Catherine Lacey

http://www.catherinelacey.com/

Catherine Lacey is a 2012 NYFA Fiction Fellow. She has published work in The Believer, The Atlantic.com, a Harper Perennial's 40 Stories, Diagram and others. She writes for Brooklyn Magazine rather often and is a founding partner of 3B, a cooperatively operated bed and breakfast in downtown Brooklyn.

Interview: Stephen O’Connor

I don’t know why you don’t already know and love Stephen O’Connor. He has never before been mentioned on this blog and for that I am trying to make amends.  He’s published two collections of fiction and two works of nonfiction and the most recent is Here Comes Another Lesson, a collection of short stories that will just split you open in so many ways.
Here, go read his story “Ziggarut.” It was in The New Yorker but it’s completely unlike your typical New Yorker story– the main character is a Minotaur and, well, you should just read it. The interview below was conducted over email a week ago.

Catherine: What one attribute (or attributes) do most (or all) of the characters in Here Comes Another Lesson have in common? (Feel free to answer this question by inverting it.)

Stephen: One of the things that has most disconcerted me about my books is that almost everything I have written — fiction or nonfiction, realistic or not — tells the same story about a character who tries to do the right thing and fails. In my memoir about teaching in the public schools, Will My Name Be Shouted?, I am that character. In Orphan Trains, a nonfiction account of a controversial 19th century child welfare effort, Charles Loring Brace is that character. But this character also appears over and over again in Here Comes Another Lesson, just as he (or she) also did in my first collection, Rescue. He’s the Minotaur in “Ziggurat,” the Iraq veteran in “White Fire,” Charles in the “Professor of Atheism” stories, and so on. The reason I am disconcerted is that I never set out to write about this character, and only find out that I have after the fact…. READ MORE >
Author Spotlight / 7 Comments
October 20th, 2010 / 11:03 am

Yesterday the 20 nominees for the National Book Award were announced. 13 of them were women and none of them were Jonathan Franzen. All bets are off!

Hey, dreams, I dreamed you. I’m not something you curb a dog for.

There’s this guy I know who was raised by professional clowns in New Mexico. When we met seven years ago in New Orleans I was terrified of him but now he can be counted on to bring things to my attention that I would have otherwise missed, like this passage from the introduction to The House of Blue Leaves by John Guare.

I’m right here in the heart of the action, in the bedroom community of the heart of the action, and I live in the El Dorado Apartments and the main street of Jackson Heights has Tudor-topped buildings with pizza slices for sale beneath them and discount radios and discount drugs and discount records and the Chippendale-paneled elevator in my apartment is all carved up with Love To Fuck that no amount of polishing can ever erase. And why do my dreams, which should be the best part of me, why do my dreams, my wants, constantly humiliate me? Why don’t I get the breaks? What happened? I’m hip. I’m hep. I’m a New Yorker. The heart of the action.  Just a subway ride to the heart of the action. I want to be part of that skyline. I want to blend into those lights. Hey, dreams, I dreamed you. I’m not something you curb a dog for. New York is where it all is. So why aren’t I here?

READ MORE >

Excerpts / 10 Comments
October 13th, 2010 / 8:07 am

Thinking About Indulgence

This guy. Yeah. This one.

A friend of mine sent me a link to this letter ‘To a Young Writer’ from Wallace Stegner (you know, the guy  that fellowship that rejects you every year is named after.) The letter is long and dire and occasionally overwhelmed me with anxiety. I mean, it’s a great read. No, really. Uplifting.

You write better than hundreds of people with established literary reputations. You understand your characters and their implications, and you take the trouble to make sure that they have implications. Without cheating or bellowing or tearing a passion to tatters, you can bring a reader to that alert participation that is the truest proof of fiction’s effectiveness. You think ten times where a lot of writers throb once.

And there is very little demand for the cool, perfect things you can do. You have gone threadbare for ten years to discover that your talents are almost sure to go unappreciated.

Ok, great! Pass the barbiturates, Wally! If you can get past the fact that (prepare for a news flash) you shouldn’t expect ‘literary’ fiction to earn you a fabulous living on it’s own, the letter raises some interesting questions. I’m just going to point out one that caught my eye.

For one thing, you never took writing to mean self-expression, which means self-indulgence…I speak respectfully of this part of your education because every year I see students who will not submit to it—who have only themselves to say and who are bent upon saying it without concessions to the English language.

One of my least favorite phrases is ‘self-expression.’ When people say they make art or write or sing or whatever to express themselves, I immediately stop listening to them. Someday I’ll be able to forgive this turn of phrase, but for now, I can’t help it. It’s a red flag. (Like ‘Work hard, play hard.’ Yuck.)

We speak a lot about books being ‘self-indulgent’ or ‘masturbatory,’ but less is said about things being too self-expressive. Good writing goes deeper than the self; it isn’t about you, in particular. It’s a hole that you dug through yourself using words like pick-axes until you reached everyone else, or at least a lot of other people. Which reminds me of that post that Mike Young put up the other day. I loved that post. (And it’s weird to realize that sometimes it’s a random blog post that sticks with you and not that one book you read months ago Who wrote it? What was it called? It was so… expressive.)

Random / 9 Comments
October 7th, 2010 / 7:36 am

The next time you’re in Brooklyn…

Hey people who don’t live in New York.*  Yeah, that’s right, you people. There is something happening in Brooklyn that I want you to be a part of. This week I started a business called 3B. It’s a bed and breakfast that I have been renovating with 7 others this summer and now we’re officially  o  p  e  n  .  .  .   .  Amy McDaniel and Alban Fischer both booked weekends for this month and Adam Robinson is threatening to show up with his band. I am excited about all of these people because talking in real life is awesome. FYI: All rooms will be goddamncheap til November 15, when we open our lounge and kitchen. After November 15, I will be giving all Giant-readers a deal, especially if you’re a writer on tour or coming here for writing-related stuff. Even without a discount we are ridiculously cheaper than anywhere else in Brooklyn that isn’t shady and dank and inconvenient. (And our place is really nice and we bring you breakfast and coffee in the morning.)
Also, by staying here you’ll be directly supporting the stories, music, poems, essays, buildings, etc that my roommates and I make. Everyone wins. (And if you’re considering a move to Brooklyn (and who isn’t?) we have good monthly and weekly rates if you need a place to land before finding an apartment.)

*People who live in New York: send us those out-of-towners who keep showing up on your couch!

Random / 18 Comments
October 5th, 2010 / 9:21 pm

Ghost Writing

heroofswitzerland.blogspot.com

I’ve known a few writers who ghost write young adult novels for money which has always seemed both enticing and repulsive. On the one hand it seems like it could be really freeing and fun to work inside the constraints they give you (Nerd/vampire superhero lesbian coming of age story in post-apocalyptic Los Angeles– GO!) and under a pseudonym, but on the other hand I wonder if it would be too draining for how little money you might earn. Has anyone had any experience with it? Would you take a ghost writing job if someone offered it today? How much would you want to earn for it to be worth it?

Craft Notes & Random / 21 Comments
September 24th, 2010 / 12:55 pm

Public Relations

In Cambridge, Massachusetts they’re printing yoga poses on their parking tickets to remind that double-parked undergrad what she learned at Equinox last weekend and to baffle/enrage the guy who just drove daddy’s beemer into a speed trap. I guess the police are getting sensitive about their image because someone started a yelp page reviewing the Cambridge Police Department and it only got four stars from the guy who went there this summer to register his handgun, because, you know, yoga only gets you so far. But they’re going to earn that fifth star, goddamn it.

PR is important, we know. A roommate told me last night that the Washington State Department of Tourism motto used to be “Whaaa?” and even though he thought that was ridiculous, I thought that was appropriate. It says: “Washington– Pot smoking is totally OK here.” READ MORE >

Random / 1 Comment
September 23rd, 2010 / 9:25 am

Friends, ‘Friends,’ and Book Reviews

by natalie Dee

I live in Brooklyn which means I can’t even leave the house without twisting my ankle as I trip over an author, often one whose book is already on my shelf. Just yesterday this guy was asking me if I had any spare change and I said, “Wait isn’t this you?” and held up the book I was reading. He just blushed and ran away. They are a timid species.

This would be a happy problem if I had just remained a reader and writer, but I started reviewing books last year and recently I got an assignment from Time Out New York to review Tao Lin’s newest, Richard Yates. READ MORE >

Random / 311 Comments
August 25th, 2010 / 9:10 am

Dickens: Unhappy.

Childhood: Happy or Unhappy?

Quick question: What writer would you want to see another edition of 10 sentences with?