is there any definable characteristic that separates what is called “flash fiction” from what is called “short story” or “novella” or “novel.”
i read this story and wondered that.
is there any definable characteristic that separates what is called “flash fiction” from what is called “short story” or “novella” or “novel.”
i read this story and wondered that.
Don’t know if we covered this already, but last Friday Starcherone Books announced that Alissa Nutting’s manuscript Unclean Jobs for Women and Girls won the 6th Starcherone Prize for Innovative Fiction.
Greying Ghost/Corduroy Mtn. introduce Let Us Make a Story, a sprawling exquisite corpse experiment in which one anonymous sentence is added on to the former, without context or, it seems, editorial discretion. This just may be the perfect way to get published, but not credited. Maybe what’s more at stake is the ever manifesting story — let’s see, and see wide.

e-cigarette
There’s something very strange and non-ironic about the Electronic Cigarette, a cigarette shaped device which mimics an actual cigarette using electronically vaporized liquid nicotine, rechargeable battery, and pressure sensors. (Check out these companies here, here, and here.) I can’t figure out if E-Cigarettes are supposed to help you quit smoking, or to exploit the gestural and oral flourishes of smoking, or simply to deliver nicotine without the other harsh elements to your body and/or environment. I won’t get into the culture of smoking — its hegemony of rebellion and corporately endorsed counter-culturalism — but rather, investigate the prevalence of this “e” prefix.
Nicholas Mosely served in Italy during World War II. His first book was published in 1951.
His first book is old enough to be your grandfather.
I’ve been meaning to check out Mosley for some time. He’s intimidating, though—has been writing for quite some time, has stacked up a pretty large bibliography.
God’s Hazard is a 2009 novel published by Dalkey Archive. I am tired today because I started the book before bed last night, and stayed up an hour later than usual to continue reading it.
I will try to talk about it in depth in a couple of days when I finish it. Until then, here’s a section. Screw context. READ MORE >

Excellent 12 or 20 question interview with Ken Sparling over at Rob McLennan’s blog, about Sparling’s next book, Lish, editing, process, etc. “I haven’t met many editors who can make themselves essential. The only way to do that is to get carnal with the work you’re editing, fuck with it, cross things out, move things around, maybe even add things in.”

I didn’t think it was possible to pack so many cliches into such a small space, but the voiceover on this trailer for the 1985 James Spader vehicle Tuff Turf may have set some kind of record. It’s almost poetic…
Meet Morgan Hiller
He’s got an attitude
They’ve got a problem
He lives in two worlds
Always behind enemy lines
Tuff Turf
He’s a loner on a roll
An outsider on the edge
Caught between a dangerous loser
And the girl they both love
They can’t shut him down
And they can’t cool him off
Tuff Turf
He stands alone
And one way or another
He’s going to make this town his own
He’s always been a rebel
Now he’s about to become a hero
Tuff Turf