McSweeney’s Announces Sale, Makes Up Clever Word
In my (and probably your) inbox yesterday was this from McSweeney’s, bless their hearts:
M c S W E E N E Y ‘ S C R A Z Y
E X C E S S I V E
S A L E
Apparently something’s going wrong with the economy. An econopocalypse, we heard. Thus, we have put together an emergency bailout package for the book-buying public. Once again, almost everything on our site is half-off, or even cheaper, for just a few more days — soon it’ll be too late to guarantee Christmas delivery, so now is the time.
And once again, we’ve got everyone on your list covered. We’ve restocked the immediately beloved “What Happens in La Brea Tar Pits, Stays in La Brea Tar Pits” t-shirt, and we’ve piled high the stacks of Comedy by the Numbers for your insufficiently funny friends. For all the hungry nondenominational holiday-enthusiasts in your life, there’s Lemony Snicket’s Christmas story The Latke Who Couldn’t Stop Screaming, and for the impatient McSwys newcomer we’ve got the Instant Gratification Subscription. There’s lots more on the site, and everything’s cheap, so click here.
And still the bonus: if you order more than $60 from our site, you’ll get your choice of either Michael Chabon’s Maps and Legends or Nick Hornby’sShakespeare Wrote for Money, as a free reward. All you have to do is spend $60 (not including shipping); then, at checkout, find the promo code field and enter:
– MC01 if you want MAPS AND LEGENDS
– NH05 if you want SHAKESPEARE WROTE FOR MONEYMaybe you missed your chance before, or maybe you just want to stuff even more stockings. Either way, do not deny yourself these simple pleasures, the joy of giving and/or hoarding. Please go now: http://store.mcsweeneys.net.
The Second Crazy Excessive Sale ends this Friday.
Remember, here’s some more stuff to buy if you’re a Secret Santa.
Franz Kafka: The Diaries 1910-1923
Excerpt from Franz Kafka: Diaries 1910-1923
From the section called Memoirs of the Kalda Railway
Once a month, but always on a different day of the month, an inspector came to examine my record book, to collect the money I had taken in and – but not always—to pay me my salary. I was always warned of his arrival a day in advance by the people who had dropped him at the last station. They considered this warning the greatest favour they could do me in spite of the fact that I naturally always had everything in good order. Nor was the slightest effort needed for this. And the inspector too always came into the station with an air as if to say, this time I will unquestionably uncover the evidence of your mismanagement. He always opened the door of the hut with a push of his knee, giving me a look at the same time. Hardly had he opened my book when he found a mistake. It took me a long time to prove to him, by recomputing it before his eyes, that the mistake had been made not by me but by him. He was always very dissatisfied with the amount I had taken in, then clapped his hand on the book and gave me a sharp look again. “We’ll have to shut down the railway,” he would say each time. “It will come to that,” I usually replied.
After the inspection had been concluded, our relationship would change. I always had brandy ready and, whenever possible, some sort of delicacy. We drank to each other; he sang in a tolerable voice, but always the same two songs. One was sad and began: ‘Where are you going, O child in the forest?’ The other was gay and began like this: ‘Merry comrades, I am yours!’ It depended on the mood I was able to put him in, how large an installment I got on my salary. But it was only at the beginning of these entertainments that I watched him with any purpose in mind; later we were quite at one, cursed the company shamelessly, he whispered secret promises into my ear about the career he would help me to achieve, and finally we fell together on the bunk in an embrace that often lasted ten hours unbroken. The next morning, he went on his way, again my superior. I stood beside the train and saluted; often as not he turned to me while getting aboard and said, “Well, my little friend, we’ll meet again in a month. You know what you have at stake.”
Kathryn Regina’s AS I SAID
New from Publishing Genius‘s THIS PDF Chapbook Series: Kathryn Regina’s AS I SAID…
Kathy is one of my favorites. I can’t ever remember reading something by her that didn’t invoke light and often make me laugh. She is the real thing, and this new one is something to be savored. I am going to order the print version so I can really dig in on it fully. Go.
December 9th, 2008 / 11:22 pm
Robot Melon wants your sentences
This from Stephen Daniel Lewis:
ROBOT MELON is opening special submissions for issue eight.
Issue eight will be smaller in comparison to other issues. We are asking people to send one sentence, or a few sentences focused intently on language. Make it interesting, think economy of words, think diction.
We will take the words we choose and do something with them involving jpegs and various Kansas locations. Yes we will be messing with what you send and you will have little say about it.
We’ll accept sentences for issue eight until December 21st. But keep sending sentences after that date if the sentences are magnificent.
Think you’re a ‘master’ of the sentence? An ‘innovator’? A ‘crank-turner’? A ‘hhsfjadfg;kjadg’?
Write a sentence and send it.
December 9th, 2008 / 7:56 pm
Writing to Music
Do you write to music? I used to constantly, I thought what I was writing to a large part affected what I write. Now I find it pretty hard to concentrate in anything except total silence.
When the mood strikes me, though, I think my most common writing soundtrack is Fennesz. I wrote a lot of my novella to Fennesz, as well as a lot of the recent things I’ve been working on. ‘A Year in a Minute’ seems a perfect backdrop to me. I often find that ambient music with no beat and/or layers and for certain no words, is vital to me to writing.
I’ve also written quite a bit to Fantomas’s hour+ 1-track album DELIRIVM CORDIA. The panic house of collage and weird sounds that it compiles is a great thing to rub off of, at least if you’re writing about nausea and babies and crap.
Here they are performing a section of it live (the record is much different but the video is cool):
MEGA BONUS LITERATURE MUSIC TREAT: Gian sent this super sex mash up he made of Dr Dre vs. Dylan Thomas. I always knew Dre had it in him.
Download: DRE VS DYLAN
There’s a Christmas present for ya, courtesy of the Tyrant.
Anyway, I am curious: what do other people write to?
i like SOREN KIERKEGAARD a whole bunch
soren kierkegaard was a philosopher in the eighteen hundreds who didn’t think he was a philosopher. i read “the sickness unto death” “either/or” “philosophical fragments” “the concept of dread” “fear and trembling” “repetition” “concluding unscientific postscript” “the attack on christendom” and “the modern age.” i think my favorite of his books is “the sickness unto death.” i have read it probably eight times and every time i read it i still pause in between every few pages and do like, a little air guitar solo thing that represents how much i like what i am reading. one time i was on a train to new york and i was reading it and a man who called himself “the gay rabbi” came up to me and started hitting on me. he called me a skinhead when i ignored him and then he started hitting on this goth kid in the next seat and the goth kid kept threatening to “beat the shit” out of the gay rabbi. the only things i vividly remember from that trip were “the sickness unto death” and the scab on the end of the gay rabbi’s nose. i think that along with “beyond good and evil” and “being and time,” “the sickness unto death” is the most important, concretely applicable book of philosophy i have read. my favorite smaller piece of writing from soren kierkegaard is called “what says the fireman?” if kierkegaard were alive today, i feel that he would be the character in a frat movie that is smart and for some reason helps out a group of kids that are considered rejects but then he would become terrified at how much he is failing as a christian.
I like Howards End a lot
I wouldn’t say “I like E.M. Forster a lot” because I was not thrilled by his other books, it’s just that Howards End was really good.
I usually have trouble with English novels because the whole ‘class’ thing is so beyond/behind me. Everybody says Evelyn Waugh is great, but I tried his books a number of times, and gave up mid-way. It’s clever, but not haha funny. I can’t comment on Henry James because it’s too dense for me. I have a feeling it’s really good, but I just don’t get it. But Howard’s End was so surprisingly ‘modern’; I felt throughout the entire book, ‘wow, this is really good and exciting.’
More after the break…(I hope I’m doing it right, first time…)
Massive People (6): Cooper Renner
Knowing of the existence of Cooper Renner in the world makes me feel a little better a lot of days. For all the baggage that comes along with certain types of figureheads or editors, Cooper is not only one of the quickest and most likable sorts of people around, he also has carried the aesthetic of the online lit journal elimae into a benchmark not only for great online writing, but for post-Lish, sentence-driven new work. Elimae, created and launched by Deron Bauman, has been under Renner’s care since the end of 2004, and continually updates once each month with slews of the new. Cooper also is involved with Ravenna Press, who has released books by Kim Chinquee, Norman Lock, Brandon Hobson, and many others important language-driven authors.
In addition to all this, Cooper is also a writer doing the new, with a recent book out of his own poems, Mosefolket, some of which appeared in Lish’s the Quarterly.
A truly massive person (fit in a small frame) I talked to Cooper about a lot of the above, including his editorial leanings, correspondences, future works, and so on.
1. You were in the Quarterly years ago and I believe had mail correspondence with Lish at points? How did his enterprise or presence or etc. affect you as a writer? Who else has affected you?
I am still in contact with Lish. In fact I had a postcard from him either yesterday or Monday. We write back and forth pretty much all the time. I’ve talked to him a few times on the phone, but we’ve never met in person. Most of our contact is on the page. Gordon and Deron Bauman are the two folks who really showed me how to edit my own stuff, zeroing in on the strong language rather than what I ‘wanted to say’. They taught me how to divorce any sociological idea of content from the artistry of how the words work.
More after the break…
2 Huge Newses from Small Anchor Press: SALE on Books You Can Buy; And the Release of Another Book Which You CAN ONLY FIND IN THE WILD
PART 1: HOLIDAY PRESS SALE
Because we need literature in this recession
Dear Patrons,
Close to Home by Joshua Furst
Start Here by Betsy Wheeler
The Viral Lease by Mathias Svalina
X^2/Y=0, but Potential Energy Still Remains by Jake Severn
Two Tribal Stories by Joshua Cohen
Olivas Road EP (songs by V.C. Massimo)
*Sale does not include Mike Heppner’s Talking Man
12/01/08
Mike Heppner and Small Anchor Press announce Man, the third in a groundbreaking series of four novellas by Mike Heppner released in multiple formats in 2008 and 2009.
Man cannot be purchased anywhere, nor can it be read on-line. Instead, five hundred copies have been left in random locations across the country. Readers will be asked to read the novella and send an email through mikeheppner.com, telling about themselves, where they found Man, and what they thought of it, even if they didn’t like it. These comments will then be posted on mikeheppner.com.
Go to mikeheppner.com to see a PDF of the note included with each copy of Man.
The four novellas in the Man Talking series are Talking Man, Man, Man Talking, and Talking.
Man Talking can be read for free and in its entirety at mikeheppner.com. It has received nearly three thousand hits since being posted in April 2008.
Talking Man can be purchased exclusively from Small Anchor Press, a New York based independent press specializing in limited editions of finely crafted, handmade books. A first edition, published in September 2008, has nearly sold out, and a second edition is planned.
Talking will be released in early 2009.