Reconsidering Existential Texts in a Mario Broian Context

The Fall of Man’s vector is of course down, a direction consistent with our tiered notion of heaven and hell, the latter’s visceral intuition made more compelling by natural physical laws, that is, the acceleration of gravity precluded by the surface on which its falling object lands. Though we never hear Mario land some 60 ft. below, breaking all his bones and liquifying his internal organs, his final breaths squeaking through paralysis. He simply dies — or rather, his death is commemorated by his very reincarnation — before he actually dies, before we hear his cries. One could offer, however, that the pit never ends, towards the core of the earth it falls until upward again and out the other side. Camus’ last novel (a) The Fall, claimed by Sartre to be “perhaps the most beautiful and the least understood” of his books, amounts to a long-winded dramatic confession that one Clamence tells to a stranger,  presumably at a bar or cafe. READ MORE >

Random / 5 Comments
February 11th, 2012 / 3:34 pm

{LMC}: Comfort in the Labyrinth

I was not terribly familiar with the literary magazine scene when I first read Versal magazine, so I have to admit I was somewhat astonished with its contents. Just beyond the beautifully crafted cover the labyrinths of Borges used the dead ends of Lynch, and the absurdity and refined metafiction of Flann O’Brien morphed and distorted the images on display. It was obvious that Versal had a deep respect for the innovators of the fiction craft. However, the modernity of the stories, their own innovation, showed that they didn’t define the magazine.

I knew I wanted to work with Versal after finishing the first couple of stories inside, and with that desire I had a lot of expectations of what was necessary for my participation.

My relationship with Versal started when I moved from London to Amsterdam. Eager to get involved with the local literary scene in any way possible, I joined a workshop run by the Versal editors. There I met Megan Garr, founder of the magazine. We found we had a lot in common. After several months of drinks, meeting a social events and climbing together (Megan is an excellent boulderer) I asked if I could join the editorial team. She kindly said yes.

READ MORE >

Literary Magazine Club / 1 Comment
February 11th, 2012 / 2:00 pm

Don’t Write a Novel

You can always take notes, Houellebecq had told him when talking about his career as a novelist, and try to string together sentences; but to launch yourself into the writing of a novel you have to wait for all of that to become compact and irrefutable. You have to wait for the appearance of an authentic core of necessity. You never decide to write a novel, he had added; a book, according to him, was like a block of concrete that had decided to set, and the author’s freedom to act was limited to the fact of being there, and of waiting in frightening inaction, for the process to start by itself.
–Michel Houellebecq, The Map and the Territory
Power Quote / 20 Comments
February 10th, 2012 / 5:18 pm

Reviews

The Tension of the Likable Unlikable

Treasure Island!!!
by Sara Levine
Europa Editions, 2012
172 pages / $15.00 Buy from Powells

I love unlikable characters. In the fictional world, I want bad people to get away with doing bad things. I want the serial killer to slip into the night or live happily never after. One of the reasons I love American Psycho so much is the methodical and unwavering way Ellis portrays Patrick Bateman as an unrepentant psychopath who is as interested in the right restaurant reservation as he is in committing sadistic acts. It’s all very unpleasant (or it isn’t) but the writing is such that it is easy to be as fascinated as you might be repulsed.

I love finding writers who can hold the reader in that complicated tension where you like the unlikable character.

READ MORE >

5 Comments
February 10th, 2012 / 1:00 pm

Chance and Attention

Ideally what happens in creative writing classes is less different from the way we write on our own than academic trappings and the rituals of workshop™ might make it seem. We’re hopefully reading widely and intently regardless, developing a personal canon and an ear for line-level nuance, an eye for overall shape. We identify techniques, try them out, learn to recognize our failures, and move on. We do most of this on our own, and presumably want to.

While planning the introductory poetry and fiction class I taught last fall at UMass, foremost in my mind was how in classes I’ve taken, discussions led me to my own variations of terms or techniques, either right then while class went on around me, or later over texts whose formerly mystical workings became suddenly plain. Happy accidents—the confluence of readings, instructor, classmates, beverages caffeinated or alcoholic. In each instance, class was only the primer. The instructor didn’t know what proved important for me; I don’t know what others in the class might have fastened onto. And each instance occurred during craft study, not in workshop.
READ MORE >

Craft Notes / 5 Comments
February 10th, 2012 / 12:00 pm

Pull Up!

I was watching a small child play indoor soccer and honestly it had its moments but I was feeling that inevitable weight, boredom. I mean the kid was falling down, sort of tumbling, and I just wasn’t feeling that, so I walked about a block in a type of cold, hard rain (like smoke on the sidewalks) and across two streets and into the library. I selected a novel by James Salter. It was one of those old yellowing hardbacks that smell like my grandmother’s hallway where she used to keep a bottom drawer of ‘toys’ for when the kids dropped by. (The toys were a wooden block, a rock, an ancient, battered lunchbox, and one leather shoe.) I love those types of books. And it was about rock climbing and lyrical and plot-driven, as is often the way with Salter and, you know, reading is odd, some odd, inevitable chain—this book leads to this book leads to—and I started thinking about fighter pilots (Salter was one) and way leads to way and I finished Salter’s wonderful little novel and got online and bought Once a Fighter Pilot…by Jerry W. Cook. This was a mistake.

You ever been in a conversation where the person finds out you write (Oh Jesus, here we go…) and they cough up some variation of, “Yeh I’m going to write a book when I get the time.” Hmmm…that sort of gives me mixed feelings. I first think, Fuck off. But that’s just a harsh thing that kicks in. I relax and think, “Go right ahead” in this sort of drawl-type thinking, still a tinge of acid. One time over beers my recently retired dad, a dedicated and experienced organic gardener, said “I should write a book about my life as an organic gardener.” I answered, “Good idea. Bring me the first three pages tomorrow.” He did not. Another response I feel is, “Just because you have material doesn’t mean you have a book.” Or I might think, “When you get the time, why not try brain surgery, too?” I have other responses but I’m rambling and I wanted to get to my point: not everyone should write a book.

I should have known. There were warning signs:

READ MORE >

Craft Notes & Random / 5 Comments
February 10th, 2012 / 10:30 am

The Milan Review of the Universe

The Milan Review’s second issue is out, and of course it is gorgeous. And if you’re in New York, there’s a party for/with it (featuring Seth Fried, Robert Lopez, Lynne Tillman, Tim Small).

The issue features writing from Iphgenia Baal, Amie Barrodale, Chiara Barzini, Blake Butler, Matthias “Wolfboy” Connor, Seth Fried, Amelia Gray, Shane Jones, Robert Lopez, Clancy Martin, Francesco Pacifico, and Lynne Tillman & art from Massimiliano Bomba, Carola Bonfili, Milano Chow, TJ Cowgill, Joe DeNardo, Francesco de Figueiredo, Roope Eronen, Frédéric Fleury, Christy Karacas, Taylor McKimens, Brenna Murphy, and Toony Navok.

I Like __ A Lot / 6 Comments
February 9th, 2012 / 9:47 pm

The Remaining Lost Poetry of Slash Lovering

Here are the Seattle-based poet’s remaining works, from the CD-R he gave me before his tragic death at age 38. More on Slash in my first post on him here. His graphic web-based poetry continues to inspire me – both for its raw emotion and for its quietness and grace.

READ MORE >

Author Spotlight / 22 Comments
February 9th, 2012 / 12:33 pm

On Starting Things

I’ve started something new. I guess I’ve been in the “starting” phase for months now. Every time I start though, I forget what beginning feels like. I forget how to write a novel. There is a process of re-learning. How many novels does one have to write before she understands the process?

The disheartening moment when I open a document – Document1 – Pages: 1 of 1 – Words: 24 of 24. Delete to Words: 0 of 0. Add some, Words 5 of 5, delete again. I know that page one will become two and on, but looking at page one, with the scant words, the lack of momentum, stagnation, it’s rending. And so I quit MS Word. I check Facebook. I check my eight email addresses. I check HTML Giant. I play games on my iPad. I check blogs. Read some reviews. I check email. I play more games. I put something pithy up on Facebook. No one responds, so I delete it after thirty seconds. I open MS Word. Of course, I didn’t save. There was nothing there anyways – what’s the use of saving five words, maybe a dozen, maybe, if I was very lucky, a full sentence? (I’d save a full sentence, probably.)

READ MORE >

Craft Notes / 37 Comments
February 8th, 2012 / 4:06 pm