Composition Space without Exposition

I used to be in a writing group, there were three of us (I’ll name one F and the other K because they may or may not want me writing about them publicly), all women, professors in our mid-twenties to early thirties, with at least one book published, and drastically different writing styles, and it was the radical range in style that made our group function: there was no secret animosity, no competition, we read and respected each other’s writing, worked towards doing what we wanted to be doing. This group functioned how a writing group ought to function, at least to me. Then, of course, as things go with the academy, we scattered. K got a TT job. F and I stayed put in South Bend. But the group dynamic wasn’t the same, since we lost 1/3 of our membership, and eventually, I left too: up north, with my partner, who’s here for grad school, and I’ll start grad school in the fall too, in Geography, a move away from writing entirely.

But back to my story, I tend to wander: We used writing group time to “workshop,” absolutely, but between stories, we’d talk about process. Both K and F write primarily by computer, though they always have a notebook handy, in case they get ideas. Maybe, let’s call it, a hybrid type of writing, relying mostly on laptop. I write by hand, usually a whole draft or most of a draft, but I transfer to computer every day or three. We talked about that for a while, the difference between these two modes of composition, and—I’m getting to my point, slowly, but I assure you, I’m getting there—then, we talked about paper.

We all write in Moleskines, typical, cliché, we can admit that. Here’s the difference though: F writes on blank paper, K on lined, and I write on graph paper.

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Craft Notes & Word Spaces / 63 Comments
May 31st, 2010 / 8:35 am

No Nukes

I just want to go on record saying that this is not me. If anyone was wondering.

Author News / 10 Comments
May 30th, 2010 / 1:37 pm

The newly translated collection of Thomas Bernhard’s prose, aptly titled Prose (Seagull Books – August 15), should be anticipated as a major literary event (or at least as a book to celebrate). Whenever readers of the future want to recommend a Bernhard to start with, I hope that it will be this one. It’s possibly the most deranged, compact and dangerous performance I’ve seen Bernhard give, a performance somehow polyphonic within Bernhard’s singular voice that’s always, to often brutal and hilarious effect, dashing behind itself only to expose its weaknesses again and again. Here Bernhard is a tightrope-walker like no other. And, of course, the translation is gorgeous. More soon.

No more, please

Not just Dennis Hopper, but also Leslie Scalapino, she was a marvel.

Massive People / 6 Comments
May 29th, 2010 / 5:47 pm

The Work of Lola Dupré

Her blog.

Author Spotlight / 16 Comments
May 29th, 2010 / 4:03 pm

On Kickstarter, even though I don’t really like Troma movies this looks great: Movies of the Future With Lloyd Kaufman: A Movie About an Underground Film Icon.

Don’t You Fuckin’ Look At Me

RIP Dennis Hopper, a great one

Massive People / 41 Comments
May 29th, 2010 / 2:20 pm

The winners of the Robert Lopez Kamby Bolongo Mean River contest are: amelia, jim r, magicmike, moga, elizabeth, ryan mcdonald. Winners, please send your address to the htmlgiant addy to claim. Thanks to all, and sorry for the delay…