellner story, I spoke with Steve Fellner over the phone on Saturday. I want to share his side (with his permission) regarding why he took down the original post that vehemently condemned Seth Abramson’s MFA application consulting firm.
Recently, and just in time for the fall application season, Abramson Leslie Consulting opened for business with a domain registered to GoDaddy and a serious-looking website. The firm calls itself “the first-ever consulting firm designed exclusively for applicants to Master of Arts (M.A.), Master of Fine Arts (M.F.A.), and doctorate (Ph.D.) in Creative Writing Programs.”
Shortly thereafter, poet Steve Fellner posted a critique of Abramson Leslie Consulting(ALC), saying it “seems corrupt,” “is evil,” and “is pure greed.” C. Dale Young and Eduardo C. Corral, among others, linked to Fellner’s post.
Given the recent controversy here at HTMLGIANT, I have to say that what worries me about the Fellner thing is that, due to some “legal issues,” whatever those were, Fellner decided to delete his criticism of ALC; fortunately, this was an ineffective, though no less meaningful act, as the post is still widely available online (not Fellner’s fault). Thanks to Google, you may read Fellner’s post, titled “Why a Creative Writing ‘Firm’ May be the Most Unethical Entity in the Literary Community At Large,” in your Google Reader – simply follow Fellner’s blog, Pansy Poetics, and the post will show up in the feed. (Update: the Google cache snapshot is no longer accessible.) Here’s a tidbit from Fellner’s post, in which he questions the firm’s basic concept:
Or am I reading this “under construction” website wrong? Am I supposed to read this as a parody? As a satire of the idea that one should ethically manipulate their art to receive possible help from other poets and fiction writers? Is the firm also broadly mocking Kaplan Education Centers? Where students pay a tidy fee to improve their test scores? Where test scores are considered to be the measure of excellence? Is the firm ridiculing the inherent nature of MFA programs? That within colleges, institutions that offer grades, art is something that be measured and assessed with perfunctory, mechanical accuracy?
I’d really be interested to know more details on the legal issues behind Fellner’s removing his post.
Now direct your attention to the latest post about ALC at Seth Abramson’s blog. If you’d like to read the whole thing, go ahead. But I’ll just quote the last bit for you:
what we (the eight souls presently committed to ALC) are doing not only comes with a long line of precedent both within the poetry community and without, but adheres to our own–and any–standard of business ethics, personal ethics, and the ethics of being members of a community where just finding the community, i.e. a genuine sense of community, in the first place sometimes seems impossible. And with all the gossip and nonsense on the blogs these days–the non-reality-based analyses, the cruel attacks, the rubber-necking/flame-fanning, and the scurrilous presumptions and accusations–it’s no wonder a young writer would be looking somewhere other than the blogosphere for some help, advice, support, guidance, and honesty. Such things are in short supply these days, and those who try to give them don’t fare any better in the gossip mill, it sometimes seems, than those who sole contribution to this community is to do all they can to burn it down.
I have more to say on this, but haven’t the time to articulate it intelligently, so for now I’ll just leave it at that.
Feel free to discuss.