Justin Taylor is the author of the story collection Everything Here Is the Best Thing Ever, and the novel The Gospel of Anarchy. He is the editor of The Apocalypse Reader, Come Back Donald Barthelme, and co-editor (with Eva Talmadge) of The Word Made Flesh: Literary Tattoos from Bookworms Worldwide. With Jeremy Schmall he makes The Agriculture Reader, a limited-edition arts annual. He lives in Brooklyn.
Did you read these two pieces at the Poetry Foundation about the prize-winning poet whose prize-winning poems about Hurricane Katrina were mostly stolen verbatim from narratives by the non-prize-winning people who actually suffered through the storm and its aftermath? The first piece is by Abe Louise Young, proprietor of Alive in Truth, the site from which the narratives were taken. The second piece is by Raymond McDaniel, the poet who made use of them, and in it he discusses his process of composing the book and attempts to contextualize and justify said use. Both pieces are interesting, though I think that McDaniel’s is most notable for its defensive tone and refusal to deal directly with the concerns raised about his work. I’d be interested to hear what people think about this, though I want to offer the following caveat: anyone who types the words “Kathy Acker” or “David Shields” in re this is a fucking asshole. There I said it.
Another good piece on the late lamented Frank Kermode- “The Literary Critic as Humanist” at Slate.
There’s a new William Deresiewicz piece at The Nation. It’s about Javier Marias.
Franz Nicolay and Peter Bognanni talking to each other. That’s good.
Tao talks dirty at Thought Catalog. “I remember focusing on doing things with my fingers in a manner I felt would be conducive to her orgasming.” Me too, ‘bro.’
David Backer on Shane Jones: It made me write this in the margin on page 26: “it’s as if we can occupy a fantasy world of two-dimensional humanity hoping that truth will come to us. we sit and read literature like this as if we’re eunuchs in some feudal court, prancing around with velvet clothes and bells attached to our shoes trying out-somersault one another while beyond the windowless walls of the castle billions of people live dynamic and variegated lives, in many cases suffering at our expense.”
Paste magazine has suspended print subscription (read=folded) but their website seems to still exist, and may continue to exist. Fingers crossed.
Oh and hey, did you hear the one about the lunatic who took people hostage at the Discovery Channel headquarters? Well, he’s dead now, but his website lives on. Apparently his main demand is for “daily television programs at prime time slots based on Daniel Quinn’s “My Ishmael” pages 207-212 where solutions to save the planet would be done in the same way as the Industrial Revolution was done, by people building on each other’s inventive ideas.” Wow. Anything that starts with Daniel Quinn is going to end poorly; just saying. Read the rest savetheplanetprotest.com.
Hey, let’s just do this once, okay? This picture was emailed to me by the journalist and photographer Alberto Riva, a man I’ve never met. It came with this note- “Hi Justin – I just read your book on a beach in Corsica, and I thought you might like to see a photo.” You thought right, Alberto, and thanks! Alberto’s got a website, and there’s some great stuff on there, including these images of New York, and a talk about photography with Lou Reed.
Matthew Simmons invited me to talk Apocalypse for Hobart. Our conversation is now live (and has been for a while, but I’ve been lazy/away).
I wrote an essay for the “Selling Shorts” series at Beatrice.com on “The Crazy Thought” by David Gates.
I gave this reading list to InDigest magazine.
I participated in a series called “The Great American Novel: An Honor Roll of Fallen Genres.” This is is in the new issue of Canteen (#6) which is available now or very soon. My response is not online, though Tao Lin’s is. Speaking of which, keep an eye peeled for the September Bookforum, which will feature a review of Lin’s latest by local favorite Joshua Cohen. Worlds collide! I’ve got a piece on Matthew Sharpe’s You Were Wrong in the same issue.
And last but not least, all of Brooklyn hails the return of Drew Toal, former Time Out (New York) books guy, erstwhile contributor to this blog, once and future roommate of yours truly–all his shit is in the living room and he is nowhere to be found. Now I am going to go and drink his beer. (UPDATE: That turned out to not be Drew’s beer.) Welcome home!
And to everyone else, thanks for bearing with. We won’t be doing this again anytime soon.
On Sunday, August 15, 2010 Eva Talmadge and I shot a book trailer for our forthcoming photo-anthology, The Word Made Flesh: Literary Tattoos from Bookworms Worldwide. First we spent a couple of hours with our videographer, Dev, at Eva’s apartment. We answered some questions, tried not to cut each other off too much, and did an impromptu scrounge of Eva’s library for books that inspired tattoos included in our book. I guess we found about two dozen. Then it was off to the legendary Fineline Tattoo on 1st Street and 1st Avenue. Fineline is the longest continually running tattoo shop in New York City, with a history that goes back into the underground days when tattooing was still illegal in Manhattan. Eva and our agent, Brandi Bowles, got themselves some literary tattoos from Mehai Bakaty, the son of Fineline founder Mike Bakaty and a worldclass tattooist in his own right. (I had initially promised to get inked, too. Needless to say, I bailed.) The trailer itself should be available sometime in the next couple weeks, but in the meantime I offer the following photo gallery- a preview of the preview, if you will (please do).
On her Facebook page The Housing Works Blog, Rachel Fershleiser asks: Which authors’ next books are you sure to read whether or not the subject matter interests you at all?
August 9, 2010 is the fifteenth anniversary of the death of Jerry Garcia. My favorite biography of the Grateful Dead is Sweet Chaos: The Grateful Dead’s American Adventure by Carol Brightman. There’s also the Complete Annotated Grateful Dead Lyrics. There’s also Rolling Stone magazine’s Garcia book, and Dark Star: An Oral Biography of Jerry Garcia which seems to have just been republished by something called Plexus Press. For those of you who would rather mark the occasion with listening than with reading, I heartily recommend any (read=all) of the following:
Don’t Let Go – a great double live comp from ’76; highlights include “I’ll Take a Melody,” “Sitting in Limbo,” and the gospel triple-shot that rounds out the second disc: “My Sisters and Brothers,” “Lonesome and a Long Way from Home,” “Mighty High”.
The Grateful Dead – Road Trips Vol. 3 No. 3 (May 1970) – I wrote about my love for this most recent GD Productions release here last month.
Jerry Garcia and John Kahn live at Marin Veterans Auditorium 2/28/86 – What can I say? Single disc acoustic gem.
Workingman’s Dead, which btw turns 40 this year
Garcia Plays Dylan – a wonderful two-disc study of JG’s incomparable Dylan covers. “Visions of Johanna” alone is worth the price of admission, but don’t miss “Tough Mama” and, you know, all the rest of it.
And hey, as long as we’re getting into this–people who have read my short story “The New Life” might remember that at one point Brad buys his friend Kenny a Grateful Dead live release for his birthday. The release is 2/11/69 live at the Fillmore East, and I am happy to report that you can download the two-disc set directly from the Dead website for a measly $12.99 (or more depending on your chosen quality/format).
The historian and critic Tony Judt died this weekend from complications related to Lou Gehrig’s disease (ALS). He was 62. From the obituary in the Times.
An impassioned left-wing Zionist as a teenager, he shed his faith in agrarian socialism and Marxism early on and became, as he put it, a “universalist social democrat” with a deep suspicion of left-wing ideologues, identity politics and the emerging role of the United States as the world’s sole superpower.
[…]
“Today I’m regarded outside New York University as a looney-tunes leftie self-hating Jewish communist; inside the university I’m regarded as a typical old-fashioned white male liberal elitist,” he told The Guardian of London in January 2010. “I like that. I’m on the edge of both, it makes me feel comfortable.”
There’s a wealth of links on the obit page to articles by and about Judt. I recommend “Israel without Cliches” (6/9/10). Also, here are excerpts from Judt’s most recent book, Ill Fares the Land at the NYRB and at the Times. Here’s all of Judt’s NYRB work (not sure how much is accessible without a subscription). Also check out “Bush’s Useful Idiots” from the LRB. And here’s an interview with Marc Tracy at Tablet, and another on Fresh Air about living with ALS.
Just about one year to the day (7/24/09) from when the idea was launched from this very blog, The Word Made Flesh: Literary Tattoos from Bookworms Worldwide is an imminent reality. The book–a full-color photo-anthology co-edited by Eva Talmadge and yours truly–will hit stores in October. You’ll be hearing plenty more about it then (we hope), but in the meantime I wanted to let folks know that we now have a website up and running at tattoolit.com. The site–which is primarily a tumblr–updates daily with re-blogs of literary tattoos from around the web that we find, literary quotations that seem like they might be worth writing on your body forever, and in the future will also have some previews/excerpts from the book itself, a book trailer, and whatever else we think of. You can also follow TattooLit on Twitter (the Twitterfeed streams to the website, but please don’t let this stop you from following it). Also^2, there’s the Facebook page. Also^3, even though the book is finished, we’d be glad to post a picture of your literary tattoo on any and all of the above-mentioned, so if you have one or are getting one, please feel free & encouraged to send them our way.