Miranda Mellis

You Private Person: An Interview with Richard Chiem

I interviewed Richard Chiem on the occasion of his first book, You Private Person, published by Scrambler Books. Photos via Frances Dinger and (the above) Matthew Simmons.  

What was your favorite book when you were younger? What books have made you lol or cry or feel excited?

I think I read a lot of Goosebumps books and Animorphs books, and I was trying to collect the whole series for each. If I think about 1995, there were many times of me just waiting by myself inside a Safeway, because you could find them in the book aisle. I could read one of those books in about two and a half hours, so it became an easy addiction, since I wanted to know everything, to know the whole story. I would stack up my stacks of books next to my video games and my comic books in towers. They were each numbered like episodes, and in different colors. It seemed perfect to me at the time to have them all. I would save up six or seven dollars, everything other week or so in 1995, waiting in line at a Safeway. I recognized a particular need to read. But they never made me cry or laugh. I don’t really remember what exactly I was feeling when I was eight years old, in third grade, but I remember those simple horror and adventure stories, and I can still talk about them.

I turn on subtitles when I watch movies now. Some of my friends hate it and some really like it. It was adding another dimension to every movie and it quickened the pace of the viewing experience for me. And I watch a lot of movies. I always write after watching
a movie when everything still feels really alive about the story.


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November 2nd, 2012 / 11:50 am


None of This Is Real

None of This Is Real
by Miranda Mellis
Sidebrow, April, 2012
115 pages / $18  Buy from Sidebrow or SPD







O, the subject of the title story of Miranda Mellis’s collection of short and long fiction, None of This Is Real, seeks solace (he has headaches—better to say “pain management,” then? we’ll see) in something called “Path to a Position™,” purveyed by its shadowy practitioner, Tiara Scuro: “She outlined for O the steps by which he would, with her, find his position. . . The old school believed the antidote for despair was courage, she said, but the real anti to the dote is a comforting distortion; this is what I call somatic realism.” “Somatic” realism? Is there another kind? Or do we deal in phenomenology?

“For years I had been removing the ground from under my clients,” she tells him,

But then I realized that what people really want is exactly what I was trying to subtract: a position, a Patch of Stability, a bit of personal ground in a time when actual ground is inaccessible for a variety of economic and environmental reasons, and in a time when positions, in the sense of steady employment, are scarce.


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April 23rd, 2012 / 12:00 pm